Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.

At the time of 'Words, Words, Words,' I'm a 19-year-old getting up feeling like he's entitled to do comedy and tell you what he thinks of the world, so that's inherently a little bit ridiculous.

I think the comedy clubs tend to homogenize the acts a little bit, because they force them to be palatable in way too many environments.

Comedy should be a source of positivity. I don't want to bully people, and I don't want people to come to my show to feel terrible about something. I'm actually very open to having a conversation about what I should or shouldn't say.

Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.

I think comedy has a range, with multiple peaks in different areas. It's like trying to compare Beethoven and the Beatles. Sometimes I hear from people, 'I think you try too hard in your comedy.' And that's what I worry about.

I have a pretty good math mind, so I can see patterns, but I don't have a great ear. It's like a tragedy - I can see so much more natural musical ability in so many other people.