My persona is most importantly just to communicate the material in a way that is most funny and meaningful in the moment. It's more like a character that's sculpted for whatever joke needs communicating at the moment.

I don't need anything as long as I have my family, friends, millions of dollars, unlimited pussy.

I've been doin' drive-bys all of my life. Except the bullets are newspapers, the car is my bike.

Comedy should be a source of positivity. I don't want to bully people, and I don't want people to come to my show to feel terrible about something. I'm actually very open to having a conversation about what I should or shouldn't say.

People ask me all the time, ALL the time, they say the same exact thing. They say, 'Bo, you're an artist... how do we fix Africa?'

Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.

I'm not a grown up until everybody realises I'm a grown up. When everyone remembers me as the dirty kid singing little songs I am the dirty little kid.