Quotes About Sometimes

People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.

Stories are like genies...They can carry us into and though our sorrows. Sometimes they burn, sometimes they dance, sometimes they weep, sometimes they sing. Like genies, everyone has one. Like genies, sometimes we forget that we do. Our stories can set us free...When we set them free.

I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'

I'm making a great effort because sometimes life is not enjoyable. Sometimes it's painful and sometimes it's stressful, sometimes it's agonizing even, so I think once you get around those humps: strive for pleasure and peace.

The old grey donkey, Eeyore stood by himself in a thistly corner of the Forest, his front feet well apart, his head on one side, and thought about things. Sometimes he thought sadly to himself, "Why?" and sometimes he thought, "Wherefore?" and sometimes he thought, "Inasmuch as which?" and sometimes he didn't quite know what he was thinking about.

Sciences usually advances by a succession of small steps, through a fog in which even the most keen-sighted explorer can seldom see more than a few paces ahead. Occasionally the fog lifts, an eminence is gained, and a wider stretch of territory can be surveyed-sometimes with startling results. A whole science may then seem to undergo a kaleidoscopic rearrangement, fragments of knowledge sometimes being found to fit together in a hitherto unsuspected manner. Sometimes the shock of readjustment may spread to other sciences; sometimes it may divert the whole current of human thought.

But the greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men.

All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.

You are a slow learner, Winston." "How can I help it? How can I help but see what is in front of my eyes? Two and two are four." "Sometimes, Winston. Sometimes they are five. Sometimes they are three. Sometimes they are all of them at once. You must try harder. It is not easy to become sane.

Sometimes my work needs to be photographic, sometimes it needs words, sometimes it needs to have a relationship to music, sometimes it needs to have all three and become a video projection.

That's our job as artists is to be honest about what we're feeling. And what we're feeling is not always going to be perfect. Sometimes it's going to be controversial. Sometimes it's going to piss a couple of people off. Sometimes it's going to motivate people. Sometimes it's going to inspire.

Sometimes love makes you selfish. Sometimes it makes you stupid. Sometimes it reminds you why you love your gun.

The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.

When I'm alone, I work sometimes with music, sometimes without and sometimes just listening to NPR.

Sometimes you are forced to defend your beliefs. Sometimes you are forced to look at relationships that aren't positive anymore. There are times when I have had to make peace with the fact that I am at war. And sometimes you have to fight those who do not want love to conquer all.

Music’s the soundtrack of my life and has been since I was a teenager. There’s always music. If I’m not playing it, I’m listening to it. With my writing... sometimes it inspires a story, sometimes it highlights something I’m working on, sometimes it simply helps me stay in the narrative mood.

They didn't know why these things were funny. Sometimes you laugh because you've got no more room for crying. Sometimes you laugh because table manners on a beach are funny. And sometimes you laugh because you're alive, when you really shouldn't be.

Sometimes we can offer a cure, sometimes only a salve, sometimes not even that. But whatever we can offer, our interventions, and the risks and sacrifices they entail, are justified only if they serve the larger aims of a person's life. When we forget that, the suffering we inflict can be barbaric. When we remember it the good we do can be breathtaking.

I decide that sometimes definitions are wrong. Even if they're written in a dictionary. Identities aren't always separate and distinct. Sometimes they ARE wrapped up with others. Sometimes, for a few minutes, maybe they can even be shared. And if I am ever fortunate enough to return to Mr. Bender's garden, I wonder if the birds will see that piece of him that is wrapped up in me.

Sometimes we can choose the paths we follow. Sometimes our choices are made for us. And sometimes we have no choice at all.

Sometimes I have a feeling that I just can't get rid of. Sometimes there's an experience that I want to write about that I have to get off my chest. Sometimes there are some words that appeal to you.

Dr. Johnson ... sometimes employed himself in chymistry, sometimes in watering and pruning a vine, and sometimes in small experiments, at which those who may smile, should recollect that there are moments which admit of being soothed only by trifles.

Sometimes the parallels that are brought in can make the play seem less relevant; you can deny a play's application to the universal by making it too specific. Sometimes having a modern context does make things easier to grasp; sometimes, you go, "Why have they got swords?" "Why didn't Juliet just text Romeo? Why did she bother posting a letter? Why was the Milan post service so bad?" It throws up irrelevant questions that don't help.

Sometimes you like the personal adventure implicit in the making of a film, and sometimes you like your part in a film, and sometimes you like the final result.

Everywhere we look, ideology slouches along the freeways and autoroutes, sometimes carrying a cross, sometimes a sickle, sometimes a crescent, but always busy doing somebody in somewhere, somehow.

Sometimes, you know, I cry. And sometimes I scream. And I get really angry. And I get really upset, you know, into wallowing in self-pity sometimes. And I think that it's all part of the healing.

My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.

Sometimes it depends on the actor or the actress. Sometimes they demand a lot of rehearsals. Sometimes they don't. Making movies is not like making a play, so I guess you can leave some of the work for improvisation when they do the work.

Heroes and scholars represent the opposite extremes... The scholar struggles for the benefit of all humanity, sometimes to reduce physical effort, sometimes to reduce pain, and sometimes to postpone death, or at least render it more bearable. In contrast, the patriot sacrifices a rather substantial part of humanity for the sake of his own prestige. His statue is always erected on a pedestal of ruins and corpses... In contrast, all humanity crowns a scholar, love forms the pedestal of his statues, and his triumphs defy the desecration of time and the judgment of history.

The writers we absorb when we're young bind us to them, sometimes lightly, sometimes with iron. In time, the bonds fall away, but if you look very closely you can sometimes make out the pale white groove of a faded scar, or the telltale chalky red of old rust.

Sometimes nudity is sexy. Sometimes it's not. Sometimes being clothed is more sexy than being nude. I think people tend to get the two mixed up.

I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.

Sometimes family doesn't always consist of your relatives or by blood. Sometimes your best friends can feel more like family than your cousins. I think everybody kind of has that same feeling. When you go through an accident together, when you go through a traumatic event, sometimes that brings you closer together.

Sometimes your personal life is much more significant. Sometimes your work life is more significant. Friends and family, or sometimes the general population, take precedence.

There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.

One of the most painfully inauthentic ways we show up in our lives sometimes is saying "yes" when we mean "no," and saying "no" when we mean "hell yes." I'm the oldest of four, a people-pleaser - that's the good girl straitjacket that I wear sometimes. I spent a lot of my life saying yes all the time and then being pissed off and resentful.

Many writers write across difference of one kind or another. Sometimes the difference is large and recognizable: gender, or race, or religion, or sexuality. And sometimes the differences are smaller. ... Where authors get into trouble is in trying to make those different characters stand in for whole groups of people, or for creating characters only to fetishize or explore their supposed otherness. Your character can be wildly different from you, as long as he's written with respect and, moreover, specificity.

Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.

Life is about change, sometimes it's painful, sometimes it's beautiful, but most of the time it's both.

I'm always surprised when you do something very different that people don't get behind you more, because you're always told, "Take chances! Stretch!" And when you do it, sometimes people get really supportive and excited, but sometimes people go at you because you've tossed out the formula.

I'm always feeling like I don't belong, no matter where I am. So I'm just searching for a family nonstop, and sometimes I find it in the mosh pit, sometimes I find it when I'm doing some French TV show with the president's wife.

Endings of television shows are sometimes such depressing things. I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end, and we knew it was going to be the end, and sometimes it's just better if a comedy show ends and goes away and they never had a series finale.

He took her in his arms right away. "I'm so sorry," he murmured in her ear. He rocked her, saying it over and over. But no matter how many times he said it, no matter how much she knew he meant it, the words stirred around in her ear but didn't get into her brain. Sometimes he could comfort her. Sometimes he said what she needed, but today he couldn't reach her. Nothing could.

I do not know what dust is, I do not know where it comes from, I only know that it settles on things. I cannot see it in the air, or watch it fall. Sometimes Im home all day but I never see it sliding about looking for a place to rest when my back is turned. Does it wait til I go out? Or, does it happen in the night when I sleep? Dust is not fussy about the places it chooses, though it seems to prefer still objects. Sometimes, out of kindness, I let it lie for weeks. On some places it will lie forever. However, dust holds no grudges and once removed it will always return, in a friendly way.

Sometimes a poem starts because I feel the urge to write about something from which I carry a great deal of shame, and I try to sketch out in writing how I am complicit in whatever dynamic it is I am illuminating. And sometimes it comes later, when I step back and challenge myself - am I being honest here?

Sport for me is about inspiring kids. Here's the rules, here's the play area, sometimes you win, sometimes you lose. This is all about teaching kids how to approach life. If we're not playing sport to benefit kids, I'm not really sure why we play sport.

Sometimes the story takes you to places that you want to go and sometimes it takes you places you don't want to go.

Sometimes maybe it's good to have someone doing a sci-fi show who's not actually necessarily from that background. It also means that sometimes I fall into the most elementary of traps.