Quotes About Sometimes

Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice. And sometimes an active policy is best advanced by doing nothing until the right timeor never.

I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.

That's sort of what I try to do with music: to harness whatever energy is already there and see where that momentum takes me. Sometimes you're spinning that oncoming momentum in a different direction, or sometimes you're coercing it to consider itself, or sometimes you're holding it up to a mirror. But I don't really like to interrupt and come in and destroy everything and start all over. I'm not that kind of guy.

Sometimes it works. Sometimes I feel like playing 'Hospital'. Sometimes I feel like playing 'Pablo Picasso'. I've been playing a lot lately. I do it as long as I feel like it.

You'll hunt me. You'll condemn me. Set the dogs on me. Because that's what needs to happen. Because sometimes truth isn't good enough. Sometimes people deserve more. Sometimes people deserve to have their faith rewarded.

Sometimes you do get tired in the business from all the traveling. No one outside of the business realizes what we go through. ... Sometimes you don't mean to be unkind, but sometimes you're tired and do things you don't mean. I know the real fans understand.

Literature and art are one of a number of relationships I have with the world. Like you have relationships with your friends and a relationship with your lover and your relationship with your family and your relationship with your work - sometimes it's really great; sometimes it's non-existent, sometimes it's fruitful.

It's hard to say. Sometimes people have had terrible childhoods. And sometimes they just haven't found their special place in life. And sometimes they're dogs from hell and must be destroyed.

Every song is completely different. Sometimes they come like a lump of clay and it's your job to chip away and find out what's in the center. Sometimes it comes like swimming fish, and you have to follow it and see where it leads. Sometimes it comes totally fragmented.

Most of the time I wind up with a sleepily mumbled melodic line, sometimes with words, sometimes not. But then with my waking brain I have to decide whether it's worth...I mean, sometimes it's not worth it.

I would want people to take away this idea that sometimes people's problems or neuroses are really the things that are kind of a blessing in disguise, and even though there's sometimes pain associated with these things that sometimes in the face of adversity with obstacles to overcome, people can really kind of soar and find their higher selves.

Parents can ruin children, and sometimes that's a learned behavior. Sometimes you can't blame your parents for it, sometimes you can. I think to me, that's what the whole paradox is, is people that have children that don't even know how to raise them.

The longer a woman remains single, the more apprehensive she will be of entering into the state of wedlock. At seventeen or eighteen, a girl will plunge into it, sometimes without either fear or wit; at twenty, she will begin to think; at twenty-four, will weigh and discriminate; at twenty-eight, will be afraid of venturing; at thirty, will turn about, and look down the hill she has ascended, and sometimes rejoice, sometimes repent, that she has gained that summit sola.

Sometimes I highjack memories. Sometimes I switch them around. Sometimes they're just in the background, like some little bass note. Those things have carried me through, especially when I first started writing. They're still there, but more in the distance these days.

Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.

We don't always possess faith in the sense of having a clear embodiment of something to hang on to. The relationship between the intellect and faith is a very curious one. Sometimes the intellect can point us to faith, sometimes the intellect can stand in the way of faith. Sometimes, as St John of the Cross points out, we have to darken or blind the intellect in order to have faith.

Sometimes I may be totally arrogant, sometimes I may totally be the most humble guy you've ever met, sometimes I may be in between. But that's life. Who isn't like that? What's the big deal if I had an arrogant moment.

The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he's been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?

Most of the time, the songs have jokes in them, little sarcastic things, or purposely kitsch or something. So that's going along with a story, like I do in life, just talking to myself and making fun of stuff and laughing at stuff that's serious. And sometimes it's a good idea to put the laughing into the songs. Sometimes it's not. Sometimes it's all right just to be serious. But most of the songs have some kind of joke in them.

Sometimes there's a lot of tangents because I forget what I'm going to say so much. Sometimes there's very little tangents and stuff for some reason, and then some nights it's all tangents and I can't find my way, and then sometimes I wind up just talking about something completely extemporaneously and then never mention it again ever. It's just completely different.

Many writers write across difference of one kind or another. Sometimes the difference is large and recognizable: gender, or race, or religion, or sexuality. And sometimes the differences are smaller. ... Where authors get into trouble is in trying to make those different characters stand in for whole groups of people, or for creating characters only to fetishize or explore their supposed otherness. Your character can be wildly different from you, as long as he's written with respect and, moreover, specificity.

If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.

I doubt if Dickens did, especially his women-his pretty women-Mrs. Dombey, Florence, Dora, Agnes, Ruth Pinch, Kate Nickleby, little Emily-we know them all through Hablot Browne alone-and none of them present any very marked physical characteristics. They are sweet and graceful, neither tall nor short; they have a pretty droop in their shoulders, and are very ladylike; sometimes they wear ringlets, sometimes not, and each would do very easily for the other.

At the happy ending of the Tempest, Prospero brings the kind back togeter with his son, and finds Miranda's true love and punishes the bad duke and frees Ariel and becomes a duke himself again. Everyone - except Caliban - is happy, and everyone is forgiven, and everyone is fine, and they all sail away on calm seas. Happy endings. That's how it is in Shakespeare. But Shakespeare was wrong. Sometimes there isn't a Prospero to make everything fine again. And sometimes the quality of mercy is strained.

There is a correlation between evil. There is a primary evil that comes directly from the Devil. Even though all evil stems from the Devil, the Devil sometimes interacts with people in the physical world and the spiritual world and sometimes there's just plain evil that people do to one another. And I've seen plenty of that over the course of 20 years.

For me, the best journalism is usually the best storytelling, and the best stories are those of real people. Sometimes those real people are people in positions of great prominence or power or adverse situations, and sometimes it's just normal folks who help illuminate a situation, a place, a culture. And for me, that's always been the best way of telling a story.

Sometimes words need music too. Sometimes the descriptions are not enough. Books should be written with soundtracks, like films.

I'm in the camp that needs to discover and take risks, sometimes it's with the promise of something special and new, sometimes it's to stay awake, either way it's much more stressful with all the uncertainty but worth the pain in the end.

It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.

We ought to give our friend pain if it will benefit him, but not to the extent of breaking off our friendship; but just as we make use of some biting medicine that will save and preserve the life of the patient. And so the friend, like a musician, in bringing about an improvement to what is good and expedient, sometimes slackens the chords, sometimes tightens them, and is often pleasant, but always useful.

I read my own books sometimes to cheer me when it is hard to write, and then I remember that it was always difficult, and how nearly impossible it was sometimes.

From where I sit, battles are hard. I’ve written my share. Sometimes I employ the private’s viewpoint, very up close and personal, dropping the reader right into the middle of the carnage. That’s vivid and visceral, but of necessity chaotic, and it is easy to lose all sense of the battle as a whole. Sometimes I go with the general’s point of view instead, looking down from on high, seeing lines and flanks and reserves. That gives a great sense of the tactics, of how the battle is won or lost, but can easily slide into abstraction.

I never got into things to be famous. Sometimes its fun, sometimes its annoying.

I am terminally curious, so I tend to be attracted to the shiny. That's a mixed blessing, as sometimes it means that I can end up right on the cutting edge, but sometimes it can result in wild goose chases as well. Either way, it makes life interesting!

We all think were going to be great and we feel a little bit robbed when our expectation aren't met, but sometimes our expectations sell us short. Sometimes the expected simply pales in comparison to the Write to be understood, speak to be heard, read to grow.

If there is no God, then man sometimes thinks he is god, and sometimes tries to live like a god.

Civil disobedience's main goal typically is to try to arouse and inspire others to join and do something. Well, sometimes that is a good tactic, sometimes not.

It's absolutely impossible to have a serious critical discussion about enthusiasms for movie stars. Because a movie star is an animal separate from acting. Sometimes, he or she is a great actor. Sometimes a third-rate one. But the star is something that you fall in love with.

It's always strange to read the things you've hoped for in the past because by now those hopes may be spoken for or gone, transformed or altogether forgotten. Like time, hope can be so senseless. It can carry us up mountains or lie us in the quicksand. But like time, hope is unstoppable, inevitable, and blind. Sometimes we travel fast, hurdling towards the unknown, sometimes the unknown comes hurdling towards us while we watch time standing still.

The brain of man, like that of all animals is double, being parted down its centre by a thin membrane. For this reason pain is not always felt in the same part of the head, but sometimes on one side, sometimes on the other, and occasionally all over.

Life is work, and everything you do is so much more experience. Sometimes you work for wages, sometimes not, but what does anybody make but a living? And whatever you have you must either use or lose.

Sometimes you find your voice by trying to write like people, and sometimes you find it by trying to write unlike people.

It is better that a man should tyrannize over his bank balance than over his fellow-citizens and whilst the former is sometimes denounced as being but a means to the latter, sometimes at least it is an alternative.

...you have to have faith that you are doing God's will. Sometimes you will not understand. Sometimes you will doubt. But if you are doing God's will, you can't be wrong, you can't go wrong.

Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.

Sometimes, you've got to be in a place. You're just another guy. You can just blend in. I live out in the wilds of nowhere, out in Jersey. Even there, there's sometimes problems. College students like journey out there and show up at 11 o'clock at night, on my porch, looking into the door not saying anything. My wife and I are sitting there; it's really creepy.

Sometimes doubting is not a lack of faith, but an expression of it. Sometimes to doubt is to merely insist that God be taken seriously not frivolously, to insist that our faith is placed in and upheld by something other than seeming conjuring tricks.

It's absurd and quite tragic the way people have managed to pit science against faith. They aren't in conflict at all - they're long lost dance partners. I don't divide the world up into Christians and other people - we are all human beings, brothers and sisters, and we embrace truth wherever we find it, whether that's in a lab, a field or a cathedral. Because sometimes you need a scientist and sometimes you need a poet.