Quotes About Album

When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

My sister Suga Tee is doing conscious rap. She speaks to the youth. She has an album coming out soon. She got saved but she is still doing her thing. She still spits good game. She's talented. She sings. I don't know if a lot of people know this but Suga Tee has a beautiful voice. So ya'll look out for her album you dig? And look forward to a future Clique album.

Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.

I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.

You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.

In a way, I think this album is stronger than the last one - in terms of not hiding behind anything. So in a way, I see this album as fiercer than the last. I just find it interesting hearing what people think. If that's people's interpretation, then that's valid and interesting. It's hard to try and neatly place a record like that.

I have to apologize with one of my album because I called it Unleash the Dragon but I didn't really unleash - I kind of stayed in the Dru Hill vernacular, and that's why the album was so ballad-heavy.

I’m very proud of Seungri. I worked over a year for my album, but one day YG told Seungri to make an album and he made one in just 2 weeks. Ah, maybe 3 weeks. He’s a true genius. I’m jealous of his propulsion.

The only band that I can see that made changes over the years with success was The Beatles. They were able to change album to album and still be just as good or better. I didn't feel that we were able to do that. The Beatles were in a class by themselves.

I'd had my whole life to write my first album. I had my No. 1 and my third single out, and they go, 'Hey, guess what? We need to start recording the next one.' I'm like, 'Uh oh, I got to write another album. Well, how am I gonna write 'Should've Been a Cowboy' and 'Ain't Worth Missing' and all that again?' It took me forever to write the first one.

One thing I'm big on is believing in giving an album time. I'll say you'll have to give an album three years before you can call it a classic. If you can't listen to it three years later then it's not really a classic.

So I went out and bought Hard Again by Muddy Waters. That was a big learning curve. I listened to that album again and again and again. James Cotton was the harmonica player on that album.

In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.

I have always been heavily involved in every album I have ever made. I'm very stubborn when it comes to recording and will only record songs I love, which is why it takes me a long time to make an album.

There's no point that an album should sound like a watered down version of another album.

We're not going to get into how many deals I've had. I don't think there is a label that I was signed to that we didn't deliver an album. Every time the album got ready to be mixed and mastered, it was always a situation. That's neither here nor there, because Tony Sunshine is a different guy now, a different entity.

[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.

The White Album is important to me for different reasons. One - I had left the band on the White Album.

You know what, I'm very interested in acting, but right now I'm busy promoting my album and going on tour because that's my first love, but I'm very interested in doing some parts that may come my way. I've been offered a few movie parts so far, but I have to really concentrate on singing. But it's something I'm interested in doing eventually. I haven't been offered a part that truly inspires me to take time off, though.

I find it so funny that for the first time in history, people have access to this great equalizer in the Internet, which grants everyone the same knowledge base, and we use it to read album reviews and watch kitten videos... not to put those two things in the same light!

I can't wait until the record label feels like it's time for my album to come out, and then just disappear.

I listened to my first comedy album in 6th grade. It was Bill Cosby. My brother and I would play it over and over on a Fisher Price record player. A friend in high school also introduced me to Richard Pryor. I wasn't writing material back then, but I would say funny stuff. I was good at making fun of people's moms. If I knew something personal about you, it would be used against you.

My goal is to always contribute a part of myself to my music that will result in it sounding authentic, timeless, and real. I feel that this truly comes across in my new album, which is in the Rock genre.

I picked and co-wrote the songs that if I was a guy who would be spending my hard-earned money buying an album I would want to hear.

Jonathan Coe's genial, likeable novel can only be described as a kind of lit-prog-rock concept album... Coe recreates the period with such loving accuracy that I frankly suspect him of having planted a secret microphone in the tin Oxford Mathematical Instruments box I carried around in my school days... As always with Jonathan Coe, the sheer intelligent good nature that suffuses his work makes it a pleasure to read.

I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova.

All the characters on the album are inside me, though none are me. They are sides of me or who I was.

Of course I am stressed after I finish working on an album about what an audience will think, if it will be successful or not.

I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that's how the album came out so dark.

Through this album, Pain Medicine, I want single mothers to understand that pain is only weakness leaving the body and every blow that they may encounter on an everyday basis is only a bump in the road. Fighter's fight and winners win.

I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.

And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.

In 2008, we had barely put our first album out and a lot of people were unsure about us on that tour. But the crowds were insane to say the least.

This album was designed to touch your soul.

Since the release of my single 'Born To Try' I have been so busy completing the album as well as my busy Neighbours schedule I have not had much spare time. When I do get the chance I just love to hang around at home with friends and family.

I don't care at all about the mainstream; I don't care about popularity contests; I don't care about who's got the biggest-selling album; and I don't care about glossy production.

I am too conservative to use another studio than the one I am used to, so I "had" to travel all the way from France to Norway every time I wanted to record an album. That was about 3,500 km each way in a Lada Niva with a cruising speed of 90 kph.

I didn't to be like, "I have to write a new album. I need to get creative."

I'm not trying to be cosmic, it's just that everything's on a roll and that's how it is. The songs within the album discuss that very condition.

In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.

I think my first album opened a lot of doors for me to push the freedom of speech to the limit.

I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.

As a producer, I'm an objective observer, helping a band form their ideas into a cohesive album. It's a step back from the intimacy of creation.

I think some songs are better on vinyl. I would rather listen to it in a club! 80% of this album; put it on in a club and just rage! Play it super loud!

Over all Avenged Sevenfold the album is 10 times better than the others.

The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion around it and it connects this way with this many people, is it a mixtape? What's an 'album' these days, anyways?

But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.

I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.