Quotes About Twitter

When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.

The tweets are getting shorter, but the songs are still 4 minutes long. You're coming up with 140-character zingers, and the song is still 4 minutes long…I realized about a year ago that I couldn't have a complete thought anymore. And I was a tweetaholic. I had four million twitter followers, and I was always writing on it. And I stopped using twitter as an outlet and I started using twitter as the instrument to riff on, and it started to make my mind smaller and smaller and smaller. And I couldn't write a song.

We'll eradicate Twitter. I don't care what the international community says. Everyone will witness the power of the Turkish Republic. There is now a scourge that is called Twitter. The best examples of lies can be found there. To me, social media is the worst menace to society. They came to me with this case of Twitter ignoring case of smeared housewife. I said, let's solve this.

Somebody told me, “Twitter hates tabloids, but Twitter is constantly acting like a tabloid, repeating the mistakes of the things we’re hoping to better.” Twitter wanted to become a more egalitarian justice system, but instead it became a draconian one.

I'm also lonely. I'll admit it. I go to Twitter because I'm lonely. I get my coffee in the morning, and I live alone. I get on Twitter, and I sit and have my coffee. Sometimes I'll look at it for 30 minutes. I will waste a lot of time on Twitter. I do! But it's my guilty pleasure. And I'll look for some happy stories to retweet, and I'll say some uplifting things to people. I try not to get caught into - I used to get tangled up into some crazy stuff. But I try not to do that anymore.

The danger for a comedian on Twitter is the same danger that any civilian faces: sometimes you gotta put that phone down and go live your life. When you're on Twitter, you're not living, and if you're not living, you're not taking in stimuli with which you can create new material.

Twitter is basically text messaging. Twitter is a guy you can always elbow in the side and say, "Hey, look, a guy in a clown suit just threw up!" And I don't have 400-800 words to say about that, I just wanted to say that one thing.

I'm not motivated to entertain people through Twitter, so just by having Twitter and not saying anything, I make people mad.

I don't want to be one of those people that's constantly promoting myself on Twitter. I think the fun thing about Twitter is being able to share all the little random things that happen in my life.

I can't figure Twitter out. The way Twitter is formatted, I can't tell who is saying something and who's replying to something. I don't know who the tweeter is and who's responding to the twit.

I enjoy twitter accounts that are meticulously edited just as much as I enjoy twitter accounts that aren't edited at all, but it can feel kind of disappointing to me when I see that someone is editing their tweets out of self-consciousness.

I got Twitter like two months ago, checked it out a bit more, and I concluded the only thing Twitter I'm interested in following is Nick Stoller.

When I first signed up for a Twitter account - I was to say it was in 2007, people are going to think it's some weird self promotional thing or it's going, but in time I was called upon to like try to persuade other foreign correspondents and journalists to get on Twitter and see the usefulness of it which is kind of ironic. I think the journalists who are leading the digital charge at the Times have, all have that background as a foreign correspondent, which I think is not accidental.

I'm not on Twitter. I feel like it has a purpose because there are fans around the world that want to have some sort of interaction with you. But I feel like it is important to still keep some space and some distance, which is why I don't have a Twitter.

Twitter is sort of version of labeling, except with 140 characters instead of a labelmaker. It's the way of calling things out for what they are, wearing badges. Twitter is like the new Scarlet Letter.

Sometimes as actors and artists, we don't really get to be an effective and integral part of the promotional process, other than doing interviews. With Twitter and Facebook now, and all of this stuff, it really allows us to play and have fun, vis-à-vis the pictures that I send out on Twitter every day, or little videos, or whatever it is.

I hear [my Twitter followers] say, you know, 'Bob Rae, you're an asshole'. [...] I'm working my way and trying to represent the people and speaking in Question Period and here we have vox populi, the thoughtful man on the street, 'you are an asshole!'. Thank you very much. I read it on my Twitter and I get up and ask a question.

I'll just let the hair speak for itself. It's got a Twitter account, so it actually does more speaking than I probably do on Twitter.

I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.

I see a lot of young kids hit me on Twitter all the time, like, 'I want to be famous! Listen to my mixtape! I wish I could be like you!' But a lot comes with it. It's not easy.

I understand Twitter much more than I understand Tumblr.

Twitter lets me hear from a lot of people in a very short period of time.

But as far as Twitter, I'll be in a restaurant and I'll get home and somebody tweeted and they talked about what I ordered and what I was wearing. In some cases, that could be dangerous, because you don't want everybody to know where you are every second of every day.

The only way to keep a show alive is to stay loyal to your fans and not betray them creatively or ignore them when it comes to extra content. I'm on Twitter because I'm trying to answer their questions.

Something really big happened in the world's wiring in the last decade, but it was obscured by the financial crisis and post-9/11. We went from a connected world to a hyperconnected world. I'm always struck that Facebook, Twitter, 4G, iPhones, iPads, high-speech broadband, ubiquitous wireless and Web-enabled cellphones, the cloud, Big Data, cellphone apps and Skype did not exist or were in their infancy a decade ago.

In Michelle Obama attack on Donald Trump, she never mentioned Trump's name, but she made reference to the fact that this is much more important than just responding in 140 characters. And in the process she maligned the whole concept of Twitter, not just Trump.

I am the most concerned that we end up in a situation where your - everything is known about you and so therefore, not only Google, but Google, Facebook, Twitter - the whole set of companies - essentially knows all your weaknesses and therefore how to manipulate you in subtle ways in order to have you do things you might not otherwise do.

Anybody who follows me on Twitter or Facebook knows that I'm super into fantasy sports. I like to make money on my sports knowledge basically.

Twitter is most suitable for me. In the Chinese language, 140 characters is a novella.

A weird sort of awareness set in, like, 'Wow. My stand-up isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.

Everything on Twitter is true.

On Twitter, people like me regularly get called "sore losers" by Trumpeters. It just makes me roll my eyes. This is not about winning and losing. We all lost, even them, they just don't know it yet.

I spend a lot of time talking to young and emerging producers on Twitter, feeding back thoughts and encouraging them.

Viewers all over the world, whatever medium you are using to view us, on Emmanuel TV, Facebook, YouTube, Twitter, I command a new dream to come true, in Jesus' name!

I'm equally guilty of using technology - I Twitter, I text people, I chat. But I think there's something strangely insidious about it that it makes us think we're closer when in fact we're not seeing each other, we're not connecting.

I always had a Twitter account. I always had an Instagram account. I was always active on it, always spoke my mind. To me, it's really weird that I got so many followers and people that pay attention the way they do. It's hilarious, actually, because people didn't used to listen to me at all. I used to be like, "Does anybody hear me talkin'?"

We had lunch that day [with Chris Ellis], and I was talking about this idea. I toyed with it a little bit on Twitter in story form at one point. And he thought it was a great idea, and he thought, "Well, let's bring my friend Harry Hannigan in, who's a wonderful writer, and let's see if we can put something together."

Spreading the word on a zero budget is difficult. You find yourself spending all night on Twitter following people; using Facebook to leave messages on various club walls; commenting on YouTube clips and blog posts; giving interviews online and taking photos of bottles to send to websites in the hope that they feature you.

Social cohesion was built into language long before Facebook and LinkedIn and Twitter - we're tribal by nature. Tribes today aren't the same as tribes thousand of years ago: It isn't just religious tribes or ethnic tribes now: It's sports fans, it's communities, it's geography.

I don't think anything ever "needs" to happen. I don't think it's more positive to have a Twitter account, a Tumblr, and a blog. Someone without those things will use their time to do other things, like read books or swim or talk to their children or read websites or listen to music or write books or lie in bed or sit in a chair. I don't think any of these things are more positive than any other things.

More than 80% of our revenue comes from people viewing ads on mobile devices. Inside Twitter, we talk and think mobile first.

I feel like I'm over-paid-attention-to. I'm not trying to be a GIF. I'm not trying to be a picked-up-on-Twitter quote. All I'm trying to do is act. And I have to promote movies. And I am, at the end of the day, I guess, a f - king lunatic.

Social media is just a platform. Twitter is a very simple and immediate broadcast platform. Facebook is a very personal, when it comes to friends and when it comes to fan pages, a little bit less but still somewhat personal way to communicate.

When I first came out there was no such thing as Twitter or Facebook. And the blogs! Like, what is that?

Twitter taught me how to become better at writing jokes because it forces you to chip away at all the extraneous words.

This may sound a little bit idealistic, but when I go to my blog, my Facebook page, my Twitter account, I talk to different people from all over the world, and you see how it's easy to establish a dialogue.

I felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.