Quotes About Album

I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.

My sister Suga Tee is doing conscious rap. She speaks to the youth. She has an album coming out soon. She got saved but she is still doing her thing. She still spits good game. She's talented. She sings. I don't know if a lot of people know this but Suga Tee has a beautiful voice. So ya'll look out for her album you dig? And look forward to a future Clique album.

Im a hip-hop guy, and the first time I heard Eminem was in 96. He was on a record with Shabban Siddiq. I was like, Who is this guy? Hes dope! First album came out: awesome. Second album came out: awesome. Third album, I was like, Eh. He started to get really successful. He wasnt mine anymore.

The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.

My reaction to Radiohead isn't as simple as jealousy. Jealousy just burns; Radiohead infuriate me. But if it were only that, I wouldn't go back and listen to those records again and again. Listening to Radiohead makes me fell like I'm a Salieri to their Mozart. Yorke's lyrics make me want to give up. I could never in my wildest dreams find something as beautiful as they find for a single song - let alone album after album.

When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.

I knew I was destined to do a solo album, but when I did that first album in 1978, I had no idea it was going to be that well received.

I would expect another Scars album before another System album.

I like to think that I've gotten better at what I do. I spend more time and pay more attention to detail album after album. But pretty much it's stayed the same.

I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.

I was really inspired while I was pregnant and I wrote a whole album for my baby. I wanted to write a kids album that didn't annoy parents. I used The Beatles 'Rocky Raccoon' as sort of a starting place for my writing.

People consider Black Star a great album, and I think it's a classic album. But the fact is, both me and Mos Def have made better albums since Black Star.

I want to leave an album behind that is classic, that people in 50 years will refer to and pass on to their children. An album that you never bored of.

We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.

One thing I'm big on is believing in giving an album time. I'll say you'll have to give an album three years before you can call it a classic. If you can't listen to it three years later then it's not really a classic.

When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.

A brilliant 1989 album, Oh Mercy; some career retrospectives; and two albums of American folk songs, with just Bob Dylan and his guitar and harmonica. All that culminated in the Grammy-winning comeback album, Time Out of Mind (1997). Once again, just as Dylan seemed to be out of it, he was back at the top of his game.

I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, 'It's amazing, we're really pulling this off'. The album was very, very unique and very, very different. I was really proud of the songs, especially 'No More Mr Nice Guy', 'Billion Dollar Babies' and 'Generation Landslide'.

I realized at a young age that sequence in an album is almost as important as the songs that are on the album.

George Carlin's album, 'Class Clown,' came out when I was in high school. I memorized a lot of that album. I'd come home from school, put it on, and listen over and over. I started memorizing it. I don't even know why. I loved it so much I memorized it.

'Captain Fantastic' was the first album in history to enter the (American) album chart at number one. We did it for a second time after that. Now that's not a boast, that's frightening.

I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.

The White Album is important to me for different reasons. One - I had left the band on the White Album.

I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.

I play the same album over and over until the people in my house are ready to kill me.

Affectors Harmagedon is a solid blast of PROG metal complete with burning solos, odd time signatures, orchestral highlights, and Rock riffs that will tear your head off! Excited that I could be a part of this album!

It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.

I picked and co-wrote the songs that if I was a guy who would be spending my hard-earned money buying an album I would want to hear.

I'm into paradoxes. I wanted to make an album about them, but the group told me I was a pretentious fart. They were right.

A lot of times, people have forgotten about an album by the time it's released, because it leaked three months earlier. Very strange days we live in.

By the next one [albom],Occupation: Foole, I was right back into the trip again. I'm more frantic, more breathless. You can hear how sick I am. If you want to see a cokehead, just look at the pictures on the Occupation: Foole album.

I'm always excited to make the next album because I definitely get sick of my work the second it gets out there.

Smoke Ring for My Halo was the first album I bought of Kurt's Vile, and when I first listened to "Peeping Tomboy" I was really depressed and unemployed. But the lyrics are, "I don't want to work. I don't want to sit around all day frowning." I was like, "Ah! Yes!"

The danger of these collaborations across disciplines is in having too strict of a division of labor - in my case, of getting stuck doing the music. When I make an album, I write music, I write lyrics, I come up with the visual design, etc. I get to do all of that stuff.

The first Van Halen album makes Johnny Rotten out to be what he really was and still is: a hairdresser.

Our first album was a stupid mistake by the record company. They tried to sell us as an alternative act. A big mistake!

It is a great pleasure to be performing with a big band. Those people took part in a group that played the music from the Kino Kultura album i.e. the soundtrack music I've been doing. It is difficult to organise them all and to have those people for a certain date since they all have their own obligations and arrangements. It is a great privilege to gather all those musicians at one place, especially these that I work with, since they perform regularly abroad, at weddings or are working somewhere else.

When I was a kid I really didn't have my own opinions and then sort of transformed into this angel which is really Marilyn Manson and then the final stage is Antichrist Superstar which is the more nihilistic, totalitarian element in everybody's personality, that, is a real struggle on the album and in my life, between that power.

Through this album, Pain Medicine, I want single mothers to understand that pain is only weakness leaving the body and every blow that they may encounter on an everyday basis is only a bump in the road. Fighter's fight and winners win.

Different phases of your life have different levels of deep, traumatizing heartbreak, and in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boy-centric.

My uncle was a music producer and even he'd tell me to get a proper job. I tried to get him to give me five grand to make an album - it didn't happen.

The best way to listen to the album is to put it on, get some Moet, lay back with your boys, and kick it.

That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.

Everything that came later... the roots are all there in the first album.

There seems to be something pure in pulling from a place in time that's "innocent" and untouched by outward opinion. I wanted this album to have threads of my past to enrich the topics I wanted to address about aging.

When I was producing the first solo album, i just wanted to convey some messages through it. The message was 'no blood will come out even if I am pinned' However, after trying out different kinds of music activities, I started to change and wanted to convey my real emotion that I have in my everyday life. I want to express the feelings that everyone has felt at least once, in music so I think people will feel/understand my songs.

I played lead guitar in a band called The Federal Duck, which is the kind of name that was popular in the '60s as a result of controlled substances being in widespread use. Back then, there were no restrictions, in terms of talent, on who could make an album, so we made one, and it sounds like a group of people who have been given powerful but unfamiliar instruments as a therapy for a degenerative nerve disease.

I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album.