Quotes About Album

I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.

Yes, but I view Frank's music as fully composed. In other words, the arrangements can work for any idiom such as a rock band or an orchestra. Frank was a brilliant arranger and could make his music work in any context. He proved that tour after tour and album after album.

I have to apologize with one of my album because I called it Unleash the Dragon but I didn't really unleash - I kind of stayed in the Dru Hill vernacular, and that's why the album was so ballad-heavy.

I have lots of records, quite a collection, actually, that I stole from my mom. I have the original 'Thriller' album and I have a really great 'Elton John's Greatest Hits,' and I also have a N.E.R.D. album. Records sound more original. They have more edge.

So many times nowadays it's about having two good songs on an album and a bunch of filler, and I wanted to make something that I felt every song on the album was fun for everybody.

I was really inspired while I was pregnant and I wrote a whole album for my baby. I wanted to write a kids album that didn't annoy parents. I used The Beatles 'Rocky Raccoon' as sort of a starting place for my writing.

When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.

I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.

I just remember that when Jennifer Love Hewitt released an album a few years back, it was like 'Oh, why is Jennifer Love Hewitt releasing an album?' But if Queen Latifah, or Justin Timberlake, or anybody else wants to be an actor, it's like 'Yeah, I'll go check that out.'

So I went out and bought Hard Again by Muddy Waters. That was a big learning curve. I listened to that album again and again and again. James Cotton was the harmonica player on that album.

It is definitely much easier to feel that an album is disposable - to dismiss an album or delete the tracks you don't like or to just throw it into shuffle or whatever.

I didn't set out like, "I'm gonna do this album, and I really want a #1 album." So it wasn't even on my mind like a goal to accomplish... but as soon as it sunk it that it was an accomplishment, I realized I gotta start acknowledging milestones [I've] accomplished because sometimes you get so caught up in the bigger picture that you gotta stop and notice the steps you take to get to the bigger picture.

When you put an album out, you can't do any material from the album if people are paying to see you.

I was wanting to do an album but I didn't know if I was really ready. Jerry Wexler was one of my closest friends and allies, like my godfather. He said, "Let's do an album." I couldn't sing worth a damn, but there were some good songs.

The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.

The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.

I listened to my first comedy album in 6th grade. It was Bill Cosby. My brother and I would play it over and over on a Fisher Price record player. A friend in high school also introduced me to Richard Pryor. I wasn't writing material back then, but I would say funny stuff. I was good at making fun of people's moms. If I knew something personal about you, it would be used against you.

I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.

A lot of times, people have forgotten about an album by the time it's released, because it leaked three months earlier. Very strange days we live in.

I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.

Of course I am stressed after I finish working on an album about what an audience will think, if it will be successful or not.

When you're listening to my album, I want you to know that things happen and eventually you get over it

Our first album was a stupid mistake by the record company. They tried to sell us as an alternative act. A big mistake!

But for the most part, for the majority of a stand-up audience, you better have new stuff they've not heard. And if you put an album out, just consider that material gone. At least that's how I see it.

Kenny G has a Christmas album out this year. Hey, happy birthday Jesus! Hope you like crap!

When I'm writing my album, it's totally my world. Even though it's myself and another producer creating the project, Conceptually it's more under my power and on my own terms. At the same time, it's a different type of pressure because I'm ultimately speaking, I'm solely responsible for the end result.

That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.

It's the Roman numeral for 10. 5/5/89 is my birthday: 5 plus 5 is 10, and this is my tenth year since I got into music. 'X' is the 24th letter in the alphabet, and I will turn 24 when this album comes out. 'X' is also a metaphor, as in 'ex-girlfriend': it implies you're progressing and moving on in life, not holding on to the past and your old ways.

I think my favourite song on the album [Second Hand Rapture'] is 'Head Is Not My Home', I love the vocal melody and it's such a power hit of a track. Every time it pops on I like listening to it, I'm really drawn to it.

We're not the kind of band who writes an order abundance of songs and picks from them, we usually write for the album.

I hold 'Mi Tierra,' my first Spanish-language album, very close to me because that was all done in my native tongue and won me my first Grammy.

If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.

I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album.

It's like the iPod playlist has killed the way we think of the normal album, so let's think of this as just saying you go into your record store and all those categories and all those different ways of segregating music have been thrown out the window, so the difference between myself in real life in that is that I'm the opposite.

So like what I want to do is connect all of my albums and make it tell a bigger kind of story. So the first album is very focused on her family life and her love life.

I always write the first and last song of an album first, and then the middle just kind of happens.

You can't control it once you turn it into the label, so there's the expectation that it'll leak a week before the album comes out. That's the world we live in.

The main idea of it was to multiply everything, to have a bigger sound and grow venue size and grow fan base. As for a lyrical theme of the album [named "X"], it's just diary entries; it's just kind of like three years of my life in songs.

I'd stopped doing music all of a sudden, and because of Chill and Jay and B, I got half of my album on a solo project. Then I get a call a week later and Jay is like, "Yo, Janet [Jackson] likes one of the records. We'll take five but are you cool with giving Janet one?" I was like, dude, we can do whatever you want to do.

Even though the album is an endangered species, can we try and make a coherent and good one, even if it's like making a horse and cart at a Nascar conference?

One thing that's really pulled me in to helping artists create their album is that I get to help them tell a story. It's about the way you frame that story and finding the best way to tell that story.

There's no such thing as the greatest album ever. There's no greatest book, greatest human, greatest movie. At a push, the closest record to perfection I know is What's Going On by Marvin Gaye or The Beach Boys' Pet Sounds but possibly because they are widely recognized as such.

You do your work. You get up in the morning, you choose an outfit, you know? It doesn't have to be the best thing that you wear, you know what I mean? It's music, man. You do an album, complete it, and then musicians are on to the next thing. Nobody cares about how many units it sold as compared to the old one.

I would say that my peak was making my first million at the ripe age of 29, after the first album.

I would just think that I would remember modeling for the cover of an album with Tom Waits, who I've always loved.

Well being in Kiss is having a more limited spectrum. It's a smaller playground to play in because there are limitations. I'm the big bad wolf and I'm supposed to do this and that. There are rules, which are self imposed I must say, but there are rules. We break enough of them, but the truth is that being Gene Simmons in an album called 'Asshole' forged me the opportunity of just recreating myself. Very much Jekyll and Hyde. Mr. Hyde is the big bad guy and Dr. Jekyll has studied and both are connected.

When you get a certain amount of media attention, I think people are like, "Where's your other album?"

Yeah, the next Wu album should be out by late '95.