Quotes About Sometimes

I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.

Ideas for stories come in really different terms and really different ways for me. Sometimes they're from books, sometimes they're just kind of out of the air, from nowhere, sometimes they're biographical, or sometimes they're other things [everyday life].

The most important point of [Susan] Fiske's work is that it provides a taxonomy for our differing feelings about different Thems - sometimes fear, sometimes ridicule, sometimes contemptuous pity, sometimes savagery.

It seems to me that we can’t explain all the truly awful things in the world like war and murder and brain tumors, and we can’t fix these things, so we look at the frightening things that are closer to us and we magnify them until they burst open. Inside is something that we can manage, something that isn’t as awful as it had a first seemed. It is a relief to discover that although there might be axe murderers and kidnappers in the world, most people seem a lot like us: sometimes afraid and sometimes brave, sometimes cruel and sometimes kind.

Usually it's lyric first, but sometimes it's melody. And I carry a hand-held recorder everywhere I go so I can just hum or whistle a melody if one hits me. Sometimes it's both simultaneously - lyric and melody at the same time - those are a little confusing to me, but sometimes it comes in that form. I just feel like I have my own little radio station and sometimes the static clears and something beams in from out there.

Sometimes when you win, you really lose. And sometimes when you lose, you really win. And sometimes when you win or lose, you actually tie. And sometimes when you tie, you actually win or lose. Winning or losing is all one organic mechanism, from which one extracts what one needs.

In almost every musical ever written, there's a place that's usually about the third song of the evening - sometimes it's the second, sometimes it's the fourth, but it's quite early - and the leading lady usually sits down on something; sometimes it's a tree stump in Brigadoon, sometimes it's under the pillars of Covent Garden in My Fair Lady, or it's a trash can in Little Shop of Horrors... but the leading lady sits down on something and sings about what she wants in life. And the audience falls in love with her and then roots for her to get it for the rest of the night.

Sometimes tradition and habit are just that, comfortable excuses to leave things be, even when they are unjust and unworthy. Sometimes--not often, but sometimes--the cranks and radicals turn out to be right. Sometimes Everyone is wrong.

But the greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men.

The power of transgression is the archetypal, foundational story of the Bible. We want to break our own codes - sometimes of morality, sometimes of ethics, sometimes of the power structure, sometimes of the institution of marriage - because there is freedom and power in transgression.

Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice.

Like a lot of us, sometimes I'm preaching to the choir, and sometimes my voice doesn't even get heard at all. Sometimes I think that what I'm writing now might not even have an impact for the next three or four generations. Sometimes I sit there and write, and I think, "It'll be two hundred years before they get what I'm writing about."

A man's minor actions and arrangements ought to be free, flexible, creative; the things that should be unchangeable are his principles, his ideals. But with us the reverse is true; our views change constantly; but our lunch does not change. Now, I should like men to have strong and rooted conceptions, but as for their lunch, let them have it sometimes in the garden, sometimes in bed, sometimes on the roof, sometimes in the top of a tree. Let them argue from the same first principles, but let them do it in a bed, or a boat, or a balloon.

Sometimes I think too much, or sometimes I don't think enough as the character. Sometimes you just miss a moment, or sometimes you hear something that a character's saying that you haven't heard before and you react differently.

Sometimes clients have a sophisticated view of their design problem, sometimes they do not. I often spend time with the client redefining the problem, going back to the beginning. Often the problem is just a symptom. Sometimes you have to move back in order to move forward to understand what the nature of the solution should be.

Sometimes life turns out hard, Isabel. Sometimes it just bites right through you. And sometimes, just when you think it's done its worst, it comes back and takes another chunk.

We use improv in all kinds of fun ways. Sometimes it's to invent or discover new things, sometimes it's to weird out the other actors, and sometimes it's to create a sense of fun, to find new things inside the scripted lines.

Sometimes you do get tired in the business from all the traveling. No one outside of the business realizes what we go through. ... Sometimes you don't mean to be unkind, but sometimes you're tired and do things you don't mean. I know the real fans understand.

Sometimes we can choose the paths we follow. Sometimes our choices are made for us. And sometimes we have no choice at all.

Sometimes I write about my own life. And sometimes I write about situations I see my friends going through. Sometimes I write about a scene I saw in a movie. I take inspiration from all different places.

I believe in fate. Sometimes that means an old bearded guy sitting on a cloud and pulling the strings; sometimes it means random atoms swirling through a cheerless universe; sometimes it means everything being preordained thanks to your karma credit from your previous lives.

What you take to be hyprocrisy is sometimes a certain caution, sometimes genuine, though ponderous, childish, sometimes a mixture of both.

Every song is completely different. Sometimes they come like a lump of clay and it's your job to chip away and find out what's in the center. Sometimes it comes like swimming fish, and you have to follow it and see where it leads. Sometimes it comes totally fragmented.

In general, in painting sometimes people like Picasso or somebody are not very well known in the beginning, sometimes they become well known just before they die, or sometimes after they have died. I think these people start to be artists after they've stopped existing.

My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.

Sometimes you want to run away Sometimes you think you do But you never had a dream like this before And you don't want to ask for more Sometimes you leave a mark Before you know the score

People sometimes don't like organized situations. Sometimes people need to be left alone more. Sometimes people need environmental support.

Sometimes it depends on the actor or the actress. Sometimes they demand a lot of rehearsals. Sometimes they don't. Making movies is not like making a play, so I guess you can leave some of the work for improvisation when they do the work.

God always answers prayer, sometimes with a yes, sometimes with a no and sometimes with a 'You've got to be kidding!'

Where do you get your ideas? people ask. Sometimes they’re at the bottoms of cups of tea. Sometimes they’re lurking in my shower. Sometimes they’re waiting patiently in glass cases in museums.

I love to make music that makes people feel mood-enhancing, life-affirming brilliance but I just make whatever comes out at the time and sometimes it's up and sometimes it down and sometimes it sideways with a hint of s smile.

Because sometimes there's more worth in silence than noise. Sometimes everything you need to know is contained in that small quiet space. Sometimes we get so caught up in distraction and noise and seeking other people's approval we forget the quiet seed of truth that lives in our hearts. But just because we fail to tune in to it, doesn't mean it's not there.

Love would never be a promise of a rose garden unless it is showered with light of faith, water of sincerity and air of passion. Sometimes we make love with our eyes. Sometimes we make love with our hands. Sometimes we make love with our bodies. Always we make love with our hearts. If I could reach up and hold a star for every time you've made me smile, the entire evening sky would be in the palm of my hand. To love another person is to see the face of God.

Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.

You really can't go home again. Sometimes, that's a good thing. Sometimes, when you try, you find out that home isn't really there anymore... but that it wasn't only in your head before. Home actually existed. Home wasn't just a dream. Sometimes, that's the best thing of all.

Sometimes compromise is important. Sometimes it's better to give in to someone else's wishes in order to have fun as a group or as a couple, or for the benefit of the team. Sometimes compromise is dangerous. We need to guard against compromising our standards to gain the approval or love of someone else. Decide when you can, and when you cannot, compromise. If it's not harmful and you are ambivalent about a decision, then compromise. If it could lead to breaking your values, compromise isn't a good idea.

We all need that sometimes, to get re-sparked again. Sometimes it's different influences and different motivations; sometimes we've got to go and get back to the basics.

Sometimes not honoring your character makes for really good television, but that also can really upset fans. You have to turn things upside sometimes. As a storyteller, you have to know that sometimes you're going to let your fans and the audience down because you have to do your part in servicing the story.

Narrative should flow as flows the brook down through the hills and the leafy woodlands...a brook that never goes straight for a minute, but goes and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe of ¾ of a mile around and at the end of the circuit flowing within a yard of the path that it traversed an hour before; but always going and always following at least one law, always loyal to that law, the law of narrative, which has no law. Nothing to do but make the trip; the how of it is not important, so that the trip is made.

The workings of heaven are unfathomable-sometimes encouraging, sometimes suppressing. All this makes sport of heroes and tumbles the great. Enlightened people take adversity in stride and are prepared for trouble even when at ease; therefore, they are not at the mercy of fate.

I'm always feeling like I don't belong, no matter where I am. So I'm just searching for a family nonstop, and sometimes I find it in the mosh pit, sometimes I find it when I'm doing some French TV show with the president's wife.

Don't waste time on jealousy. Sometimes you're ahead, sometimes you're behind.

Sometimes I would take Nietzsche or something. And I wouldn't read it, but more just scan the words. Sometimes I would get whatever the popular thing at the time was. I don't know, something like Bret Easton Ellis. It was just a very random, inefficient education.

There is a correlation between evil. There is a primary evil that comes directly from the Devil. Even though all evil stems from the Devil, the Devil sometimes interacts with people in the physical world and the spiritual world and sometimes there's just plain evil that people do to one another. And I've seen plenty of that over the course of 20 years.

The premise of 'Deadline' forced me to go against my own grain with a character determined to find all that is valuable in that time. I believe this is a story about redemption; how, even with the best intentions, it's sometimes found and sometimes not.

In this quiet, peaceful time of twilight there is, in this great circle of life, an awful lot of hunting and fishing and catching and killing and dying and eating going on all around me. As the old fisherman said, 'That's the way with life. Sometimes you eat well; sometimes you are well-eaten.'

I am not an animal in my personal life. But in the ring there is an animal inside me. Sometimes it roars when the first bell rights. Sometimes it springs out later in a fight. But i can always feel it there, driving me and pushing me forward. It is what makes me win. It makes me enjoy fighting.

As a mother, I work hard every day and I expect that work to be recognized and appreciated. Because I work for and with human beings, sometimes they're grateful and sometimes they aren't.