Quotes About Style

Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not. Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.

The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.

I don't need anyone to write me a show in my style, I would like to do a show in a style that wasn't my style, because that's the only way I can grow up and grow out.

I like Rihanna's style a lot. I like how she pulls off this cool tomboy style. I get inspired by other models; I think their off-duty style is cool. I get inspired by new designers that I see on Instagram. It just depends. I get inspired by the '90s a lot, and I look back on old things.

What influenced my style was the feeling that I was a lousy artist... I was like the ugly duckling, not knowing what I was, style-wise, and thinking I was all on my own... I evolved into a style that couldn't be compared to anyone else.

Many an expert says that there is a certain affinity between (Capablanca's style) and that of the world master, Lasker. There may be some truth in it. Lasker's style is clear water, but with a drop of poison which is clouding it. Capablanca's style is perhaps still clearer, but it lacks that drop of poison.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

A style does not go out of style as long as it adapts itself to its period

Successful blog is a unique voice; and depending on the blog, your own style factors in. To some extent, it might have to do with the graphic aesthetics of a blog. Pretty pictures go a long way these days and many personal style blogs owe a lot to a decent DSLR.

I'm getting comfortable with West Coast style, which is more laid-back than British style.

My biggest advice would be to take the pictures you want to take. Don’t think about the marketplace, what sells or what an editor might say. And don’t think about style. It’s all bullshit and surface stuff. Style happens.

Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

Style means you have a real curiosity about yourself and then you express it. Having style is not copying somebody else.

I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.

The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?

Do It With Style It's not enough that we want to change the world. It's not enough that our product is incredibly complex and our vision is vast and shifting. We're not just going to win, we're going to do it with style. That means a lot of different things, and a lot of what it means can't be captured in a handbook.

You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.

When I first started rapping, when I switched my style to more like a punch line style - this is when I'm like 13 years old - and I switched it to this real wordy - I was trying to rap like Canibus and like Eminem. It was real lyrical, real wordy and punch lines and, when I would come up with these punch lines and spit 'em in these cyphers, the minute the cyphers would be like, "Ohhh" and everybody would break away, it was a new feeling for me. It was like, "Oh, yo, you see what I just did?" I was addicted to that feeling, and I still love that feeling.

Style is the dress of thoughts; and let them be ever so just, if your style is homely, coarse, and vulgar, they will appear to as much disadvantage, and be as ill received, as your person, though ever so well-proportioned, would if dressed in rags, dirt, and tatters.

You must find some way to elevate your act of writing into an entertainment. Usually this means giving the reader an enjoyable surprise. Any number of devices will do the job.... These seeming amusements in fact become your 'style.' When we say we like the style of certain writers, what we mean is that we like their personality as they express it on paper.

I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.

I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.

The only way to always be relevant is to focus on what's eternal. Everything in style will soon be out of style.

Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.

My style in Italian is very old-style.

My vocal style is called bel canto, which is an old Italian vocal style going back hundreds of years.

If anyone is unwilling to descend into himself, because this is too painful, he will remain superficial in his writing. . . If I perform to myself, then it’s this that the style expresses. And then the style cannot be my own. If you are unwilling to know what you are, your writing is a form of deceit.

We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso)

I don't think I'm intentionally rejecting anything for the sake of rejecting it. I do think though that my style is hard to define around a certain signature. Perhaps the haphazard style will itself become a signature?

I don't know about style. I know about my personal style.

The flowery style is not unsuitable to public speeches or addresses, which amount only to compliment. The lighter beauties are in their place when there is nothing more solid to say; but the flowery style ought to be banished from a pleading, a sermon, or a didactic work.

Once established, a successful style looks like an inevitability - maybe that's the definition of a successful style - but there's often the time when it looks like anything but.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

The most durable thing in writing is style, and style is the single most valuable investment a writer can make with his time.

There are people out there who are into traditional country music and for those people you have artists like Brad Paisley and Josh Turner and Alan Jackson. Then you have artists with a progressive style of country music, like myself and Eric Church and Luke Bryan and Miranda Lambert.

GLHR... has used Greenpeace-style media antics to draw more public attention to the plight of sweatshop workers than the multimillion - dollar international trade union movement has achieved in almost a century.

Addison writes with the ease of a gentleman. His readers fancy that a wise and accomplished companion is talking to them; so thathe insinuates his sentiments and taste into their minds by an imperceptible influence. Johnson writes like a teacher. He dictates to his readers as if from an academical chair. They attend with awe and admiration; and his precepts are impressed upon them by his commanding eloquence. Addison's style, like a light wine, pleases everybody from the first. Johnson's, like a liquor of more body, seems too strong at first, but, by degrees, is highly relished.

Italian football is great but for me, for the style of player I am, I found it too tactical, too slow.

Style lasts forever and taste doesn't.

Instead of buying a guitar for $2,000 or $2,500 - I'm not sure how much these are going for - but it's maybe $300 or something like that. It's more for beginners and stuff like that. Obviously it's not hitting the pros. And you can't get the Piezo pickup and the color-changing paint and the inlays and all the fancy things that my signature guitars offer, but you can get the general feel of the guitar - and the body style. It's cool.

Sisters, while they are growing up, tend to be very rivalrous and as young mothers they are given to continual rivalrous comparisons of their several children. But once the children grow older, sisters draw closer together and often, in old age, they become each other's chosen and most happy companions. In addition to their shared memories of childhood and of their relationship to each other's children, they share memories of the same home, the same homemaking style, and the same small prejudices about housekeeping that carry the echoes of their mother's voice.

The prevailing style of management must undergo transformation. A system can not understand itself. The transformation requires a view from outside.

The wood-carver can fashion whatever he will. Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually use and to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys.

Everybody has their own style. If you went to the movies every week and everybody acted the same way Tom Cruise did, boy, wouldn't that suck?

I think every director's different. Every director's got his own style. I mean, when I directed, I basically just screamed for eight hours a day, twelve hours a day.

The art of invective resembles the art of boxing. Very few fights are won with the straight left. It is too obvious, and it can betoo easily countered. The best punches, like the best pieces of invective in this style, are either short-arm jabs, unexpectedly rapid and deadly; or else one-two blows, where you prepare your opponent with the first hit, and then, as his face comes forward, connect with your other fist: one, two. Both are effective; but they can be administered only by a real artist, with a real wish to knock his enemy out.

As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.

Storytelling and elegant style don't always go hand in hand.