Quotes About Album

When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.

My sister Suga Tee is doing conscious rap. She speaks to the youth. She has an album coming out soon. She got saved but she is still doing her thing. She still spits good game. She's talented. She sings. I don't know if a lot of people know this but Suga Tee has a beautiful voice. So ya'll look out for her album you dig? And look forward to a future Clique album.

I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.

A lot of people do talk about the demise of the album, but I still believe that if an artist tries hard to make a great album, people will buy it and listen to it as an album, rather than just a collection of random songs.

When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.

I gave the album [You're Under Arrest] to Quincy Jones and he loved "D Train". We couldn't call it "D Train"; it's called "MDI/Something's On Your Mind/MD2". That's on the album.

It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of ten small stories.

I’m very proud of Seungri. I worked over a year for my album, but one day YG told Seungri to make an album and he made one in just 2 weeks. Ah, maybe 3 weeks. He’s a true genius. I’m jealous of his propulsion.

I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.

I just remember that when Jennifer Love Hewitt released an album a few years back, it was like 'Oh, why is Jennifer Love Hewitt releasing an album?' But if Queen Latifah, or Justin Timberlake, or anybody else wants to be an actor, it's like 'Yeah, I'll go check that out.'

Most of the time I like to start an album abroad, not at home, just to avoid the pressure, to not wake up and think, OK, its the first of recording this album. I like to avoid that.

Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.

I wrote an album about being in love. I don't think it's possible to write an album while you're in love - why on earth would you bother? I mean, Christ. If you're in there writing songs about someone rather than just being with them and kissing their every molecule, surely the person that you're with must be asking some questions as well.

I didn't set out like, "I'm gonna do this album, and I really want a #1 album." So it wasn't even on my mind like a goal to accomplish... but as soon as it sunk it that it was an accomplishment, I realized I gotta start acknowledging milestones [I've] accomplished because sometimes you get so caught up in the bigger picture that you gotta stop and notice the steps you take to get to the bigger picture.

Just like a Led Zeppelin album stands up today, we hope our album stands up in 10 or 20 years.

The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.

For the second album I look forward to doing a lot of serious collaboration and taking the experiences I've had over this last year, good and bad, and working it into the album.

I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to repeat.

But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.

My first album deals with my anxiety. It wasn't like, to heal my anxiety and by writing an album I'm now healed. It was, here's a sound representation of what it feels like to be in an anxiety attack and that's it. I think we can say the same with image, people look at an image and see a billion different things.

I'm a singer, not a politician, and I think you don't want the two to get confused. It's not OK to be on CNN talking about people starving and then tell the interviewer that your new album is coming out in six months.

By 17, I had a whole band that would go in and play. It was called Spontaneous Inventions, after a Bobby McFerrin album.

I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album.

In art school, I started to see Pettibon in magazines, and I figured it out backward. I was into the idea that someone could show work in galleries while making album covers and photocopied books.

Nobody loves me. No, everybody wanted me to do this one by myself, and I wanted to do it by myself. So, this is sorta like my first solo album. I didn't pull any tricks out of my hat, and just went with the natural flow of the film.

In short, if we adhere to the standard of perfection in all our endeavors, we are left with nothing but mathematics and the White Album.

I play the same album over and over until the people in my house are ready to kill me.

Whenever I'm done with an album cycle, I still wanna write music. If I'm bored when I'm at home, which never happens, my first instinct is to go to the piano and bang something out.

I picked and co-wrote the songs that if I was a guy who would be spending my hard-earned money buying an album I would want to hear.

A lot of times, people have forgotten about an album by the time it's released, because it leaked three months earlier. Very strange days we live in.

Obviously it always takes longer to finish an album than you think it will. That's always going to be the case. Everything takes longer than you think it will. Occasionally things happen fast.

I don't want to give too much lugubrious thought to the gravitas of a coherent album. I don't want to develop a life of slavery to a large topic. I want to throw out some singles and that's what I'm doing, and they're not to be done in any other way.

When we came out, the kind of music that was popular was Nirvana, Soundgarden and Alice In Chains, all that stuff. That was when we released our second album, 'Images And Words', and it was something people werent used to hearing maybe, and it sort of rose above all that somehow, being progressive, or whatever.

One thing Jay z told me that always sticks with me, is that, the album is never how you viewed it to be.

I like to challenge myself, to see if I can actually write a pop album that people can connect with lyrically. Musically, it's very accessible - or, at least, I hope so.

I feel like I have re-created myself on every album. I try to do that. It's like playing a game with yourself, trying to compete with yourself.

I've only had one platinum album, and it's 'Red River Blue'.

It's the Roman numeral for 10. 5/5/89 is my birthday: 5 plus 5 is 10, and this is my tenth year since I got into music. 'X' is the 24th letter in the alphabet, and I will turn 24 when this album comes out. 'X' is also a metaphor, as in 'ex-girlfriend': it implies you're progressing and moving on in life, not holding on to the past and your old ways.

I lived in Brooklyn for a year and I moved out to Rockaway Beach. I've been living here for two years now. I put my address on the album, so I have a lot of visitors all the time.

Now that that album's done [TModern Vampires of the City], I have time to revisit things that I was working on earlier, previous to it. I actually found it very helpful to be working on some music on my own.

I think that the creative process, especially in the beginning of making an album, I'm feeling very fragile, so to speak, because you are trying out so many different ideas, and if you are listening to it from the outside, it would sound horrible!

It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.

My favorite track from the album Independent is Hold On. Everyone at some point fights battles or has struggles, and in moments of doubt or defeat, this is the song coming from a place of never giving up. It makes me think of the angel on the shoulder voicing understanding but guiding you in the right direction to take you out of that dark place.

My first album was me finding myself and my voice, finding how I sing. I was rolling with the punches because everything was new to me.

If you get a chance to be in a film, that's great. One of my goals is to make a record as good as Don Henley's album, Building the Perfect Beast.

For me, I want to create a environment for the songs to live in. So one song by itself only tells a piece of the story, but in the context of the album, more of the colors are revealed.

In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.