Quotes About Style

You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.

I think it's real important to show style now. The majority of style right now is to act like you don't have style at all, so most companies are getting rich off clothes that look torn, clothes that look worn.

There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.

Punctuation has its own philosophy, just as style does, although not as language does. Style is a good understanding of language, punctuation is a good understanding of style.

I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter. But you learn as you go, I suppose.

I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.

I think personal style starts from within because it´s a philosophy and an attitude. If you´re honest and true to yourself, you will have the best sense of personal style.

If Vin Scully calling a game is just as good in 2013 as he was in 1963, that's the way a game should sound. If Jack Buck were around today, I don't think anybody would ask him to change his style. My style has always been a little bit of a combination of old and new, if only because my frame of reference, personally, was different than that of Ernie Harwell or Jack Buck or Harry Caray. I was a younger guy. Just as Joe Buck's frame of reference is somewhat different from mine. But the nuts and bolts of how to call a ballgame well, I think remain the same.

Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

I know Donald Trump quite well. We've never shared values, he and I. But I respected his ability to turn it around. So I respect somebody who can turn things around and be successful. I think the president's communication style is the most difficult thing because he actually does care, people who know him know he cares. But his style of communication, his combative approach, the elements of ego that are obviously there in all of us but seem to be more easy to see in the president sometimes than other people, get in the way of his capacity to lead, unfortunately.

I think the biggest thing for me is being able to adjust to the way the game has changed. It's basically a 180-degree turn from the style I like to play. That's what I think I'm most proud of, being able to fit into this style of game and still be fairly successful.

Style is the dress of thoughts; and let them be ever so just, if your style is homely, coarse, and vulgar, they will appear to as much disadvantage, and be as ill received, as your person, though ever so well-proportioned, would if dressed in rags, dirt, and tatters.

I don't care about truth; I care about art and style and writing and occupying the wall. For me, my writing style is very linked to the fact that it is a work of art on the wall. I had to find a way to write in concise, effective phrases that people standing or walking into a room could read.

The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.

Adam Levine and I remade the Rolling Stones' classic Wild Horses, and it is right up my alley, that whole style. It has a style of its own but still stays very true to the classic arrangement, and I love it.

I've never been in style, so I can't go out of style.

There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few...the late Theodore Sturgeon, the early Ray Bradbury...and Richard Christian Matheson. A brilliant chip off the old block.

I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.

It hardly needs explaining at length, I think, how much authority or beauty is added to style by the timely use of proverbs. In the first place who does not see what dignity they confer on style by their antiquity alone?... And so to interweave adages deftly and appropriately is to make the language as a whole glitter with sparkles from Antiquity, please us with the colours of the art of rhetoric, gleam with jewel-like words of wisdom, and charm us with titbits of wit and humour.

My personal style and public style are very different. When I go out, I play dress up.

I do care about style. I do care, but I only care about style that serves the subject.

Soviet-style communism failed, not because it was intrinsically evil, but because it was flawed. It allowed too few people to usurp too much power. Twenty-first century market capitalism, American-style, will fail for the same reasons. Both are edifices constructed by human intelligence, undone by human nature.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

I regret that after 30 years of writing columns in this market, including ten with this newspaper that I love very much, this local conversation has come to an end. However, I believe that if the newspapers of the country pool their resources, we can send an Arnold-Schwartzenegger-style robot back in time to kill the inventor of the Internet, and then our future will be much brighter.

i thrive best hermit style. with a beard and a pipe.

Perfume must not be linked just to fashion because that means that one day it will go out of style.

A considerable role in the forming of my style was played by an early attraction to study composition.

Do your neighbour good by all means in your power, moral as well as physical - by kindness, by patience, by unflinching resistance against every outward evil - by the silent preaching of your own contrary life. But if the only good you can do him is by talking at him, or about him - nay, even to him, if it be in a self-satisfied, super-virtuous style - such as I earnestly hope the present writer is not doing - you had much better leave him alone.

My personal style has seen so many highs and lows. Probably more lows than highs.

I'm not really picky. Just as long as it's not the harder style of rap - anything that's about being on the come-up or your wealth doesn't go that well with marimbas.

I love to dress myself. I have a unique style, but I don't try to do that - I just put on whatever I feel good in that day.

They say the average bank robber lives within say about 20 miles of the bank that he robs There's this little bank not so far from here I've been watching now for a while Seems like lately alls I can think about is how bad I wanna go out in style

All progress in literary style lies in the heroic resolve to cast aside accretions and exuberances, all the conventions of a past age that were once beautiful because alive and are now false because dead.

If someone tells you that George Bush is not the 43rd president of the United States, they might be engaged in wishful thinking, or denial, but if they make that claim, it's either true or false! And you can assess that, regardless of whether there's an omniscient narrator, or an unreliable narrator, or it's shot in vérité, or it's manipulated, it's agitprop, whatever! It makes no difference! It's a style!

It was a style not of perfection, but warmth. Even mistakes had a good feeling about them

Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.

Madonna has a very unique style and comes up constantly with these great songs.

But revision is a creative act, not merely an analytical imposition of rules of style on a more creative first draft. That's a myth - that the first draft is more creative and everything after that is ruining creativity.

I'd really like to have my own style of game and be known as Jason Spezza, not a Mario Lemieux or Wayne Gretzky 'clone.'

I wanted to give people a taste of my own music through the sound and style of my covers.

I like to make something beautiful when I run ... it's style. It's doing something better than anyone else. It's being creative.

People always say to me, 'You have such a clearly defined sense of style,' and when I hear it, I get crazed, because what I hear - and I know they mean it as a compliment - is that I have such a narrow vision that I can't get out of it.

My style is like Bruce Lee, I'm like water. It's everything from defensive, to counters, to offense.

Since we cannot hope for order, let us withdraw with style from the chaos.

I don't consider myself a person of fashion because it's too sophisticated. My thing is I look at style like swagger. I like things that pull me, that I gravitate to.

I have my own style that happens to be different from everyone else in Hollywood. My inspiration is me.