Quotes About Shakespeare

In Shakespeare the birds sing, the bushes are clothed with green, hearts love, souls suffer, the cloud wanders, it is hot, it is cold, night falls, time passes, forests and multitudes speak, the vast eternal dream hovers over all. Sap and blood, all forms of the multiple reality, actions and ideas, man and humanity, the living and the life, solitudes, cities, religions, diamonds and pearls, dung-hills and charnelhouses, the ebb and flow of beings, the steps of comers and goers, all, all are on Shakespeare and in Shakespeare.

I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.

It's easier to do Shakespeare than Spelling, and I know that sounds crazy, because the challenge of Shakespeare is living up to Shakespeare, living up to that word, not failing, you know, where with Aaron Spelling it's like, just try to look good. Or maybe don't use Spelling there, that's bad. No - you can. He's dead.

Imagine a revised edition of Shakespeare... a big, thick book with an elegant cover... You open it and find that there are no pages, just an empty box of space. On the back wall of the box is a small mirror. You look into it, see yourself, and now you know all you need to know about Shakespeare.

Shakespeare language is fantastic, and to be honest, you dont need to do anything to Shakespeare.

When Shakespeare doesn't feel like Shakespeare, it's the best.

I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.

Shakespeare doesn't belong to the past. If his material is valid, it is valid now. It's like coal. The only meaningfulness of a piece of coal starts and finishes with its combustion, giving us light and heat. And that to me is Shakespeare.

Working on Shakespeare and learning about Shakespeare was the big takeaway for me.

If I say that Shakespeare is the greatest of intellects, I have said all concerning him. But there is more in Shakespeare's intellect than we have yet seen. It is what I call an unconscious intellect; there is more virtue in it that he himself is aware of.

In school I really loved Shakespeare, and I participated in a country-wide Shakespeare competition.

If you grow up in Britain, you just do Shakespeare. If you go and work in a theater once or twice or three times in your life, you're going to end up doing a Shakespeare, because he's obviously such a brilliant, brilliant writer.

Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.

What is a 'thing'? All is movement, a flowing. How stupid it is to speak of the 'mind'. There is a body; there is a mind: they are mixed up together. Shakespeare with a hole in his sock will not write the sonnet of a Shakespeare with socks intact.

What has been done in the world - the works of genius - cost nothing. There is no painful effort, but it is the spontaneous flowing of the thought. Shakespeare made his Hamlet as a bird weaves its nest.

In the summer of 2009, I was at the Shakespeare lab at the public theater in New York.

The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn't have needed anyone since.

I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.

There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before.

Vast objects of remote altitude must be looked at a long while before they are ascertained. Ages are the telescope tubes that must be lengthened out for Shakespeare; and generations of men serve but a single witness to his claims.

It's good to have a lot of once-in-a-lifetimes in your lifetime. If you get the chance to skydive, go skydiving. If you're offered a part in a weird Shakespeare play in San Diego, slap on some tights and rock out some iambic pentameter.

There's very few people - like Shakespeare - who, no matter what, were gonna do what they did. For the rest of us, there's a lot of events that have to happen in order for things to end up the way they are.

The worst of this sorry bunch of semi-educated losers are those who seem to glory in being irritated by nouns becoming verbs. How dense and deaf to language development do you have to be? If you don’t like nouns becoming verbs, then for heaven’s sake avoid Shakespeare who made a doing-word out of a thing-word every chance he got. He TABLED the motion and CHAIRED the meeting in which nouns were made verbs

Leonardo da Vinci was homosexual, so was Michelangelo, Socrates, Shakespeare, and almost every other figure that has formed what we have come to understand as beauty.

I'm not in the Shakespeare stakes. I have no ambition.

Shakespeare, he's in the alley with his pointed shoes and his bells, speaking to some French girl who says she knows me well.

A writer can get into a vast deal of trouble through misquotation. If you ever want to receive lots of mail, I recommend you get a Shakespeare quote wrong in a magazine or newspaper.

I said something idiotic like, as [William] Shakespeare says, "Action is eloquence," and the judge just frowned at me and gave me a couple weeks in jail.

The greatest artists, saints, philosophers, and, until quite recent times, scientists... have all assumed that the New Testament promise of eternal life is valid.... I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake, and Dostoevsky than right with Voltaire, Rousseau, the Huxleys, Herbert Spencer, H. G. Wells, and Bernard Shaw.

The way Shakespeare wrote Fallstaff is with a heightened language and everything.

If Shakespeare has not been equalled, he is sure to be surpassed, and surpassed by an American born now or yet to be born.

There's a phrase in Shakespeare: he refers to it as the 'hidden imposthume', and this idea of a hidden swelling is seminal to cancer. But even in more contemporary writing it's called 'the big C'.

Homer and Shakespeare and Milton and Marvell and Wordsworth are but the rustling of leaves and crackling of twigs in the forest, and there is not yet the sound of any bird. The Muse has never lifted up her voice to sing.

With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his. . . . It would positively be a relief to me to dig him up and throw stones at him.

Shakespeare's idea of the tragic fact is larger than this idea and goes beyond it; but it includes it, and it is worth while to observe the identity of the two in a certain point which is often ignored.

Shakespeare was not a scholar in the sense we regard the term to-day, yet no man ever lived or probably ever will live that equalled or will equal him in the expression of thought. He simply read the book of nature and interpreted it from the standpoint of his own magnificent genius.

Our contention has always been that Shakespeare is our greatest living author. If he can survive a season on Broadway, he must be.

'Refudiate,' 'misunderestimate,' 'wee-wee'd up.' English is a living language. Shakespeare liked to coin new words too. Got to celebrate it!'

Shakespeare never had more than 6 lines together without a fault.

I never really thought about how when I look at the moon it;s the same moon as Shakespeare and Marie Antoinette and George Washington and Cleopatra looked at.

When we study Shakespeare on the page, for academic purposes, we may require all kinds of help. Generally, we read him in modern spelling and with modern punctuation, and with notes. But any poetry that is performed - from song lyric to tragic speech - must make its point, as it were, without reference back.

As an actress and comedienne, I'm a huge fan of he theatre and the Tricycle in Kilburn is my favourite in London. I dragged my kids to a performance of 'Twelfth Night' there, where they handed out pizza. Who knew that all it takes to get children interested in Shakespeare is a snack?

Shakespeare's stories are still very strong. He structured fantastic stories about things that were fundamental to the human being and psyche.

Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you. We are each so atomically numberous and so vigorously recycled at death that a significant number of our atoms-up to a billion for each of us, it has been suggested-probably once belonged to Shakespeare. A billion more each came from Buddha and Genghis Khan and Beethoven, and any other historical figure you care to name.

Had Shakespeare listened to the news of Duncans death in a tavern or heard the knocking on his own bedroom door after he had finished the writing of Macbeth?

If Shakespeare had never existed, he asked, would the world have differed much from what it is today? Does the progress of civilization depend upon great men? Is the lot of the average human being better now that in the time of the Pharaohs?

There is a part of me that will forever want to be walking under autumn leaves, carrying a briefcase containing the works of Shakespeare and Yeats and a portable chess set. I will pass an old tree under which once on a summer night I lay on the grass with a fragrant young woman and we quoted e.e. cummings back and forth.

On the streets, unrequited love and death go together almost as often as in Shakespeare.