Quotes About Almost

She collapsed at the bottom of the trail, at the edge of the ghost town. Dekka sat on Edilio and pressed down on the wound. The force of the blood was weaker now. She could almost hold the blood back now, not a good thing, no, because it meant he was almost finished, his brave heart almost done beating. Dekka looked up straight into the glittering eyes of a coyote. She could sense the others around her, closing in. Wary but sensing that a fresh meal was close at hand.

Almost is almost a way of life for almost everybody

Though beauty is, with the most apt similitude, I had almost said with the most literal truth, called a flower that fades and dies almost in the very moment of its maturity; yet there is, methinks, a kind of beauty which lives even to old age; a beauty that is not in the features, but, if I may be allowed the expression, shines through them. As it is not merely corporeal it is not the object of mere sense, nor is it to be discovered but by persons of true taste and refined sentiment.

Every one has experienced how learning an appropriate name for what was dim and vague cleared up and crystallized the whole matter. Some meaning seems distinct almost within reach, but is elusive; it refuses to condense into definite form; the attaching of a word somehow (just how, it is almost impossible to say) puts limits around the meaning, draws it out from the void, makes it stand out as an entity on its own account.

So much of young adult literature has turned dark, almost pathological. It's almost as if there is a race to see who can be the most dysfunctional.

Yes sir. You can be more careless, you can put more trash in [a novel] and be excused for it. In a short story that's next to the poem, almost every word has got to be almost exactly right. In the novel you can be careless but in the short story you can't. I mean by that the good short stories like Chekhov wrote. That's why I rate that second - it's because it demands a nearer absolute exactitude. You have less room to be slovenly and careless. There's less room in it for trash.

Shakespeare villains were extraordinary. Macbeth, Iago, Richard III... They're so richly layered that a British actor would find it almost impossible to create a two-dimensional villain, if he's explored in his early years or continues to explore his Shakespearean heritage. You can almost not judge them, if they're played really well.

From the happy-go-lucky days of oil exploration and drilling, when a lot of easy sources were being found and easily managed, we're gotten ourselves into this sort of apocalyptic time. We're willing to destroy almost everything, risk almost anything, and go ahead with techniques for which we have no way of responding to the known problems.

In a society that almost demands life at double time, speed and addictions numb us to our own experience. In such a society, it is almost impossible to settle into our bodies or stay connected with our hearts, let alone connect with one another or the earth where we live.

When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.

You're letting such a fragile side of yourself out when you're creating or writing music. To do that with people who are almost strangers would seem very strange to me. I think that we're very lucky that we're quite close. To us, it's almost like the band is the grandest possible adventure you can go on with your friends. It's really really exciting.

I try to make that tension almost stupidly overt in my projects, almost ridiculously so. I keep coming back to the same obvious points again and again.

I force my eyes upward and look at Mia for the first time. She's still beautiful. Not in an obvious Vanessa LeGrande or Bryn Shraeder kind of way. In a quiet way that's always been devastating to me. Her hair, long and dark, is down now, swimming damply against her bare shoulders, which are still milky white and covered with the constellation of freckles that I used to kiss. The scar on her left shoulder, the one that used to be an angry red weld is silvery pink now. Almost like the latest rage in tattoo accessories. Almost pretty.

We cannot master everything, taste everything, understand everything, drain every experience to its last dregs. But if we have the courage to let almost everything else go, we will probably be able to retain the thing necessary for us-whatever it may be. If we are too eager to have everything, we will almost certainly miss even the one thing we need

In Latin America, in the past, it was almost impossible to guarantee democracy. There were military dictatorships, and nowadays there are not so many military dictatorships. Although we have a dictator in Honduras, as a result of a coup, now as a president, he is almost the only one I would say. But again led or managed, gestated by the U.S. government.

Make-up? What happened? You look almost female." "Thanks. You look almost straight.

I moved to New York when I was almost 21 and I've lived there for almost eight years, now I have a totally different relationship to L.A. There's like all this space and it's so beautiful seeing all these different landscapes and all my friends are here so now I really like it so much but my adjustment period was a little like "What a strange town".

Americans are an "almost chosen people," which is meant to suggest that there are clear parallels, literal, theological and everything else, between the American story and the Old Testament story of Israel and then the broader story of the Christian church. It's OK to recognize the parallels. It's OK to invoke them. But, you have to keep that "almost" in front of the "chosen." You can't go all the way and say, "America is Israel, America is the Church." That's where I think patriotism shades into, what I call, the heresy of nationalism.

It's the flip side of illegal success. This man [Pablo Escobar ] turned a small-time drug thing into a large industry. An international, successful industry. And he almost took a country, Columbia, he took it almost hostage, took over it. It was incredible.

The impulse to cruelty is, in many people, almost as violent as the impulse to sexual love - almost as violent and much more mischievous.

But in a way you can say that after leaving the sea, after all those millions of years of living inside of the sea, we took the ocean with us. When a woman makes a baby, she gives it water, inside her body, to grow in. That water inside her body is almost exactly the same as the water of the sea. It is salty, by just the same amount. She makes a little ocean, in her body. And not only this. Our blood and our sweating, they are both salty, almost exactly like the water from the sea is salty. We carry oceans inside of us, in our blood and our sweat. And we are crying the oceans, in our tears.

Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.

I'm definitely excited by big ideas, both in what I write and what I read. Most days, reality is so mind-numbingly dull that I don't understand why someone would write strictly realistic stories, given the almost limitless freedom fiction provides. I don't see the point of making believe if you're not going to actually make believe: hang your ass out in the wind, push at every boundary, make almost unreasonable demands on your reader's willingness to suspend disbelief. This is dangerous, and prone to failure, but that's part of what makes it fun.

All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.

Basketball, and the people I have met through the game have far and away had the largest impact on my life. Almost every positive role model I have ever had was a coach, mentor, or teammate.

I am an average mother in almost every way, so yes, much to my regret, I do yell at my children.

Few occasions are as joyous to small children as funerals, almost better than the big wedding blowouts that take place at night when it's hard to stay awake. A small boy will never be harshly criticized at a funeral; he is more treasured as death comes close and all his wickedness vanishes before the inescapable fact that thank God, he is healthy.

Consider, for example, and you will find that almost all the transactions in the time of Vespasian differed little from those of the present day. You there find marrying and giving in marriage, educating children, sickness, death, war, joyous holidays, traffic, agriculture, flatterers, insolent pride, suspicions, laying of plots, longing for the death of others, newsmongers, lovers, misers, men canvassing far the consulship and for the kingdom; yet all these passed away, and are nowhere.

In almost the same way you know what your grandmother looks and sounds like, you know what Bruce Willis looks and sounds like.

Almost every sin is committed for the sake of sensual pleasure; and sensual pleasure is overcome by hardship and distress arising either voluntarily from repentance, or else involuntarily as a result of some salutary and providential reversal. 'For if we would judge ourselves, we should not be judged; but when we are judged, we are chastened by the Lord, so that we should not be condemned with the world.' (1 Cor. 11:31-32).

For me, science is just a bunch of tools - it's like playing the violin. I just enjoy calculating, and it's an instrument I know how to play. It's almost an athletic performance, in a way. I was just watching the Olympics, and that's how I feel when proving a theorem.

There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.

He was, she reflected, almost rudely like a tortoise; and she was glad her friend kept none as pets or they might have suspected mockery.

Turkey's path toward Europe started back in 1959, almost 50 years ago. But we have been pushed to the side ever since. Despite all the hurdles we will not deviate from our course towards Europe –- even by one step.

I've actually been doing stand up for more than 20 years. I started in 1988. It's almost 30 years! Which is crazy.

In this primitive and abject state [of hunters and gatherers], which ill deserves the name of society, the human brute, without arts or laws, almost without sense or language, is poorly distinguished from the rest of the animal creation.

Much later I realized that a person's attitude to pain reveals more about his future than almost any other sign I know.

You ever hear a dog cry, Steve? You know, howling so loud it's almost unbearable?' He nodded. 'I reckon they howl like that because they're so hungry it hurts, and that's what I feel in me every day of my life. I'm so hungry to be somethin' - to be somebody. You hear me?' He did. 'I'm not lyin' down ever. Not for you. Not for anyone.' I ended it. 'I'm hungry, Steve.' Sometimes I think they're the best words I've ever said. 'I'm hungry.

It's hard when the worst people in the country are cheering, the people with the confederate flag, the people that do anti-Semitism on Twitter, that's difficult for a lot of people in this country. But, you know, I do think an inaugural, for example, is almost always an act of national healing.

You hit the wall almost right when you get up to the top. If there's a female writer being suggested to do a rewrite on a script, it's always the big boys going, "Mm, let's go with [a man]..."

I see in my friends that don't have kids, when they come over, and the amount of times our conversation gets interrupted by my children. It's almost jarring.

Almost any seat was comfortable at one-sixth of a gravity.

I was worried that I didn't have as many Facebook 'likes' as another musician. You can almost feel like a failure if you aren't building your fame in that way.

I find that if you take the various popular song forms to their logical extremes, you can arrive at almost anything from the ridiculous to the obscene-or, as they say in New York, sophisticated.

Will you stay with me ” she asked. Her voice was the thinnest whisper almost canceled out by a low groan of thunder.... Forever ” he whispered back. The sweet sound of his voice filled her up.

Decisions made quickly were almost always regretted quickly.

The love of fame is almost another name for the love of excellence; or it is the ambition to attain the highest excellence, sanctioned by the highest authority, that of time.