Quotes About Aesthetic

Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.

Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.

I'm always interested in finding new aesthetic problems to deal with and challenge myself, even if the aesthetic problem is one of content.

I find that deadlines form part of the aesthetic. I don't have that "It could only have been this way" kind of thing. I tend to rewrite it and say that after the fact, but on the way there, there are just some routes that you have to give up and make decisions, and that decision-making I find torturous. But I'm used to that torture.

Novels usually evolve out of 'character.' Characters generate stories, and the shape of a novel is entirely imagined but should have an aesthetic coherence.

I'm proud of my ability to understand what somebody else is trying to do and help them achieve it, because part of the aesthetic of improvisation is service. You never say no. Serve the servant, follow the follower. And that's very valuable in your life, as well as very valuable in your actor's work. I'm damn proud of my ability to help other people achieve their ideas.

The best and most innovative products don't always win...(it's an) aesthetic flaw in how the universe worked

I'm used to coming up with a lot of parts. And I don't have to do that so much [with Divine Fits]. This is the kind of band I've always wanted to be in because we never set up any aesthetic rules when we started it. We just wrote and edited, and it ended up sounding like Divine Fits.

I think that marriage vows should include an escape clause that says the contract is broken if one party ups and makes a big switch in religion or politics or aesthetic taste. I mean, these shifts just aren't fair, and we need an easier way out.

In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.

It is so fatally easy to confuse an aesthetic appreciation of the spiritual life with the life itself-to dream that you have waked, washed, and dressed and then to find yourself still in bed.

With writing and publishing, my only aim is to live in the aesthetic pleasure dome.

I really liked the design aesthetic of the mid-century modern for furniture and the early '60s stuff for the clothes. But then, personally, I'm a huge fan of 1970s muscle cars. Cell phones is just a laziness thing because it's so much easier to have somebody have a cell phone than have to go to a phone booth. So we're sort of, I guess, cherry-picking the best and easiest from several decades.

About 1998, when 'Wide World of Sports' and the 'Footy Show' came to an end for me, I couldn't type. When I started architecture, it was a very aesthetic, creative, an almost art process, where lettering and thick line were how you expressed yourself on the paper.

In architecture and interiors, as well as fashion, there is an interaction that is both functional and aesthetic.

Virtue is as little to be acquired by learning as genius; nay, the idea is barren, and is only to be employed as an instrument, in the same way as genius in respect to art. It would be as foolish to expect that our moral and ethical systems would turn out virtuous, noble, and holy beings, as that our aesthetic systems would produce poets, painters, and musicians.

There is an aesthetic crisis in writing, which is this: how do we write emotionally of scenes involving computers? How do we make concrete, or at least reconstructable in the minds of our readers, the terrible, true passions that cross telephony lines? Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.

That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.

Playing with appearances and mastering the arts of deception are among the aesthetic pleasures of life. They are also key components in the acquisition of power.

Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.

I would describe my aesthetic as definitely personal and harmonious with an eclectic yet bohemian sensibility.

I had always wanted to expand to beauty, but I knew I wanted to be able to translate my design aesthetic in an authentic way.

No student of history can fail to see the moral interest of the Middle Ages, any more than an artist can fail to see their aesthetic interest.

The development that produces great art is a moral and not an aesthetic development.

It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.

Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.

I have no particular interest in antiquities or antiques, but I like things to meet a certain aesthetic.

Maternity has come a really long way from when my mother or my friends' mothers were shopping, but it's still very limited and it's hard. Just because you become pregnant doesn't mean your style changes. You still want to maintain your same aesthetic, but it can be very challenging with what is out there. It's been interesting to kind of learning to dress around it.

It's not so much a philosophy as much as it is a pace. We need to be personally involved with every aspect of the records including the artwork, we want everything to have a similar aesthetic.

There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.

Nearly all of the advances in structural and aesthetic innovation is coming from abroad.

The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.

It is true that the trees are for human use. But these are aesthetic uses as well as commercial uses-uses for the spiritual wealth of all, as well as the material wealth of some.

The analogies between science and art are very good as long as you are talking about the creation and the performance. The creation is certainly very analogous. The aesthetic pleasure of the craftsmanship of performance is also very strong in science.

No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literacy or artistic expression. Nor should it pronounce on the validity of economic, historic, religious, or philosophical doctrines. Instead it has a duty to its citizens to maintain the freedom, to let those citizens contribute to the further adventure and the development of the human race.

As soon as you think you have a firm idea you allow it to dissolve and you let go of it, particularly when it comes to a stylistic or aesthetic identity. In fact, you only really find out what it is when you deconstruct it; so, yeah, that's a sort of collage sensibility of having a lot of voicings coming from all over the place and not necessarily trying to shape them or try to commodify them. It keeps you in the living language... an opportunity to not be governed so much by intellect.

My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.

Having Alexei Ratmansky create a new Romeo and Juliet for The National Ballet of Canada to mark our 60th anniversary is a dream come true. His aesthetic -- steeped in the Russian school but open to contemporary sources -- is ideal for this work and for our company, which, with our classical heritage and our passion for the modern, is perfectly suited to his distinctive dance vision.

There can be no reasonable right to live on sidewalks. Society needs order, and hence has a right to a minimally civilized ambience in public spaces. Regarding the homeless, this is not merely for aesthetic reasons because the anesthetic is not merely unappealing. It presents a spectacle of disorder and decay that becomes a contagion.

I'm not a super prolific creator, I don't make stuff everyday, and I don't have a soundtrack constantly playing in my head. I think I had years and years of pent-up aesthetic ideas that I wanted to express.

For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.

When I go on a nostalgia trip it's not aesthetic. For me it's about trying to recapture the smell or the feeling of something that I've experienced in the past personally.

They who seek religion for culture's sake are aesthetic, not religious, and will never gain that grace which religion adds to culture, because they never can have the religion.

I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.

There's always a joy in newness as a painter, and in sub-Saharan Africa, I encountered different realities with regard to light and how it bounces across the skin. The way that blues and purples come into play. In India and Sri Lanka, it was no different. It became a moment in which I had an opportunity to learn as a painter how to create the body in full form, and that's a very material and aesthetic thing. This is not conceptual. It's all an abstraction.

When I was trying to create this so-called Lav Diaz verité, it just happened. At some point, I became very comfortable with the one frame, with the single take. It just happened. I didn't plan it. I was looking for my own aesthetic, my own perspective, my own voice, and it happened.

Nature supplies the game of chess with its implements; science with its system; art with its aesthetic arrangement of its problems; and God endows it with its blessed power of making people happy.

I live an artistic double life: one of classical realism and the other of aesthetic exploration.