Quotes About Abstract

In a dream I cannot see tangled abstract phallacy random turmoil builds in me i'm a addicted to chaos -Megadeth, Addicted to Chaos

Music, I find, gets you out of a trap [when screenwriting], because it speaks to your emotions directly, it's an abstract thing, it's not concerned with plot or story. And so music really helps - often I'll listen to the music and just write anything, just to get through.

A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one's will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp.

Ethics is not just an abstract intellectual discipline. It is about the conflicts that arise in trying to meet real human needs and values.

All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part.

We're not good at noticing slow, steady changes in our environments, our senses are not very acute compared to those of many animals, and we're pretty awful at abstract thought, much less acting on it.

The law is this: that each of our leading conceptions-each branch of our knowledge-passes successively through three different theoretical conditions: the Theological, or fictitious: the Metaphysical, or abstract; and the Scientific, or positive.

To one given to day-dreaming, and fond of losing himself in reveries, a sea-voyage is full of subjects for meditation; but then they are the wonders of the deep and of the air, and rather tend to abstract the mind from worldly themes.

Abstract and conceptual painters face different demons than representational painters, but neither group has a monopoly on either authenticity or originality.

If the topic be highly abstract, show its nature by concrete examples. If it be unfamiliar, trace some point of analogy in it with the known. If it be inhuman, make it figure as part of a story. If it be difficult, couple its acquisition with some prospect of personal gain. Above all things, make sure that it shall run through certain inner changes, since no unvarying object can possibly hold the mental field for long.

A true noun, an isolated thing, does not exit in nature. Things are only the terminal points, or rather the meeting points of actions, cross sections cut through actions, snapshots. Neither can a pure verb, an abstract motion, be possible in nature. The eye sees noun and verb as one, things in motion, motion in things.

'Look at Me' started with Rockford, Illinois and New York and the question of how much image culture was changing our inner lives. That's an abstract idea; you don't think that's going to be a rocking work of fiction, but it seemed to fuse in a way that was interesting.

I've not seen an effective manager or leader who can't spend some fraction of time down in the trenches... If they don't do that they get out of touch with reality, and their whole thought and management process becomes abstract and disconnected.

Soldiers join the military to serve their country, but when bullets are flying, it's hard to fight for an abstract notion like patriotism. They're fighting for the people standing next to them, and it doesn't matter who's a Republican or a Democrat, or who's black or white or Christian or Muslim or gay or straight. If Congress and all Americans could manage to ignore those differences, we would have a perfect country, but somehow we cannot rise to that level of nobility.

The pop artists did images that anybody walking down Broadway could recognize in a split second — comics, picnic tables, men’s trousers, celebrities, shower curtains, refrigerators, Coke bottles. All the great modern things that the Abstract Expressionists tried not to notice at all.

Maybe stalking the woods is as vital to the human condition as playing music or putting words to paper. Maybe hunting has as much of a claim on our civilized selves as anything else. After all, the earliest forms of representational art reflect hunters and prey. While the arts were making us spiritually viable, hunting did the heavy lifting of not only keeping us alive, but inspiring us. To abhor hunting is to hate the place from which you came, which is akin to hating yourself in some distant, abstract way.

Within a social structure, a familial structure, or a cultural structure of various kinds, there is a substitute for actual freedom. I mean, actual freedom is a very abstract notion; we have no idea what it means, except within a context - freedom to do what? So within these social structures, freedom becomes defined as power, your ability to make choices, and the power relationship within a family, any family.

We shall suffer no attachment to literature, no taste for abstract discussion, no love of purely intellectual theories, to seduce us from our devotion to the cause of the oppressed, the down trodden, the insulted and injured masses of our fellow men.

At times we would have these whole cities that would take up rooms and stretch out all over the house. But they were also very abstract, like 'this piece of cardboard is a pool' and so forth.

I was a really lousy artist as a kid. Too abstract expressionist; or I'd draw a big ram's head, really messy. I'd never win painting contests. I remember losing to a guy who did a perfect Spiderman.

Even the recognition of an individual whom we see every day is only possible as the result of an abstract idea of him formed by generalization from his appearances in the past.

In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?

Condemnation by category is the lowest form of hatred, for it is cold-hearted and abstract, lacking even the courage of a personal hatred.

Although I am fully convinced of the truth of the views given in this volume under the form of an abstract, I by no means expect to convince experienced naturalists whose minds are stocked with a multitude of facts all viewed, during a long course of years, from a point of view directly opposite to mine... I look with confidence to the future, to young and rising naturalists, who will be able to view both sides of the question with impartiality.

It would not be easy even for an unbeliever, to find a better translation of the rule of virtue from the abstract into the concrete, than to endeavor so to live that Christ would approve our life.

The more abstract is form, the more clear and direct its appeal.

I would say that it is important to have it in your mind, what your attention is and what you want to do. Really just go for it, and fall and go for it again, and learn and continue to go for it. First, it starts as an abstract idea and you have this dream and desire. It will take you to one place, and in that time you act in a certain way and you do what you have to do in that one place to get you to the next place. It is constantly building into this idea that you have.

I understand abstract art as an attempt to feed imagination with a world built through the basic sensations of the eyes.

Even with painting, even abstract paintings, you need the incoming of, light on the canvas.

Friendship's an abstract of this noble flame, 'Tis love refin'd, and purged from all its dross, 'Tis next to angel's love, if not the same, As strong in passion is, though not so gross.

I don't think poverty provides that much of an obstacle to education as one thinks. I think the bigger obstacle to education is the fact that it's a very hard thing to do for a first-generation schoolgoer. Because not to have parents at home who can help you, motivate you, is a problem even when the parents are in the abstract very keen on children being educated.

"What is truth?" said jesting Pilate, and would not stay for an answer. Pilate was in advance of his time. For "truth" itself is an abstract noun, a camel, that is, of a logical construction, which cannot get past the eye even of a grammarian. We approach it cap and categories in hand: we ask ourselves whether Truth is a substance (the Truth, the Body of Knowledge), or a quality (something like the colour red, inhering in truths), or a relation ("correspondence"). But philosophers should take something more nearly their own size to strain at. What needs discussing rather is the use, or certain uses, of the word "true." In vino, possibly, "veritas," but in a sober symposium "verum."

I love when rappers have a off-beat, very abstract timing, and he certainly did.And any rapper who really approaches rapping with the art form of songwriting melodically - I know a bunch of rappers who actually go in before they write the lyrics and come up with the melody. And you can hear and feel that difference so much when that's the case.

Do we, as humans, having an ability to reason and to communicate abstract ideas verbally and in writing, and to form ethical and moral judgments using the accumulated knowledge of the ages, have the right to take the lives of other sentient organisms, particularly when we are not forced to do so by hunger or dietary need, but rather do so for the somewhat frivolous reason that we like the taste of meat? In essence, should we know better?

Philosophy is not in a state of external reflection on other domains, but in a state of active and internal alliance with them, and it is neither more abstract nor more difficult.

Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I'm just starting to imagine.

Of all my Russian books, the defense contains and diffuses the greatest 'warmth' which may seem odd seeing how supremely abstract Chess is supposed to be

I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words.

The law is not abstract, impartially arbitrating between conflicting social classes; it is a tool in the hands of those who govern.

I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.

Our vanity, our passions, our spirit of imitation, our abstract intelligence, our habits have long been at work, and it is the task of art to undo this work of theirs, making us travel back in the direction from which we have come to the depths where what has really existed lies unknown within us.

But it is a pipe." "No, it's not," I said. It's a drawing of a pipe. Get it? All representations of a thing are inherently abstract. It's very clever.

Music is at once the most wonderful, the most alive of all the arts- it is the most abstract, the most perfect, the most pure- and the most sensual. I listen with my body and it is my body that aches in response to the passion and pathos embodied in this music.

I didn't have a regular school experience and wanted a more abstract way of learning. I started exploring in lots of different creative ways. It gave me the opportunity to travel and play music, so it was good for me.

I've always had an artistic hand. I took on paint when I started falling in love with the abstract expressionists. I approached it from a physical standpoint, but I've also been honing my compositional eye through film.

The smaller the instrument or more hidden it is such as electronics, the more esoteric it becomes and in my mind becomes boring watching someone go like this and that has no direct... It's just a complete abstract motion, not attach to any sound.

It is only those who never think at all, or else who have accustomed themselves to blood invariably on abstract ideas, that ever feel ennui.

A trilogy is a pretty abstract notion. You can apply it to almost any three things.