Quotes About Twitter

I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'

I'm not on Twitter for abuse. I don't think anyone's gotten on Twitter so that they can be abused, but people do go on Twitter to abuse people. When that becomes clear then Twitter has a moral duty to shut those people down when they see that somebody is there solely for the purpose of abusing others. Yeah you have free speech, but what you don't have is the right to wield your speech like a cudgel to somebody who has done nothing to earn it.

I think Twitter is such a cool thing because it really is a direct line to the fans and for fans back to you, and it's such a new thing. I think in the past there's been usually fan mail and that's really good, but Twitter, it gets an immediate response.

The newspaper industry when I came along in the mid-70s was rich and powerful and growing and hungry for material and open to new people. None of that is true in the newspaper industry today. Print in general is pretty rugged. The good thing is that you can gain a foothold on the Internet because everybody has access to it, even things like Twitter - I mean, you can get a reputation for being funny pretty quickly on Twitter, on a blog, that kind of thing.

I just recently joined Twitter. It's very positive - I love all the accolades. If my ego is hurting, I can just open my Twitter account and see 'Oh, I love you! I love the show!' and it's great. I'm trying to find the balance between trying to be funny, being honest and just being a promoter as the guy on 'Royal Pains.'

I've tried a lot of different apps to manage Twitter on my phone (I use Hootsuite on my laptop), but I think the official Twitter app is really good.

BP wants Twitter to shut down a fake BP account that is mocking the oil company. In response, Twitter wants BP to shut down the oil leak that's ruining the ocean.

I use two million Twitter followers as a tool. The reason I have Twitter is so people can get to know me as a different person other than Dwight. I just realized all of the sudden like everything thinks I'm Dwight. They think that I'm Dwight from the office and that I'm this kind of annoying, difficult, nerdy, creepy guy and they don't know Rainn Wilson - although I'm a little bit nerdy, annoying and creepy. I'm not as much as Dwight Schrute.

The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That I think is valuable. In terms of actually tweeting myself, I have just lost enthusiasm for it. Maybe I'll do some of it this week to tell people about the PEN Festival and encourage them to show up.

In this day and age of social media, where everything is so centred around how many Instagram and Twitter followers you have, what's keeping me afloat is the fact that my live performance is something that people can enjoy.

I understand Twitter much more than I understand Tumblr.

America pays its bills. It always has. It always will. The fact that Washington is now debating whether to honor its debts and obligations, then, should come as a surprise. But playing political football with a necessary vote to raise the nation's debt ceiling has become as predictable as a Twitter rant from Charlie Sheen.

Twitter is a great place to tell the world what you're thinking before you've had a chance to think about it.

Twitter is one of those dangerous toys that if it gets in the hands of the wrong person you'll have the mind of a 12-year-old masquerading as an adult.

The future of narrative? Built in, part of the human template. Not going away. The future of the codex book, with pages and so forth? A platform for transmitting narratives. There are others. The scroll is coming back (Twitter is a scroll.) Short forms are returning online. Interactivity is coming back; it was always there in oral storytelling. Each form has its pluses and its minuses.

I'm actually on the Twitter like all those crazy young kids are, and if I'm going to do an in-store appearance or I post something on my website, I tweet these followers, a word I don't like so much, and over 50,000 people go, like, 'Okay, I got it.'

Creativity doesn’t come from glancing quickly at your Twitter feed while in line at Starbucks. It comes from deep thought. It comes from voraciously reading books—long books that require focused attention. It comes from meaningful discourse with other intellectually curious people. It comes from listening and asking good questions.

The drug lord is on the run. His name is El Chapo. Donald Trump is in a Twitter feud with this Mexican drug lord. It's historic - the first time Americans have ever sided with a Mexican drug lord.

Often, in a given project team or network, one sees leadership roles shifting among various members at various times. Attempts to fit these into traditional views of "leader" and "follower" don't quite work. It's more like Twitter: the "leader" has "followers" - but the "followers" are empowered to alter the relationship unilaterally, and the "leader" must continually earn the consent of the "followers."

Everybody think they're famous when they get 100,000 followers on Instagram and 5,000 on Twitter.

I'm kind of new to Twitter. I'm about one year in, so I'm a little late to the party.

The cool thing about what I'm doing, I feel, is that with the Internet, I do my Twitter and I have a blog, and I personally answer as many e-mails as I can, and thank people. I'm going to be on House next week, and people are like, "Oh my gosh, Felicia's on House!" And it's almost as if I'm their cousin, or just a friend or a neighbor who did that. Vs. some famous person.

The idea of Twitter started with me working in dispatch since I was 15 years old, where taxi cabs or firetrucks would broadcast where they were and what they were doing.

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.

Everything on Twitter is true.

I'm still here. I'm a force to be reckoned with... you have to come take my spot, and not through Twitter and not through the media, come take my spot. I'm ready to go. As big men in the league, there are two who have done something special during this millennium. I'm one and Tim Duncan is the other. Anyone else has to come upstairs and see the Shogun. I'm still the Shogun.

Twitter is a kind of verbalization of people yelling at their television sets or gnashing their teeth at the newspaper.

I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.

I always had a Twitter account. I always had an Instagram account. I was always active on it, always spoke my mind. To me, it's really weird that I got so many followers and people that pay attention the way they do. It's hilarious, actually, because people didn't used to listen to me at all. I used to be like, "Does anybody hear me talkin'?"

Twitter is my main tool for ensuring news balance.

Whether or not Twitter makes you stupid, it certainly makes some smart people sound stupid.

I think at all social networks, be it Facebook or Twitter or whatever it is, there's an ecosystem that exist there. But there's also an ego system that exists there.

On Twitter, Donald Trump has called me a "poor journalist, stupid, a very dumb guy, the dumbest political commentator on television, and the dumbest man on TV."

I don't have a Facebook or Twitter account.

I'm always surprised that certain actors have Twitter accounts. I guess they use it in a way that works for them. But I'd rather that people had less access to my personal life. If I could keep it that way, I'd be a happy lady.

I've stayed away from Twitter for a long time because I sort of didn't trust myself with such an intimate but very public way of relating to the world, but I feel like I've studied it enough.

I log out of Twitter on my computer so I have to log in and then I log back out.

Don't slag off other creators or companies. We'll cheerfully mock dumb politicians on Twitter, but we try to never slam another creator's work or make fun of another company's projects or initiatives. First, because life's too short. We'd rather use that time to celebrate the fantastic work of colleagues and friends. Second, because it's a small world, and people have long memories. A few snarky words today can ruin a chance for an incredibly rewarding creative partnership tomorrow.

It is great to have direct, unfiltered, interaction with your fans on Twitter and FaceBook, or whatever. I am not totally convinced that it has revolutionized the sales model. Its not completely apparent to me that it is easier to sell music. Obviously, there is a possibility of smaller bands, having their music listened to, but I am not sure to what degree it actually happens. Just because it can happen, doesn't mean it does.

Twitter is great to connect with fans and be transparent. I enjoy that aspect about it. But really, I'm still trying to figure it out.

I spend a lot of time on Twitter, and it's a very interesting place. People are so driven to aggression. To me it's a funny thing. I grew up in an aggressive family, so I'm not at all intimidated by being verbally abused. I have no fear with words.

It's funny, now that we have Twitter and Facebook and stuff, you can really see how you affect fans. Before all that, fans couldn't tell you exactly how they feel, unless they came up after a show, and even then you can't stand there and talk to everybody in the audience. So it's nice to see people tweet me and say, "Your music has changed my life," or "I had my baby to your music," or "I got married to your music." I've heard so many things, and it's amazing to hear people's stories and how you affect their life.

Twitter's designed to reduce the language, directly out of 1984! It's Ingsoc!

All the shows are immediately on the Internet, on Instagram, on Twitter, it's huge. Everything is live now, and for fashion, it's very important. It's not that it's good or bad, it's just like that and it's not going to change so we have to adapt to it.

At first I was very anxious about starting Twitter, because I didn't really know what was expected of me. I now feel fairly relaxed, in that's it a way of telling people things that you are doing, without any attempt to be entertaining. To me, even funny people who are tweeting, it just gives a glib impression. You know that it's been constructed, that it's not a thing that's just happened in that moment. So whatever you read, the best you get is, "Eh."

The only people I ever get irritated with are the ones who announce, using my Twitter handle, that they are no longer following me and why.

I'm estranged from social media and I don't really deal with it. I tried to work on a website and it took up all my time. People wanted me to have a Twitter account and I spent the whole day figuring out what would be the first message. I still haven't wrapped my head around it.

The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.