Quotes About Stories

The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.

Stories matter. Stories are how we make sense of the world, which doesn't mean that those stories can't be stupid and simplistic and full of lies. Stories can exaggerate and offend and they always, always matter.

Stories--individual stories, family stories, national stories--are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.

Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."

Digression is my passion. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten, and that are kind of surprising. The problem is, how do you pare stories away so that the book doesn't become a distracting jumble of material, and readers lose focus? In my experience, there's really only one way to do that. I pack it all in with the rough draft, then count on myself and my trusted readers to tell me what's good and what's not good.

I dreamed of being a part of the stories—even terrifying one, even horror stories—because at least the girls in stories were alive before they died.

The truth of the matter was stories was everything and everything was stories. Everybody told stories. It was a way of saying who they were in the world. It was their understanding of themselves. It was letting themselves know how they believed the world worked, the right way and the way that was not so right.

I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.

I am tired of reading reviews that call A Good Man brutal and sarcastic. The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism.... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror.

Of course, an English aristocrat might have some contact with the staff downstairs and could adequately say a thing or two about inter-class dramas unfolding in the household. But something less parochial might be harder to come by. This is relevant because stories about the divisiveness of class are by definition stories that straddle class boundaries. A story about a miner in a mining town is not obviously one that speaks to the divisiveness of class. In other words, class doesn't just divide us in the world but it also divides us in the stories we're presented.

Maybe instead of strings it's stories things are made of, an infinite number of tiny vibrating stories; once upon a time they all were part of one big giant superstory, except it got broken up into a jillion different pieces, that's why no story on its own makes any sense, and so what you have to do in a life is try and weave it back together, my story into your story, our stories into all the other people's we know, until you've got something that to God or whoever might look like a letter, or even a whole word.

There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.

People need stories...we use stories to teach, to learn, to make sense of the world around us. As long as we need stories, we will need books.

I noticed that some of my deadness was being replaced by an intense feeling about the Greek stories and the Bible stories. They were similar. There was something naked about these stories. Terrible things happened, and then some more terrible things.

Lies are just stories, and stories are all that matter. We all tell stories. Some are more truthful than others, maybe, but in the end the only thing that counts is what you can make people believe.

We're writers. What do we do? We tell stories. We make up stories. We create art.

A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.

I wondered if the person who really loves you is the person who knows all your stories, the person who WANTS to know all your stories.

Everything we know has come from stories that have been told over and over again as truth. Those stories turn into history.

When we stop believing in gods we can start believing in their stories, I retort. There are of course no such things as miracles, but if there were and so tomorrow we woke up to find no more believers on earth, no more devout Christians, Muslims, Hindus, Jews, why then, sure the beauty of the stories would be a thing we could focus on because they wouldn't be dangerous any more, they would become capable of compelling the only belief that leads to truth, that is, the willing, disbelieving of the reader in a well-told tale.

If I didn't get joy from acting, I wouldn't do it. My passion for acting is growing and I love telling good stories and inspiring stories and helping to give a little happiness to the world and perhaps get the audience to think about different issues.

I love short stories. They're like small imploding universes. They are very tightly bound and controlled. I'd been wanting to write one for ages but just got tangled up in novels. The novel is the same in the sense that it is also a universe, but it explodes outwards with all that shrapnel going in several different directions. I don't see too much difference in the forms except for the fact that writing short stories is like sprinting rather than long-distance running.

I love storytelling. I love stories, and I love the way in which we connect through stories.

Not only does art imitate life but life imitates art. Perhaps we not only learn about life from stories, perhaps we make our lives through the stories we tell ourselves about the things that happen to us.

I'm driven by telling stories, I love telling stories.

There is a certain embarrassment about being a storyteller in these times when stories are considered not quite as satisfying as statements and statements not quite as satisfying as statistics; but in the long run, a people is known, not by its statements or its statistics, but by the stories it tells.

I'm glad people see some of the stories that way. I see where they're coming from, although none of the stories are specifically intended to arouse. There is a gender divide on the short story "The Girlfriend Game" - women seem to consider it "sexy" but men usually find it uncomfortable.

History, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn’t make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn’t fit. And often that is quite a lot.

Children, only animals live entirely in the Here and Now. Only nature knows neither memory nor history. But man - let me offer you a definition - is the storytelling animal. Wherever he goes he wants to leave behind not a chaotic wake, not an empty space, but the comforting marker-buoys and trail-signs of stories. He has to go on telling stories. He has to keep on making them up. As long as there's a story, it's all right. Even in his last moments, it's said, in the split second of a fatal fall - or when he's about to drown - he sees, passing rapidly before him, the story of his whole life.

And it's a human need to be told stories. The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.

I dont go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong.

I think, in the grand epic, Jesus is the hero of our stories. And our stories, as they were, are subplots in a grand epic and our job is not to be the hero of any story. Our job is to be a saint in a story that he is telling.

If you find my stories dirty, the society you are living in is dirty. With my stories, I only expose the truth

What we have here is a rousing boy's adventure story, adapted from stories that Edgar Rice Burroughs cranked out for early pulp magazines. They lacked the visceral appeal of his Tarzan stories, which inspired an estimated 89 movies; amazingly, this is the first John Carter movie, but it is intended to foster a franchise and will probably succeed.

I believe in love. I believe in good stories. I play really hard on the weekends because I like to have those stories. My wife and I go off and do craziness all the time. We're just like, 'What can we go get into this weekend?' Then we have other ones where we just sit and do nothing and then we have work that we do. It's all memories.

When a culture is not mythologically instructed, not instructed in story that gives us a call, then we start looking for quasi-stories, little toxic stories that keep our selves alerted and spared until we find another story.

Acting is interesting because you get to be involved in different stories and get to work with different people. Also, acting allows one to be a part of different stories, travel to different parts of the country and all the experiences put together make life interesting.

When I pray the Lord's Prayer, I begin with the first word, "Our. . ." (see Matthew 6:9) and I stop and ask myself, "Who do I include in this Our?" I remind myself that the story of God is bigger than my personal story, bigger than the story of my religion, bigger than the story of all humanity, and bigger than the story of all creation. In the kingdom of God, these four stories are all really my stories - all at the same time - woven together, giving meaning and life to each other.

So many stories, and to choose which ones to tell and how to tell them. The words, they will tap me on the shoulder and they will speak to me: Tell me! Tell me! The stories choose me.

I love stories. When I'm writing, what I pretend subconsciously is that we're cavemen, we're sitting around the fire, and I'm telling you stories. If I bore you, you're probably going to pick up a big club and hit me over the head.

All societies have these cases. There are many, many crime cases that remain famous from the times of the Romans. The Bible is full of crime stories. You can almost flip to a page. Joseph being sold into slavery by his brothers is a crime story. The Bible is full of crime stories.

A good piece of fiction, in my view, does not offer solutions. Good stories deal with our moral struggles, our uncertainties, our dreams, our blunders, our contradictions, our endless quest for understanding. Good stories do not resolve the mysteries of the human spirit but rather describe and expand up on those mysteries.

Cinema really lends itself well to big, archetypal stories, you know, classic old stories and you need kind of a weird, big terrain like the Japanese plains for Samurai movies or the West. You need that for these giants to walk around.

I find that you're drawn to certain stories, and there's something about fairytales that have deep roots. They connect really deeply to you, and those are the stories that I find myself drawn to. I love characters that believe the impossible is possible.

To me, these biblical stories are just so many fish stories, and I'm not specifically referring to Jonah and the whale. I need indisputable proof of anything I'm asked to believe.

Vividly imagined, beautifully written, at times almost unbearably suspenseful-the stories in Kristiana Kahakauwila's debut collection, This Is Paradise, are boldly inventive in their exploration of the tenuous nature of human relations. These are poignant stories of 'paradise'-Hawai'i-with all that 'paradise' entails of the transience of sensuous beauty.

Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent.

I like newspaper stories that are incomplete, that give me room to imagine the rest. It's no good to me reading about something that's all neatly solved and wrapped up. That's why so many of my stories revolve around human psychology, around why someone commits a certain crime, or series of crimes. I don't profess to know the answers but I like to explore the possibilities.