There's been a lot of simple vilification of right-wing people. It's really easy to say, 'Well, you're Christian, you're anti-this and that, and I hate you.' But to me, it's more interesting to say, 'What is this person like and how do they really think?'

When I see two guys kissing, I'm like, how come I can't kiss one of those guys? They look like they're having a good time.

People are always fighting for attention with things now because there's so much content. Actually, if you don't tell people stuff - you just keep your mouth shut - you don't have to whisper it, you just don't yell. Take the bullhorn off your mouth and it's a secret.

My show is sort of a short-film anthology, and I'm able to tell little stories that don't necessarily carry a whole episode in terms of narrative. I like the audience not being sure what they're getting. I think it's more fun to watch something when you're discovering it as you go along.

The only pitch I have to movie people is the same as this one: Just give me $8 million. I'm not telling you what it's about and I'm not telling you who's in it.

One time, I threw a candy wrapper on the street. I was with a friend who said to me, You just littered on the street! Don't you care about the environment? And I thought about it, and I said, You know what? This isn't the environment. This is New York City. New York City is not the environment. New York City is a giant piece of litter. Next to Mexico City, it's the shittiest piece of litter in the world. Just a pussy, runny, smokin', stinkin' piece of litter.

You need to build an ability to just be yourself, and not be doing something.