If you're injecting fear into other people, then you're trying to kill their minds. You're trying to get them to stop thinking.

I'm proud of my ability to understand what somebody else is trying to do and help them achieve it, because part of the aesthetic of improvisation is service. You never say no. Serve the servant, follow the follower. And that's very valuable in your life, as well as very valuable in your actor's work. I'm damn proud of my ability to help other people achieve their ideas.

Some people perceive me as an assassin or at least someone who can slip under your guard with a knife. But if you watch what I do, that's almost never the case. I'm just trying to keep the balloon in the air. It rarely turns into anything combative.

I won't be doing the new show in character, so we'll all get to find out how much of him was me. I'm looking forward to it.

They say the only people who tell the truth are drunkards and children. Guess which one I am.

Writing and producing the show is an intellectual process. Performing the show is far more athletic and intuitive, because you don't get to do it twice. It helps if you've done whatever the old saw is, 10,000 hours of it. Because I've done 10,000 hours of comedy, I have this database in my mind of what works and what doesn't work.

So my heart goes out to them. Figuratively. I would never actually entrust my heart to scientists—they'd probably implant it in a baboon. And a baboon with my heart would be practically unstoppable. Baboon strength and agility combined with my determination and media savvy? It would be a threat to all of humanity.