Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.

It's not most important to communicate myself on stage as it is to be as funny or interesting as I possibly can on stage. I feel more like I'm doing a play whose main character just happens to share my name.

I'm bored way too easily. I'm staring at screens half the day. I need to be overstimulated. And how will that express itself artistically?

I think no matter what you do, a certain amount of people are going to call you a sellout, somehow, you know. If I ever start trying to make a living on it.

Do unto others as you would have them do to you, said the rapist.

If comedy is about surprises, about tension, there's a lot of tension and surprise there, in the fact that people are expecting this to be natural.

My whole family thinks I'm gay, I guess it's always been that way. Maybe it's 'cause of the way that I walk, Makes them think I like... boys.