Quotes About Vision

...visions are messages from the Great Spirit, each for a different purpose in life. Consequently, one person's vision may not be that of another. To have a vision, one must be prepared to receive it, and when it comes, to accept it. Thus when these inner urges become reality, only then can visions be fulfilled. The spiritual side of life knows everyone's heart and who to trust. How could a vision ever be given to someone to harbor if that person could not be trusted to carry it out. The message is simple: commitment precedes vision.

Vision is the Source and hope of life. The greatest gift ever given to mankind is not the gift of sight, but the gift of vision. Sight is a function of the eyes; vision is a function of the heart. ‘Eyes that look are common, but eyes that see are rare.’ Nothing noble or noteworthy on earth was ever done without vision.

I write most of my stuff. When I'm rejected in music, it hurts worse than when I don't get a role, because that's someone else's vision. If they don't see me as that part, even if I believe I'm the perfect person for it, that's their vision. The music is my vision.

I have vision boards, and people think that I put the vision board up and I look at it all the time, but what I do is, when I'm having an emotional time and I'm stressed out or feeling bad, I go to the store and get all the stuff for a vision board. Instead of channeling the negative thoughts or being depressed, I change it around and I start making boards.

All visions begin with relationships. My relationship with God is where I receive the vision; my relationship with my people is where I give the vision. If those relationships aren't what they could be or should be, on either side, the receiving or the giving out, the vision is going to be aborted.

The development and deployment of drones and Cruise missiles involves the continuing development of the vision machine. Research on Cruise missiles is intrinsically linked to the development of vision machines. The aim, of course, is not only to give vision to a machine but, as in the case of the Cruise missiles that were aimed at Leningrad and Moscow, also to enable a machine to deploy radar readings and pre-programmed maps as it follows its course towards its target.

By community I mean that community you have a special vision for, that only you see, that no one else in a room sees. That special community in pain, that through a pain you've suffered, you're able to have that vision, that super-ray vision.

All I know is that the first step is to create a vision, because when you see the vision – the beautiful vision – that creates the want power.

Don't try and change things for other people. Don't try and be persuaded by producers and people to change your vision. If you stick to your vision and you're true to yourself, it kind of works. I mean, it's tough. It's a big Fitzcarraldo journey, but then you'll have your good karma at the end of the day. You'll have your good soul. You know, if you start to sell little bits of it, you, you become nothing and nobody, and you don't have any vision remaining.

You can't blame the President for the state of the country, it's always the poets' fault. You can't expect politicians to come up with a vision, they don't have it in them. Poets have to come up with the vision and they have to turn it on so it sparks and catches hold.

During this period (of technological confinement / [and language]) the human mind has been placed in its narrowest confines it has experienced since consciousness emerged from its Paleolithic phase. Even the most primitive tribes have a larger vision of the universe, of our place and functioning within it, a vision that extends to celestial regions of space and to interior depths of the human in a manner far exceeding the parameters of our world of technological confinement.

To look this way is to see. To see is to have vision. To have vision is to understand. To understand is to know. To know is to become. To become is to live fully. To live fully is to matter. And to matter is to become light. And to become light is to be loved. And to be loved is to burn. And to burn is to exist. Off and on.

Each eye can have its vision separately; but when we are looking at anything our vision, which in itself is divided, joins up and unites in order to give itself as a whole to the object that is put before it.

If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.

The filmmakers that I studied and appreciated growing up are the ones that are able to dictate their vision clearly to each department, and they know the language of how to communicate with each department well enough, so that their vision is clearly transferred to the screen. So I like to spend time on sets learning from all of the departments and seeing how they approach their jobs. It's not just filmmakers, you know? There's so many mediums involved. I love learning about all of the mediums.

But I think I have done right to save the vision in this way, even though I may die sooner because I did it; for I know the meaning of the vision is wise and beautiful and good; and you can see that I am only a pitiful old man after all.

We need people who can see straight ahead and deep into the problems. Those are the experts. But we also need peripheral vision and experts are generally not very good at providing peripheral vision.

Now individual consciousness, as typified in human beings, has great advantages and great disadvantages. Individuality means a narrowing, and narrowness can be useful. It is good for close-up work. We have invented the magnifying glass and the microscope to narrow our vision, because narrowness makes for precision. But narrowness also makes for a failure of purpose, for exhaustion of the will; for purpose depends upon a broad vision, a clear sight of one's objective.

Often I visualize a quicker, like almost a ghost runner, ahead of me with a quicker stride. It's really crazy. In races, this always happens to me. I see the vision of a runner ahead of me, maybe just 15, 20 meters ahead of me, and the cadence of that runner, which is actually me in the future, is a little quicker, so if I'm going (his rhythm/breathing), then my ghost runner, the vision of me, ahead of me, like opening up and just going for it, is quicker .

Some will protest that in a world with so much human suffering, it is something between eccentric and obscene to mourn a dog. I think not. After all, it is perfectly normal—indeed, deeply human—to be moved when nature presents us with a vision of great beauty. Should we not be moved when it produces a vision—a creature—of the purest sweetness?

It's one thing to make a pronouncement in a moment of inspiration about what you intend to manifest in your life or what kind of person you intend to become. It's quite another thing to make a commitment to holding that vision regardless of what difficulties or obstacles may surface. Holding the vision involves an unwillingness to compromise what you're visualizing for yourself. It means being willing to suffer through criticism and what appears to be an uncooperative universe.

The basic paradox about sex is that it always seems to be offering more than it can deliver. A glimpse of a girl undressing through a lighted bedroom window induces a vision of ecstatic delight, but in the actual process of persuading the girl into bed, the vision somehow evaporates.

The cooperation of the two retina in one field of vision, whatever is its cause, must rather be the source of all the ideas to which single or double vision may give rise.

True originality consists not in a new manner but in a new vision. That new, that personal, vision is attained only by looking long enough at the object represented to make it the writer's own; and the mind which would bring this secret gem to fruition must be able to nourish it with an accumulated wealth of knowledge and experience.

Somebody asked me 'what's the job of a CEO', and there's a number of things a CEO does. What you mostly do is articulate the vision, develop the strategy, and you gotta hire people to fit the culture. If you do those three things, you basically have a company. And that company will hopefully be successful, if you have the right vision, the right strategy, and good people.

The vision of the left, full of envy and resentment, takes its worst toll on those at the bottom - whether black or white - who find in that paranoid vision an excuse for counterproductive and ultimately self-destructive attitudes and behavior.

Ishabal: "If you may correct your vision as you like, why do you wear spectacles?" Tris: "Because I like them. Because I have better things to do with my magic than fixing my vision when ordinary glass will do.

People ask what your vision is, what is your big vision? I say 'bhai', I got here by way of selling tea. I am a simple Chhota man. I like focusing on simple and small tasks. I want to accomplish big things for the little guy.

A vision without action is called a daydream; but then again, action without a vision is called a nightmare.

Art is expression; what is expressed is often the vision of a subtle and powerful soul, and also his experience with his vision; and however vivid and skilful he may be in the means of expression, yet it is frequently found that the master-spell in his work is something felt to be indefinable and inexpressible.

But we have to understand why we do what we do, not just do what we do. Vision without action is a daydream. Action without vision is a nightmare.

Vision is easy. It's so easy to just point to the bleachers and say I'm going to hit one over there. What's hard is saying, OK, how do I do that? What are the specific programs, what are the commitments, what are the resources, what are the processes we need in play to go implement the vision, turn it into a working model that people follow every day in the enterprise. That's hard work.

There are real issues that the president Donald Trump and particularly Steve Bannon, his political adviser, are pushing. It's a vision, a rather dark vision, of a 19th century world where great powers do transactional issues.

Like most people in Academia, my vision of the future is the same as the average industry person's vision of five years ago.

I'll say about Fueled By Ramen is, I don't know what anyone else's experience has been, but we signed to them as Fun. We already had a fanbase, we already had music out there so when they signed us they were signing our vision. I always think it's so weird when people think that Fueled By Raman are trying to change us or mould us into something else, as we weren't a bunch of kids playing in a garage who joined a label and then collectively worked on a vision, like, they signed us with the intention of letting us be Fun.

Making reality real is art's responsibility. It is a practical assignment, then, a self-assignment: to achieve, by a cultivated sensitivity for observing life, a capacity for receiving impressions, a lonely, unremitting, unaided, unaidable vision, and transferring this vision without distortion to it onto the pages of a novel, where, if the reader is so persuaded, it will turn into the reader's illusion.

A glimpse is not a vision. But to a man on a mountain road by night, a glimpse of the next three feet of road may matter more than a vision of the horizon.

I think it takes a lot of courage to be able to direct a film. If you have that courage and that vision together, and you pick the cast that you believe will achieve your vision, you win.

My father's vision was to see the Pilbara developed in a way that would benefit his beloved north, and West Australia and he wanted to see Australia become a stronger economy benefiting from the development of our north. His life was spent pursuing that vision.

The way you create any outcome in your life is to hold the vision of your deepest desires. At the same time, though, you must honestly and accurately assess your current situation and how it relates to your greater vision. By doing this, you engage tension between what is and what can be. This tension is the primary creative force behind the manifestation of any outcome. It's as natural and powerful as the force of gravity.

A campaign is about defining who you are - your vision and your opponent's vision.

In the one instance, the dreamerloses sight of this object in a wilderness of deductions and suggestionsuntilhe finds the incitamentum, or first cause of his musings,... forgotten. In my case, the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance.

I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.

I have a vision of life, and I try to find equivalents for it in the form of photographs.

Idealism, though just in its premises, and often daring and honest in their application, is stultified by the exclusive intellectualism of its own methods: by its fatal trust in the squirrel-work of the industrious brain instead of the piercing vision of the desirous heart. It interests man, but does not involve him in its processes: does not catch him up to the new and more real life which it describes. Hence the thing that matters, the living thing, has somehow escaped it; and its observations bear the same relation to reality as the art of the anatomist does to the mystery of birth.

When you see somebody who's got a complaining personality, it usually means that they had some vision of what things could be, and they're constantly disappointed by that. I think that would be the camp that I would fall into - constantly horrified by the things people do.

The few of understanding, vision rare, Who veiled not from the herd their hearts, but tried, Poor generous fools, to lay their feelings bare, Them have men always burnt and crucified.

But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.