Quotes About Artist

I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.

To many people Michael Jackson seems an elusive personality, but to those who work with him, he is not. This talented artist is a sensitive man, warm, funny, and full of insight. Michael's book 'Moonwalk', provides a startling glimpse of the artist at work and the artist in reflection.

The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.

The artist uses the talent he has, wishing he had more talent. The talent uses the artist it has, wishing it had more artist.

Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.

For a long time, I've distinguished between entertainer and performer and entertainer and artist. To me, an entertainer is someone who pleases others, and an artist tries to please himself.

Every man who is any kind of artist has a great deal of female in him. I act and give of myself as a man, but I register and receive with the soul of a woman. The only really good artists are feminine. I can't admit the existence of an artist whose dominant personality is masculine.

If sometimes our great artists have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.

I am a woman and I am from Mexico, that is true. I am an artist, that is also true. When I work, I hope I'm not a woman from Mexico but an artist in body and spirit.

One can be a great artist without being a great technician. There have been many famous ballet stars who did not have the ideal body or total mastery of all aspects of the art form, but on the stage they possessed magnetism-true artistry, by which I mean a charismatic quality. You can work with a coach to try and develop it, but a true artist has the ability to express his inner feelings naturally.

Hip-hop is my girlfriend, hip-hop is my kid. Hip-Hop fills the void of the things that I don't have. I pay it 101% attention. I don't think I could be as good a father, or as good a husband or anything like that - the way I am as an artist - until I'm not an artist anymore.

Whitney Houston is my idol and my mentor and my dream forever, like she will always be my favorite artist, ever, on the planet. Like I don't think I'll ever feel that way about another artist.

What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.

Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.

Every artist, every scientist, must decide now where he stands. He has no alternative. There is no standing above the conflict on Olympian heights. There are no impartial observers. Through the destruction, in certain countries, of the greatest of man's literary heritage, through the propagation of false ideas of racial and national superiority, the artist, the scientist, the writer is challenged. The struggle invades the formerly cloistered halls of our universities and other seats of learning. The battlefront is everywhere. There is no sheltered rear.

I'm older now, and I been through that, like, 'Stop. Tell the truth, what I need to do?' And I think that's important, as far as artist, for me to stand for what I believe in, And a lot of times people don't like that, you know what I'm saying. You become a troubled artist, or, 'You don't listen,' but as long as I say 'Yeah, I'll do it!' I'm a good person.

If you want to compete in Italy, the only accepted ways are brute force, or cunning. Like Machiavelli says, "Fronte otra forze." And neither of these two "virtues" is suited to an artist. The artist has to stay intelligent.

The artist is not a different kind of person, but every person is a different kind of artist.

I invest because I'm really a firm believer in letting the artist make their work, if you choose to work with an artist then you give them the go-ahead.

In every human being there is the artist, and whatever his activity, he has an equal chance with any to express the result of his growth and his contact with life. I don't believe any real artist cares whether what he does is 'art' or not. Who, after all, knows what art is?

So there's a cloud of rage around me, but being an artist kind of changes that. No matter what you thought coming in, what ignorant thing you believed, you're in show business for two years, you're like, "OK, I was wrong." It's hard to be mad at any particular group of people when you're an artist.

I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.

I'd never met a woman I considered as intelligent as me. That sounds bigheaded, but every woman I met was either a dolly-chick, or a sort of screwed-up intellectual chick. And of course, in the field I was in, I didn't meet many intellectual people anyway. I always had this dream of meeting an artist, an artist girl who would be like me. And I thought it was a myth, but then I met Yoko and that was it.

I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.

A record deal doesn't make you an artist; you make yourself an artist.

Is it the responsibility of the colored artist or the ethnic artist to create works that are designed to exist in opposition to a certain political structure?

There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist's relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.

Shepard Fairey, the street artist responsible for President Obama's 'Hope' poster, is now facing vandalism charges in Detroit. It's pretty serious. Detroit officials say the artist's spray paint caused over $9,000 worth of improvements.

Only the brave should teach....Teaching is a vocation. It is as sacred as priesthood; as innate a desire, as inescapable as the genius which compels a great artist. If he has not the concern for humanity, the love of living creatures, the vision of the priest and the artist, he must not teach.

Well, to me, the tensile strength and the very definition of an artist is something that I would place at the top of a vertical hierarchy. To be an artist is to suffer and to lead a life without shelter. It takes a great amount of daring-do, self reinvention, imagination, familial loyalty, sacrifice, economic uncertainty, and the right to be wrong, the right to fail in order to achieve something of noticeable value.

I always wanted to be an artist. I think I was just waiting on somebody to approve me and be like, "Oh, okay, you should be an artist," you know 'cause it wasn't until I stopped looking for approval that I could actually do it.

Every artist who drew Batman after creator Bob Kane was a better artist than Kane [...].

I like the word 'artist,' but I don't like the word 'artist' inside my house.

In Italy the artist is a god. Now if the artist is a god, the scientist is likewise a god.

An artist cannot be responsible for what people make of their art. An audience loathe giving up preconceived images of an artist

I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?

I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.

The artist can within limits make what he likes of his life... It is only the artist, and maybe the criminal, who can make his own.

I believe that the artist's feelings are in some way generative. And I suspect that much of the artist's most productive emotion - not all of it but much of it - is felt in the course of playing around with form.

I am not a black artist, I am an artist.

Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job.

An artist, if he is truly an artist, is only interested in one thing and that is to wake up the minds of men, to have mankind and womankind realize that there is something greater than what we see on the surface.

I think functioning as a business manager can be a hindrance to having a real dialogue with the artist. I do think that artists need good lawyers and accountants, because they're dealing with serious money. But an artist who stands behind a manager? That's a little different. I think that can be a bad buffer.

That is an artist as I would have an artist be, modest in his needs: he really wants only two things, his bread and his art--panemet Circen.

I'm not an industry artist - I'm an artist in the industry.

And, because my role in society - or any artist or poet's role - is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it's like that's the job of the artist in society, not to...they're not some alienated being living on the outskirts of town. It's fine to live on the outskirts of town, but artists must reflect what we all are. … If that's taken it too much on meself, I feel that artists are that - they're reflections of society... Mirrors.

The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist. The artist does not tinker with the universe, he recreates it out of his own experience and understanding of life.

I consider myself more of an international artist than I do a one-territory artist, which I think is a blessing.