Quotes About Writer

I am a gay writer, but I am also a Scottish writer and some days a lazy writer, or a funny writer. Being gay is just a part of who I am.

Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.

A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

Canadians are fond of darker stories, serious stories, so if you're a Mystery writer or a Romance writer or Fantasy Writer, you will most likely have an American publisher and agent.

A writer is a performer as well. A writer isn't the literary department. That gets tried on but nothing's a script unless a good writer goes away and does his thing alone.

As soon as you become a writer, you lose contact with ordinary experience or tend to. ... the worst fate of a writer is to become a writer.

- I don't want to be a writer so I can write about my life. I want to be a writer to escape from it. + Then you shouldn't be a writer.

You can't be both a writer and a politician, at least not a good writer. A writer must always tell the truth as he sees it. And the politician must never give the game away.

On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.

I think writer's block is simply the dread that you are going to write something horrible. But as a writer, I believe that if you sit down at the keys long enough, sooner or later something will come out.

Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.

There are books that a writer undertakes because she wants to go on a journey, and there are journeys a writer undertakes because she wants to write a book.

A writer writes. If you want to be a writer, write.

Carl Reiner particularly as a writer, a terrific writer. He's just turning out things.

I wanted to be a writer first, and I struck out in the world to be a writer first, and then found stand-up as a more creative outlet, as a 3D way to be creative.

If you are a writer, or want to be a writer, this is how you spend your days--listening, observing, storing things away, making your isolation pay off. You take home all you've taken in, all that you've overheard, and you turn it into gold. (Or at least you try.)

In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer. [dedication to Isaac Asimov from Arthur C. Clarke in his book Report on Planet Three]

Everybody has to share something. This is one of the most important laws of the human condition, is the necessity to share. This is the task of the writer - but not only of a writer, of every human being - it is to share something that he or she has.

A great writer created a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.

I wanted to be a writer all my life. Since I was 10. And then at a certain point I began to assume I was one, which is rich, I know. I didn't meet a writer until I was nearly an adult, so I had no idea what I'd bet the farm on.

The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.

My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.

Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer.

Usually I'm trying to turn something around or turn it inside out and see what's underneath. I know that probably sounds incredibly vague but I never set out to be likeable or funny or anything like that. I'm just trying to tell the story in the best way that I can and serve the writer because it's really about the writer.

If you tell an amateur that his story is not good, he always declares indignantly: 'Oh, but it really happened just like this!' The writer who doesn't understand that this is beside the point is not a writer at all.

The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a representation of the writer, the ‘I’ of journalism is connected to the writer only in a tenuous way—the way, say, that Superman is connected to Clark Kent. The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.

I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.

I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.

More and more, I play myself, as I get older. Even as a writer, I never got typecast. I've always bounced from project to project, or initiated my own things. I was never known as the guy who wrote romantic comedies or sci-fi, or whatever, but that's fun to me. The first two films I ever had made, as a writer, were both thrillers, which was great. There was nothing funny about either of them, or not intentionally. I actually love that.

The reality of a serious writer is a reality of many voices, some of them belonging to the writer, some of them belonging to the world of readers at large.

Since I was a teenager, I had wanted to come to the United States to establish my name as a writer and to establish my freedom. As a writer and artist, I cannot do anything without freedom. For me, freedom is just like the air or water. I cannot write without freedom.

The trick is not becoming a writer. The trick is staying a writer.

I began running on an everyday basis after I became a writer. As being a writer requires sitting at a desk for hours a day, without getting some exercise you'd quickly get out of shape and gain weight, I figured.

As a writer, I could write in Canada and still get the American benefits. But I wanted to come down here for the good weather and for the parties, I want to be social too. Being in LA is really great for that, for just running out and grabbing coffee with another writer. I couldn't do that in Canada. I love Los Angeles, and I love New York too; I just couldn't raise three kids there.

To be a writer, a creative person, you must retain your ability to react uniquely. Your feelings must remain your own. The day you mute yourself, or moderate yourself, or repress your proneness to get excited or ecstatic or angry or emotionally involved...that day, you die as a writer.

I knew I wanted to be a writer. Where I came from, no one was a writer. I came from Long Island, and everyone became a doctor or a lawyer or an engineer or a teacher or a businessman. I didn't know any writers.

Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.

I don't believe in writer's block. Most of writer's block is having too much time on your hands. My mantra is that you can always edit a bad page; you can't edit a blank page.

When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.

I aspired to be a writer and then I just started getting acting work. I really didn't have a direct goal, I just knew I wanted to be in this industry telling stories and doing this for a job. I thought my path was going to be as a writer, but I'm pretty happy doing it as an actor.

I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.

A writer's voice is not character alone, it is not style alone; it is far more. A writer's voice line the stroke of an artist's brush- is the thumbprint of her whole person- her idea, wit, humor, passions, rhythms.

In this day and age, if you're aspiring to be an actor, and you're putting all your eggs in one basket, you could be disappointed. I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first 8 to 10 scripts were pretty horrendous, but I stayed at it until I eventually found a voice and a subject that people were interested in. So, I recommend that you go out and try to be as versatile as possible: writer, actor, producer and especially director.

It is comparatively easy to become a writer; staying a writer, resisting formulaic work, generating ones own creativity - thats a much tougher matter.

Someday, as an exercise, you might ask a writer to give himself the questions he wants to answer. If you really want a writer's opinions, you have to ask for them. What you read might surprise you.

I hope I'm not just looked as a writer that is popular but as a writer of literary value.

If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it.

The writer's no different. When he's rejected, that paper is rejected, in a sense, a sizeable fragment of the writer is rejected as well. It's a piece of himself that's being turned down.