Quotes About Want

I want to think I deserve what I get. I don't want to consider how vastly I am overly rewarded. I don't want to consider the injustices around me. I don't want any encounters with the disenfranchised. I want to say it's not my fault. But it is, it's yours and mine, and ours. We'd better figure out ways to spread some equity around if we want to go on living in a society that is at least semi-functional. It's a fundamental responsibility, to ourselves.

I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.

I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.

I believe in love and lust and sex and romance. I don't want everything to add up to some perfect equation. I want mess and chaos. I want someone to go crazy out of his mind for me. I want to feel passion and heat and sweat and madness. I want valenties and cupids and all of that crap. I want it all.

I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.

Some people, they don't want to be that loved, they don't want to be that involved, they don't want to be part of your family. That's where the pain comes in. You want the world to be what you want it to be, and sometimes the world doesn't want that.

I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.

Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!

I'm on Grace And Frankie, which is also about that time in life, I'm realizing. But I would - so I guess I am sort of in that show. But there's something about The Golden Girls and the sort of multicam set and Bea Arthur that I just want to be around those ladies all day long, and I want to be on those comfy couches and want to sit in that kitchen in those chairs in those pastels, and I want to wear Blanche's outfits and it's just really... and I want to sit outside in that weird little courtyard.

I don’t want long hair, I don’t want short hair, I don’t want hair at all, and I don’t want to be a girl or a boy. I want to be a yellow and orange leaf some little kid picks up and pastes in his scrapbook.

When I die, I want to be remembered as a woman who lived in the twentieth century and who dared to be a catalyst of change. I don't want to be remembered as the first black woman who went to Congress. And I don't even want to be remembered as the first woman who happened to be black to make a bid for the Presidency I want to be remembered as a woman who fought for change in the twentieth century. That's what I want.

I want to build you a house with my bare hands and carry you over the threshold. I want too cook for you every evening and bring you tea in bed in the mornings. I want to read with you in front of an open fire, sipping a glass of wine. I want to drive you to the beach and lie next to you in the sun. I may not be a man of means, bit I want to take care of you as best I can.

I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.

There's always a chance. Somebody has got to want me, and if they don't want me, then what? I want to play. I want to do what I want to do.

Every day I get a choice. I can choose to go God's way or I can choose to go my own way or Satan's way or if I walk out of this door I don't know that I blame myself if my choice. .. because the bottom line is I want what I want what I want. ... People ask me what the greatest sin is. I feel the greatest sin is to want to be God: Pride, I want my own way. What it means to be a follower of Jesus Christ - give as much of yourself as you understand to as much of Jesus as you understand at that moment.

I want to have a lasting experience with God. Sometimes I feel like I understand the divinity of this world, but then I loose it because I get distracted by my petty desires and fears. I want to be with God all the time. But I don't want to be a monk, or totally give up worldly pleasures. I guess what I want to learn is how to leave in this world and enjoy its delights, but also elevate myself to God.

I always want my mouth to be like two steps ahead of my brain and I want my hands to move without thinking. I want to be able to dive into my computer or use my controllers without having to be, like, "Hmm, what would be a good choice here?" You just want music to happen like the same way the sweat's rolling off my face.

I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.

One thing I'm most passionate about is that I'm geared up and ready for another cycle of touring, to go out in the world and be whoever I need to be for someone. For a lot of people they just want to see you or want to take a photograph of that moment. Some people they simply just want to hear you. And others actually have things they want to share and talk with you about.

I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you're not that good. You just reached the level here. I don't ever want to fail, but I want to risk failure every time out of the gate.

I don't want people to think about my age. Notbecause I don't want them to know my age, I just don't want them to think about it, I don't want itto be a factor.

Even though we all might have differences, there's commonality in the sense [that] people are hard-working, people want to raise a family, people want to put a roof over their head, people want to put food on their table, people want good things for their children.

The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.

Creators start at the end. First they have an idea of what they want to create. Sometimes this is idea is general, and sometimes it is specific. Before you can create what you want you want to create, you must know what you are after, what you want to bring into being.

I want to get on to defeating ISIS, because I want to get on to creating jobs, because I want to get on to having a strong border, because I want to get on to things that are very important to me and that are very important to the country.

When I sit with students, I do not just want to help them solve their problems. I want to find a moment with each person where their mind stops and their eyes open. I want us to be together as if we were lying in a field on the underside of the earth on a clear summer night, held only by the magnet of gravity, looking down into a bottomless sea of stars. I want us to remember together the beauty all around us.

I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.

Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys. Or, not given. Given back. That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.

I think it comes in cycles for Brandy [Burre] and for many women. You want to take care of your home, making it as good as possible for your kids and for yourself, and then eventually you feel trapped and you want to break out of that. You want to be someone else and you want the world to look at you as something else. Eventually, you come back again. The cycles are very much a part of her life.

This is what I want. I want people to take care of me. I want them to force comfort upon me. I want the soft-pillow feeling that I associate with memories of being ill when I was younger, soft pillows and fresh linens and satin-edged blankets and hot chocolate. It's not so much the comfort itself as knowing there's someone who wants to take care of you.

I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.

China has an interest that's very much like ours in one respect, and that is they want a stable world. They don't want war. They don't want to see protectionism. They don't want to see the world break out into various forms of chaos.

I want to take piano lessons, I want to study at university, I want to travel, I want to do other parts, make another movie.

But who wants to hang aroundfrat guys ? I want to be with guys who have more on their minds than where the next keg party is. I want to be with guys who care about making this world a better place-the way Andrew does. I want to be with guys who know that what's important isn't the size of a girl's waistband but the size of her heart-like Andrew. I want to be with guys who are able to see past a girl's outward appearance, and into her soul-like Andrew.

We're always contradicting ourselves. We want people to tell us apart.... ...yet we don't want them to be able to. We want people to get to know us... ...but we also want them to keep their distance. We've always longed for someone to accept us... But we never believed there'd be anyone who would accept our twisted ways. That's why we'll stay locked up tight... ...in our own little private world... ...and throw away the key, so that no one can ever hurt us.

I don't want clever conversation, I never want to work that hard, I just want someone I can talk to, I want you just the way you are.

The American Dream means being part of a society that allows you to be or do whatever you want, and to have a sense that your individual optimism and hard work will be rewarded. It exists outside of the U.S. as well as inside. People continue to come here because they want to improve their lives, they want to be able to support themselves and they want to live in freedom. A lot of people who criticize this country still send their children here to study.

I just want to be at peace with myself, personally and professionally. I want to lead my life the way I want to without having to worry about what the other person may be thinking. Professionally again, I would like to be able to just do films that I want to without having to explain my reasons to my friends, family and fans.

What's strange is, the people who want to be in the position are never asked to be in the position. Like, if you don't want to do something, then people really want you to do it. And the more you say, "No, really, I'm sorry, it's really not for me," the more they want to convince you that it is, in fact, for you, and that you'd be absolutely perfect.

Tonally, there was no discussion; I just don’t know any other way to do it. I don’t want to make people feel bad, and I don’t want to make their problems into a joke. I do love telling people when they’re right and wrong, but for the most part, it was always going to be about real fights where people have a real difference of opinion and a real dispute. I want to make jokes, but I also want to make a decision that is fair.

People want to be connected to be everyone at anytime. They want to talk about their passions, they want to talk about their private life, they want to have the right to speak.

I would never want to take away the option of sex work from someone, but I would want to create more options so that everyone can make the decision whether they want to do sex work or they don't want to do sex work, and that people who do sex work can do it safely.

Maybe this is why I sleep only a few hours a month. I don't want to die again. This has become clearer and clearer to me recently, a desire so sharp and focused I can hardly believe it's mine: I don't want to die. I don't want to disappear. I want to stay.

Many times - especially when I'm playing an historical character - I want to be really on target with how I create that character and really nuanced with who that human being might be. But I don't want to lose the likeness of me or the depth of my own personality. So meditation and my spirituality has helped me to realize that, yes, I want to get out of the way but I also want the ability to hold on to what the audience likes of what they see of me.

People want to act like they know celebrities. They want to see pictures. They want to know where you're going. They want to hear you talk about your family.

I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.

The public wants a great product, but they also want more layers of value. So it's lifestyle, it's takeaway, it's entertainment. It's all of those things and social media facilitates a big chunk of that, because they want to touch and feel you, they want to talk to someone about it, they want to join a community of other people who dance to the beat of a different drummer.

I don't go out and play football and stuff - that's not me. I want to think, I want to build, I want to talk, I want to create.