Quotes About Tradition

Tradition is only democracy extended through time; it may be defined as an extension of the franchise. Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who are merely walking about. All democrats object to men being disqualified by accident of birth; tradition objects to their being disqualified by accident of death. Democracy tells us not to neglect a good man's opinion, even if he is our father.

When tradition is thought to state the way things really are, it becomes the director and judge of our lives; we are, in effect, imprisoned by it. On the other hand, tradition can be understood as a pointer to that which is beyond tradition: the sacred. Then it functions not as a prison but as a lens.

I learned a little of beauty - enough to know that it had nothing to do with truth - and I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition.

I believe in the American tradition of separation of church and state which is expressed in the First Amendment to the Constitution. By my office - and by personal conviction - I am sworn to uphold that tradition.

In Poland a man must be one thing: white or black, here or there, with us or against us -- clearly, openly, without hesitations. . . . We lack the liberal, democratic tradition rich in all its gradations. We have instead the tradition of struggle: the extreme situation, the final gesture.

Wahhabism goes and takes elements from the Islamic tradition that are most oppressive of women, and highlights and enlarges them and makes them the whole of Islam. In my view, that's a clear corruption of the Islamic tradition.

As soon as tradition has come to be recognized as tradition, it is dead.

We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.

Miles Davis fully embraced possibilities and delved into it. He was criticized heavily from the jazz side. He was supposed to be part of a tradition, but he didn't consider himself part of a tradition.

I think there's a great storytelling tradition in the restaurant business that tends to attract people with an oral tradition of bulls - ting and bollocking. Creative people, people for whom the 9-to-5 world is not attractive or impossible. It seems that way. There are a lot of stories in the business, and a lot of characters - and it seems to attract its share of artists and writers and people who hope to do something creative in their lives.

If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.

When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.

It is the black poet who bridges the gap in tradition, who modifies tradition when experience demands it, who translates experience into meaning and meaning into belief.

I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.

Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.

There's a long tradition of teen comedies where the kids are getting drunk on beer and whatever else, so smoking a joint to me is no worse than having a beer. So, if someone has a problem with it, I'll just tell them to relax.

I see myself as the oldest griot tradition of speaking to truth out here. There's a dark side that people don't even know is there.

'Knowing' is one of those movies where you're going to get the spectacle, and you're going to have the entertainment in the grand science fiction tradition. But also, it will perhaps stimulate some discussion to help you sort out on your own where you might choose to go in terms of your own needs. Now, I say that without preaching.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.

In my own faith tradition, these questions have been very important. It has always been easiest for me to apprehend God in the natural world. I love to go to church, but when I really want to feel the presence of the divine I'm more likely to head up into the mountains.

I didn't think that at the beginning. I just wanted to have a garden and a farm and have animals around me. But I do think there's a craving for people to feel a connection. Honestly, it's building on an immigrant tradition, where you bring your country to America. You bring your seeds from Italy. My neighbors are Vietnamese, so they're growing their herbs and stuff that they miss from Vietnam.

What I'd like to see developing is an American radicalism, libertarian in character, which relies, however weak, faint, and even mythic these traditions may be, on the American libertarian tradition. I don't mean right-wing libertarianism obviously.

Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.

There is no such thing as a stationary tradition. Traditions are always developing, living things.

Tradition, history and respect; that kind of qualities I admire, that I want to see preserved. Time is the only commodity that matters. Being successful doesn't make you manage your time well; managing your time well makes you successful. Goals, Priorities, and Planning. Why am I doing this? What is the goal? Why will I succeed? What happen if I chose not to do it? 'Good judgement comes from experience, experience comes from bad judgement'.

I grew up in a very religious family, so that was never going to leave me. I just accepted it over the years. Although I'm not religious myself, it is so much a part of me. It's a part of my history, a part of my tradition and my culture, so I don't want to just throw it away and leave it behind, because it's made me who I am today.

Informed decision-making comes from a long tradition of guessing and then blaming others for inadequate results.

My father has developed a tradition of surprising us at some point by appearing in fancy dress. He buys a new costume each year and typically gets carried away. A couple of Christmases ago he appeared in an inflatable sumo outfit. Its endearing, really, and only quite embarrassing.

The Treatise of the Three Impostors is a book that enjoyed centuries of notorious nonexistence until (as Voltaire would say) it became necessary to invent it. Georges Minois writes with empathy, erudition, and a novelist's sense of buildup and timing, weaving in the parallel story of Europe's courageous freethinkers. In the face of today's social and even legal pressures against criticizing religion, it is good to see an honorable French tradition asserting itself.

I think that Hillary Clinton has an appreciation that American power needs to be put in the service of American values, which is an American tradition and a pretty good one, and I think she was willing to do that.

The South actually has a very strong tradition of activism. The civil rights movement came from down here! It was black activists demanding that their voices be heard. People say these are red states. No they're not!

Tradition is the living faith of the dead. Traditionalism is the dead faith of the living.

I know some people like to follow the tradition, and that's who they are. That's not me.

I think we have two conflicting traditions in this country. I think it's important for us to recognize that we've got a tradition of handgun ownership and gun ownership generally. And a lot of people - law-abiding citizens use if for hunting, for sportsmanship, and for protecting their families. We also have a violence on the streets that is the result of illegal handgun usage. And so I think there is nothing wrong with a community saying we are going to take those illegal handguns off the streets.

The strengths landscape architecture draws from its garden design heritage include: the Vitruvian design tradition of balancing utility, firmness and beauty; use of the word 'landscape' to mean 'a good place' - as the objective of the design process; a comprehensive approach to open space planning involving city parks, greenways and nature outside towns; a planning theory about the contextualisation of development projects; the principle that development plans should be adapted to their landscape context.

I support the Second Amendment. I lived in Arkansas for 18 wonderful years. I represented upstate New York. I understand and respect the tradition of gun ownership. It goes back to the founding of our country.

English tradition debars from dinner-table conversation almost all topics that might interest the conversers and insists upon strict adherence to banalities.

I put out a lot of different kinds of material, and maybe people read that as egotistical. Or maybe, since a lot of it does involve some aspect of me, they find it self-aggrandizing. But there’s a long tradition of artists using themselves. Look, I know I’m not perfect. And, who knows, maybe a part of it has to do with self-obsession. But it’s also about using this weird thing that is a public persona as raw material for creative projects.

We have a long-standing tradition in this country to follow the advice of Senator Vandenberg, which is that politics ends at the water's edge.

When people criticize me for not having any respect for existing structures and institutions, I protest. I say I give institutions and structures and traditions all the respect that I think they deserve. That's usually mighty little, but there are things that I do respect. They have to earn that respect. They have to earn it by serving people. They don't earn it just by age or legality or tradition.

Women become the objects of rules; they are repressed and lose their rights in the name of religion, or they lose their freedom in the name of tradition, while the state legitimates this foolishness with laws.

If there be a mind that, not perceiving in the narratives we have compared the fingermarks of tradition, and hence the legendary character of these evangelical anecdotes, still leans to the historical interpretation, whether natural or supernatural; that mind must be alike ignorant of the true character both of legend and of history, of the natural and the supernatural.

Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.

Irish artists have a tradition of being very heavily engaged in what is happening in their own society. So it was important that they had a voice.

Christianity is our foe. If animal rights is to succeed, we must destroy the Judeo-Christian religious tradition.

When we have broken our god of tradition, and ceased from our god of rhetoric, then may God fire the heart with His presence.

The most essential characteristic of scientific technique is that it proceeds from experiment, not from tradition.

When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.