Quotes About Twitter

Somebody was, like, what's your favorite thing about Twitter? And I was, like, Twitter. And they're like what's the worst thing about Twitter? And I was, like, Twitter.

When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.

I love Twitter. It doesn't keep me from writing and I think it's a really convenient scapegoat when the truth is that the real issue is self-control. I am totally fine admitting i have none. I'm not going to blame Twitter for affecting my writing. And also, Twitter doesn't affect my writing.

I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.

Twitter is basically text messaging. Twitter is a guy you can always elbow in the side and say, "Hey, look, a guy in a clown suit just threw up!" And I don't have 400-800 words to say about that, I just wanted to say that one thing.

I like Twitter more than Facebook. Twitter is a great way to deliver and get news. In news writing less is more and 140 characters is great. If you can't grab that headline in 140 characters than it's not a story. Viewers tweet all the time and they tell what stories they like and don't like. It's great to interact with them and get that instant feedback. It's great for the viewer and the journalist.

I don't want to be one of those people that's constantly promoting myself on Twitter. I think the fun thing about Twitter is being able to share all the little random things that happen in my life.

I started using Twitter about year after its very early adoption and ended up investing in it around that same time. I'm involved with the Tech scene and companies ranging from Facebook, Stumbleupon and Twitter.

I just recently joined Twitter. It's very positive - I love all the accolades. If my ego is hurting, I can just open my Twitter account and see 'Oh, I love you! I love the show!' and it's great. I'm trying to find the balance between trying to be funny, being honest and just being a promoter as the guy on 'Royal Pains.'

I'm not on Twitter. I feel like it has a purpose because there are fans around the world that want to have some sort of interaction with you. But I feel like it is important to still keep some space and some distance, which is why I don't have a Twitter.

We'd all survive if Twitter shut down for a short while during major riots. Social media isn't any more important than a train station, a road or a bus service. We don't worry about police temporarily closing those. Common sense. If riot info and fear is spreading by Facebook and Twitter, shut them off for an hour or two, then restore.

I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.

There are people who follow me on Twitter and tell me how much they don't like me, how much they don't want me on the show, and that they hope I die. And it's not just about the character. They tell me how they've never liked Scott Foley, and that he's a stupid, white, plain-bread looking fool.

I like to get people talking. I am a provocateur, and I do like getting on Twitter and riling people up. You know what, after a while some sane dialogue and sane conclusions come of that kind of thing.

The future of narrative? Built in, part of the human template. Not going away. The future of the codex book, with pages and so forth? A platform for transmitting narratives. There are others. The scroll is coming back (Twitter is a scroll.) Short forms are returning online. Interactivity is coming back; it was always there in oral storytelling. Each form has its pluses and its minuses.

I'm actually on the Twitter like all those crazy young kids are, and if I'm going to do an in-store appearance or I post something on my website, I tweet these followers, a word I don't like so much, and over 50,000 people go, like, 'Okay, I got it.'

I don't have a Twitter or a Facebook, but that doesn't mean I'm any more productive than the rest of the world.

I can't think of a bigger waste of police time than chasing somebody who has said something offensive on Twitter.

I'm kind of new to Twitter. I'm about one year in, so I'm a little late to the party.

Twitter is wonderful. You can kill rumours instantly.

I had never considered using a hashtag anywhere other than on Twitter, but now I'm inspired. Text messages have always seemed a little flat to me, so the murmuring Greek chorus of a hashtag might be a perfect way to liven them up and give them a bit of dimension.

Twitter's popularity and usefulness are mysteries to me.

I have a twitter, but I try to not talk about things like, "Oh, I had a grapefruit this morning and it was delicious," because, who cares? But, I think it can serve as a platform for talking about things that matter to me, like the organizations that I work with. As pretentious as that sounds, it is true. You can really make a difference, if you can create a following and actually represent who you are, as opposed to how people want to portray you. But, I don't know what the balance is.

Everyone is on Facebook and age is not a determinant of whether a reporter is using Twitter as part of their newsgathering and marketing. Some of the transition is about money at this point - hiring younger reporters is cheaper. Often these reporters are more digitally savvy. But there are plenty of 50-plus journalists employers can find now who are excited about technology, not threatened. It is no longer an either/or proposition.

You should see some of the things people tweet me. There have been death wishes on my Twitter timeline.

Everything on Twitter is true.

I have no Facebook page or Twitter - I don't participate in it, and I don't like it particularly. I mean, it's a form of interaction, which strikes me as extremely superficial.

I'm glad that as a 33-year-old working mother, I can still choose to wear a Hello Kitty T-shirt or stay up late scrolling through the Twitter feed of my junior-high crush.

The media are used to being able to control the agenda of both their friends and their enemies, their buddies and their opponents, and Trump doesn't play by their rules because Trump is not afraid of them. And Trump knows that he doesn't need them. That's the big equalizer. Unlike most Republicans who think they can't get anywhere without at least some favorable treatment in the media or at least less criticism from the media, Trump doesn't need the media. He's got his Twitter account and he's got his rallies.

We do ritualistic animal sacrifice. We host orgies on our trampoline, every other Sunday. You didn't get our Twitter feed on that? I'm really sorry! And then, every once in awhile, we run through the city and drain people and drink their blood. It's really very romantic.

People would publish their websites; other people would read them. But there was no real back and forth other than through e-mail. Web 2.0 was what they called the collaborative web - Facebook, Twitter, the social media.

There will be more words written on Twitter in the next two years than contained in all books ever printed.

When I see my friends engaging in a Twitter war for an afternoon, I think that would destroy me for a month.

live your eyeliner, breathe your lipstick, and kill for each other -Lady Gaga via twitter

I compose most of my tweets with care, as if they were aphorisms - they are not usually dashed-off. Sometimes I'm surprised by the high, poetic quality of Twitter - it lends itself to a surreal sort of self-expression.

Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly. Twitter, videos posted online - how do you utilize that? How do you identify yourself as an individual when you're sitting at this massive dinner table of the world with everyone on, from Kansas to Dubai?

I've found my calling with Twitter. It's all about the amount of interaction you do, and the traffic you move, and I'm really good at that. I keep going and going and going, and no one can believe that I can keep it up.

The notion of people commenting on you, the notion of people saying things about you, people liking or disliking you and getting into your business, has become more of a reality for the general public over the last years, as people have dipped further into Facebook, Twitter, Instagram and social media.

I think it will be very challenging for someone who has not been in prominent public life in the age of Twitter to go out on the campaign trail.

I think things like YouTube and Twitter are really cool and really good in some ways, but the fact that the news is cutting to a YouTube clip on national TV, I think is really weird.

Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.

In this age of omniconnectedness, words like 'network,' 'community' and even 'friends' no longer mean what they used to. Networks don't exist on LinkedIn. A community is not something that happens on a blog or on Twitter. And a friend is more than someone whose online status you check.

It is great to have direct, unfiltered, interaction with your fans on Twitter and FaceBook, or whatever. I am not totally convinced that it has revolutionized the sales model. Its not completely apparent to me that it is easier to sell music. Obviously, there is a possibility of smaller bands, having their music listened to, but I am not sure to what degree it actually happens. Just because it can happen, doesn't mean it does.

For me, Twitter is a public persona. I don't interact. It's a lousy form for conversation and opinion, but a wonderful propaganda and sloganeering tool. I use it as a one-way street.

Someone on Twitter sent me a page from a textbook. It had a picture of a football player next to a picture of me. The juxtaposition was meant to illustrate two meanings of "offensive." Seriously. It broke my heart. It's that accepted what I do is offensive?

I feel like Twitter was tailor-made for me, because I can do short spurts all day long. I loved my blog, but doing daily, then thrice weekly entries was really time consuming. 140 characters is perfect.

The faux now of Twitter updates and things pinging at you - all the pulses from digitality that we try to keep up with because we sense that there's something going on that we need to tap into - are artifacts, or symptoms of living in this atemporal reality. And it's not any worse than living in the 'time is money' reality that we're leaving.

The good thing about Twitter is that theres not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them. Its really fun in that way.