Quotes About Style

Onlookers frequently confuse edge with style...Edge means generating excess returns because of mispricing. Style suggests being in the right place at the right time. Sometimes edge and style overlap, sometimes they don't.

I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.

Be fluid. Treat each project differently. Be water, man. The best style is no style. Because styles can be figured out. And when you have no style they can't figure you out.

There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.

You can ask yourself, if a film makes a claim, is the claim true or false? Having said that, a style of presenting material doesn't guarantee truth. There's this crazy idea that somehow you pick a style, and by virtue of picking the style, you've provided something that is more truthful. It's as if you imagine that changing the font on a sentence you write makes it more truthful.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

I think somebody like Wes [Anderson] has a very good sense of style and is original. I think my sense of style got a little bit better after I was exposed to you guys at Valentino. Because I'm just in Hawaii and Malibu; it's just kind of T-shirts and surfing-type stuff.

What I think of as style - and I've gotten to this over years of really thinking about it - is that style is the unconscious choices I make.

Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.

A man is entitled to draw things in his own style. I didn't hurt Superman. I made him powerful. I admire Superman, but I've got to do my own style.

Writing style is something is a consequence of who you are. I think that I had a certain propensity for a style that I recognize in my early work, but that doesn't mean I didn't have to learn certain basics and the longer you write the better you get. The rhythms come from you. If the rhythm seem to echo the music, then that's delightful if people see that, but it's certainly not something that's intentional on my part. I'm trying to be as clear and precise as I can be and at the same time, I'm trying to be eloquent and witty and entertaining. I mean, writing should be a pleasure.

Any executive, any CEO should not have 1 management style. Your management style needs to be dictated by your employee.

You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.

I'm constantly changing and evolving so I don't abide by just one certain style. I like to look at my personal style as an extension of my mood.

I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style.

That competition grew through high school and you step outside more and it grew through college. Then you had regional style speak volumes through college. As you get older, and begin to travel and see more, that was the progression of style for me.

I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.

I'd hate it to become style over substance, I'd hate people to start putting me in a magazine article about my style. I don't like dressing up in something I'm not necessarily comfortable in just to make it more of a show. I want the power to come from what I sing about and how I sing.

We know much of a writer by his style. An open and imperious disposition is shown in short sentences, direct and energetic. A secretive and proud mind is cold and obscure in style. An affectionate and imaginative nature pours out luxuriantly, and blossoms all over with ornament.

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.

Gary Numan had a huge influence on both my music and my style. He had his own unique fashion sense - that futuristic space style. It was out there.

Joan of Arc had style. Jesus had style.

I can't tell people how to have style. No amount of money can buy you style. It's just instinctive.

We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.

My style is constantly evolving. Style has been something that I think has been the hardest thing for me to come to terms with.

My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.

I have a particular style of writing and my voice sounds a particular way, which lends itself to a certain style.

I've been called a stylist until I really could tear my hair out. And I simply don't believe in style. The style is you.

And it is a singular truth that, though a man may shake off national habits, accent, manner of thinking, style of dress,--though he may become perfectly identified with another nation, and speak its language well, perhaps better than his own,--yet never can he succeed in changing his handwriting to a foreign style.

Once established, a successful style looks like an inevitability - maybe that's the definition of a successful style - but there's often the time when it looks like anything but.

I try to find a style that matches the book. In the Baroque Cycle, I got infected with the prose style of the late 17th and early 18th centuries, which is my favorite era. It's recent enough that it is easy to read - easier than Elizabethan English - but it's pre-Victorian and so doesn't have the pomposity that is often a problem with 19th-century English prose. It is earthy and direct and frequently hilarious.

Style is indeed the valet of genius, and an able one too; but as the true gentleman will appear, even in rags, so true genius will shine, even through the coarsest style.

As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.

We all put obstacles in our own path toward personal style, myself included. If we understood why we constructed these practical and emotional obstacles, we might move beyond it to healthier, happier perceptions of ourselves and, ideally, a better sense of self-esteem.

I always wanted to make a cover album consisting of obscure psychedelic music from the 1960s - all re-shaped and customized, Ulver style.

As if a device can function if it has no style. As if a device can be called stylish that does not function superbly... yes, beauty matters. Boy, does it matter. It is not surface, it is not an extra, it is the thing itself.

American Morons is the work of an original. Like Hitchcock or Ramsey Campbell, the style is precise, alert, and well-mannered, inviting us to enter Hirshberg's private world so that he may lock the door behind us. If there is anyone in contemporary fiction worth watching, it is Glen Hirshberg.

There are two things wrong with almost all legal writing. One is its style. The other is its content.

A gift--its kind, its value and appearance; the silence or the pomp that attends it; the style in which it reaches you--may decide the dignity or vulgarity of the giver.

Every style formed elaborately on any model must be affected and straight-laced.

Pharrell has always been my style idol.

However, please allow me to say that the fundamental style of my writing has been to start from my personal matters and then to link it up with society, the state and the world.

Style is a display of character. It's also a great way to express yourself and the ladies like it.

That's kind of a leap, but the Russian judge gave you a nine point five for style, so okay.

People want fun and escapism at the moment. Look at the success of Guardians of the Galaxy. I think Nolan kick-started a very dark, bleak style of superhero escapism, and I think people have had enough of it.

There's nothing wrong with wearing a hat and cowboy boots if you want to be a country singer. But when you open your mouth, have something new to say. Have your own style.

As Erykah Badu, it has nothing to do with me, the way I look, my hair wrap, my style, it's about you and what you feel for my music. If I can make you feel like the way that people who influenced me made me feel, that's completion.

According to Life & Style, Lance Armstrong was seen canoodling with fitness model Kim Strother, and the night before, he was with Ashley Olsen. He's going from bar to bar picking up women - how does he get them home? Does he put them on the handlebars, or does he have a banana seat?