Quotes About Twitter

If you say interesting stuff on twitter, people will follow you there. I think Jim Caruso, from MediaFirst, does this well. He’s been at every single technology event I’ve ever attended in Atlanta for the last 10 years. He knows what’s going on. He’s a technology geek at heart... And he’s on twitter, tweeting about local startups, global technology news, and of course, his own clients. I follow him on twitter.

Twitter is a form of free speech, and I'm all for that. But if Cee Lo Green, a maverick of sorts, can't get on Twitter and say something outlandish or outrageous, then what is the whole point of Twitter at all?

I'm also lonely. I'll admit it. I go to Twitter because I'm lonely. I get my coffee in the morning, and I live alone. I get on Twitter, and I sit and have my coffee. Sometimes I'll look at it for 30 minutes. I will waste a lot of time on Twitter. I do! But it's my guilty pleasure. And I'll look for some happy stories to retweet, and I'll say some uplifting things to people. I try not to get caught into - I used to get tangled up into some crazy stuff. But I try not to do that anymore.

I don't want to be one of those people that's constantly promoting myself on Twitter. I think the fun thing about Twitter is being able to share all the little random things that happen in my life.

I enjoy twitter accounts that are meticulously edited just as much as I enjoy twitter accounts that aren't edited at all, but it can feel kind of disappointing to me when I see that someone is editing their tweets out of self-consciousness.

My prediction is that in the same way that Google is an intent revealing service that can be monetized that way, I would think that if I were at Twitter, I would focus on the search aspect of Twitter, because people are revealing intents when they do a search.

The great thing about Twitter is, you get a lot back, and I read through a lot, and I want my fans to know that I do read a lot, and it's why I do respond or retweet clever posts, and I'm constantly amazed by the cleverness of people on Twitter. I just think it's a really great tool to communicate with fans and influence conversations and raise awareness about things I'm interested in, that I think deserve some attention.

The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That I think is valuable. In terms of actually tweeting myself, I have just lost enthusiasm for it. Maybe I'll do some of it this week to tell people about the PEN Festival and encourage them to show up.

Twitter is very impulsive and impermanent and you only have 140 characters. There is no greater 'Emperor' of Twitter than Stephen Fry.

I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.

Twitter! It's like being stalked by committee!

We are drawn to Twitter the way we are drawn to the scene of an accident.

Twitter is about creating whatever persona you want to create and either sticking with it or changing it or evolving it or contradicting it, and I've done all that stuff.

I've been very reluctant on the Twitter front. But I do Instagram now, so I'm slowly coming around. I'm quite a private person, so much of what I do for my job means that I have to be quite public so I'm just nervous about everything being public. I might turn around. Three years ago, I was against all social media but I actually really enjoy Instagram now. Who knows? I never say never!

Breakthrough ideas look crazy, nuts. It’s hard to think this way — I see it in other people’s body language, and I can feel it in my own, where I sometimes feel like I don’t even care if it’s going to work, I can’t take more change. O.K., Google, O.K., Twitter—but Airbnb? People staying in each other’s houses without there being a lot of axe murders?

We spend so much time, these days, on forms of literature that don't rise to be literature, and I'm speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.

I like Twitter a lot. It is a great way to get the fans knowing another side of you.

I don't Twitter, I don't MyFace, I don't Yearbook...

I think before Twitter people didn't think that way, not in any sort of meaningful or specific way, so what I'm trying to say, if we're trying a bunch of stuff, a lot of cool and great social stuff, a lot of platform stuff, then some of it will stick, and some of it will be junked over. Some of it will be just like the cell phone, you can't imagine not having it.

Magazines in the traditional sense were aggregators of novelty. A good magazine was a lot of novelty, stuff you've never heard of before, clearly aggregated by people who have been able to travel further and dig deeper than you have been able to do. And that used to be really an important source of stuff for me. And now it is less important because the Internet has eaten it all up. But my Twitter feed as an aggregator of novelty is like... I don't know what I would do if it became any more powerful, I would have to start reining it in somehow.

When it was announced that Spider-Man was going to be in Captain America: Civil War, "Miles Morales" was trending on Twitter for like a week. More people than I ever thought had heard of it. Listen, people go to Build-a-Bear and make your Miles Morales Build-a-Bears and tell everybody that's what we want!

I think maybe 50 years ago people and businesses felt like they had to choose between maximizing profits and making customers happy or making employees happy, and I think we're actually living in a special time where everyone's hyperconnected, whether through Twitter or blogs and so on. Information travels so quickly that it's actually possible to have it all, to make customers happy through customer service, to make employees happy through strong company cultures, and have that actually drive growth and profits.

On stage and in person, I think I am nice, thoughtful, and empathetic. But for some reason when I'm online, I become super aggressive and unhinged. I should probably get off of Twitter and see a therapist.

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.

Twitter? No, I'd rather use phone and texts.

Sometimes I post quotes on Twitter.

When someone says something in an interview, the beauty of Twitter is that it's a platform for instantaneous response.

Spreading the word on a zero budget is difficult. You find yourself spending all night on Twitter following people; using Facebook to leave messages on various club walls; commenting on YouTube clips and blog posts; giving interviews online and taking photos of bottles to send to websites in the hope that they feature you.

If I had a girlfriend I would write her letters instead of using Twitter.

The reason it's hard for me to tweet is I don't want to pronounce anything, and Twitter is for pronouncing.

I've stayed away from Twitter for a long time because I sort of didn't trust myself with such an intimate but very public way of relating to the world, but I feel like I've studied it enough.

I think it will be very challenging for someone who has not been in prominent public life in the age of Twitter to go out on the campaign trail.

I feel like I'm over-paid-attention-to. I'm not trying to be a GIF. I'm not trying to be a picked-up-on-Twitter quote. All I'm trying to do is act. And I have to promote movies. And I am, at the end of the day, I guess, a f - king lunatic.

Before, revolutions used to have ideological names. They could be communist, they could be liberal, they could be fascist or Islamic. Now, the revolutions are called under the medium which is most used. You have Facebook revolutions, Twitter revolutions. The content doesn't matter anymore - the problem is the media.

Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.

I wonder if Karl Ove Knausgård would've written the same books today had been using Twitter. It wasn't around when he was writing those books. Those books were written during the age of the blog, with its big verbiage. The landscape has completely changed today.

We had a general awareness, for example, of Russian use of social media - Facebook ads, use of Twitter, fake news implants - we had a general understanding of that. But now, as time has elapsed and time has gone on, I've certainly learned a lot more about the depth and breadth of what the Russians were about.

Twitter's designed to reduce the language, directly out of 1984! It's Ingsoc!

I felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.

I don't think I'll ever get used to the pressures of fame. I have two-pointsomething million followers on Twitter, and if I say something, they all listen. It's crazy! I shouldn't be allowed that responsibility.

I began my day as I often begin my days, by checking Donald Trump's Twitter feed to see how far the crazy has spread. And today, I really think he's off his meds, because today he went from crazy to cruel.

Twitter is the most amazing medium for a comedy writer. I can't get in every idea I want on the show no matter how hard I try to bully the other writers, so it's a way of me getting out other comic ideas and immediately getting feedback.

Poets think in short lines. Unless you're Samuel Beckett, Twitter might be more difficult for novelists.

It's hard to predict what will happen as reading on screen becomes more of a universal norm, and when the formats dictated by social media - Twitter's 140-character limit, for instance - start to influence what we're used to.

I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.

People really do identify with the characters they see on the show, but these days, social media allows you to interact with fans in a really interesting way. On my Twitter account, I'm Chris Carmack, not Will Lexington. I interact with fans and joke with them. I'll post pictures from my life. I think that helps drop the curtain of a character.

You don't get fewer followers saying outrageous stuff on Twitter.

I'm not against Twitter or Facebook. I'm not against anything. Never say never.