Quotes About Artistic

I firmly believe in and support everyone's right to freedom of artistic expression. STEEL MAGNOLIAS is my artistic expression, and it is my right to say that its female characters be portrayed by women. The concept of a play set in a beauty parlor where men portray women is a terrific idea. If that is someone's artistic expression, I encourage them to write their own play as soon as possible.

The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.

I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.

I'm still on my demos. I'm still making my mind up and deciding what kind of artistic production to come in. I do things at home with my musicians but I would like an artistic producer to come in and work on them.

My whole artistic life has been devoted to battling myself and my ability to externalize my deepest emotions. As I have gotten older, the work has become more direct, perhaps reflecting the fact that for the first time in my life I feel really free. I have been fascinated with wings all my life. I have had an obsession with transcendence, the need to push forward and metaphorically fly.

The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.

I've rarely done anything that's overtly self-destructive without consciously knowing what I'm doing. And then of course, the astute journalist jumps forward and says, "Why are you being calculated?" Calculated seems to assume a sinister intent. My intent is always for artistic effect.

Both sex and death are eternal themes. You could make thousands of movies on this theme, and whether you have a human being who is painting, singing, making a film, writing, these are the themes that you will come back to and return to. If you don't have any of these artistic expressions, sex is one of the only gifts that nature gave you for free, so it is very important to celebrate it. And then, with death, we are condemned to that. This is absolutely present in our lives.

I've always been interested in the form itself, so I always feel like I've never been good at going ahead with the artifice and not acknowledging the self in the artistic process, and not acknowledging the absurdity of pretending that's required in fiction.

Ultimately I live in the now with artistic creation, not what could or could not be in the future, if a creation appears timeless in somebody's opinion, it won't in others, that's not for me to guess.

My mom had bought this camera to take classes herself and I remember working with her on it, understanding how the stop-motion [worked], having a high shutter speed and things like that. Long before I picked it up myself, I remember being on a slide at a country club going into the water and wanting my mother to put in on a high shutter speed so she could catch me on the slide without it being blurred. I remember having fun with her: "Let me go on the slide and you'll catch me in motion!" Those are some of the little moments in my artistic making.

I blur things to make everything equally important and equally unimportant. I blur things so that they do not look artistic or craftsmanlike but technological, smooth and perfect. I blur things to make all the parts a closer fit. Perhaps I also blur out the excess of unimportant information.

The big catalyst was seeing my sister, when I was 11, doing a dramatic recital. When I saw her on the stage and everyone listening to her so patiently, quietly, that's all I wanted: for someone to look at me and listen to me, but in some beautiful and artistic way.

I've had the thought that a person's 'artistic vision' is really just the cumulative combination of whatever particular stances he has sincerely occupied during his creative life - even if some of those might appear contradictory.

I believe people may have a predisposition for artistic creativity. It doesn't mean they're going to make it.

Humor may be defined as the kindly contemplation of the incongruities of life, and the artistic expression thereof.

Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.

Except for half a dozen in each town the citizens are proud of that achievement of ignorance which is so easy to come by. To be 'intellectual' or 'artistic' or, in their own word, to be 'highbrow,' is to be priggish and of dubious virtue.

It's probable that in the artistic hierarchy birds are the greatest musicians existing on our planet.

Imaginative compassion for that which is other than myself is a constant artistic and ethical discipline.

To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated — that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.

The Internet is the more democratic media them last times. And for being anarchical, it's open to all manifestations, artistic also.

I really want to do more mature, artistic, twisted, edgy films. That is my goal.

When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.

Before I was a parent I was struck by Rilke, who, as you know, didn't go to his daughter's wedding because he was writing a poem that day. That was the ideal for artistic behavior in 1950. That's the way I wanted to live.

To the general public, show business may just mean the artistic part, but the dollar and cents element is the reality every performer has to face.

Just as writing can become calligraphy when it's creatively, skillfully, and consciously performed, so can all other activities become art. In this case, we are reflecting upon life itself as an artistic statement-the art of living.

Visuals are as artistic as sounds, so being serious about both isn't a contradiction to me.

Philosophy has a great sort of appeal in terms of an artistic or aesthetic organization of concepts. It's a conceptual art.

My greatest passion has always been connecting with creative people, appreciating the artistic and discovering fresh perspectives on the world. I came on board to use my experience in building an international community of photographers, illustrators and video artists at iStockphoto who learned, grew and sold their work to millions around the world. Building a community that large requires personality, a keen sense of what both the contributing artists and the buying audience need, and an ability to balance both. I wanted very much to transfer those skills to the fine art world.

Ideal for the child and society in the best of times, Rudolf Steiner's brilliant process of education is critically needed and profoundly relevant now at this time of childhood crisis and educational breakdown. Waldorf Education nurtures the intellectual, psychological and spiritual unfolding of the child. The concerned parent and teacher will find a multitude of problems clearly addressed in this practical, artistic approach.

Artistic tricks divert from the effect that an artist endeavors to produce, and even excellent elements such as bullets, arrows, brackets, ornate initials, are at best superficial ornamentation unless logically employed.

I have a lot of weird interests, but everything I do is artistic.

Out of all the artistic things I do, music is the most rewarding because it's so hard to write songs.

It is true that the path of human destiny cannot but appal him who surveys a section of it. But he will do well to keep his small personal commentarie to himself, as one does at the sight of the sea or of majestic mountains, unless he knows himself to be called and gifted to give them expression in artistic or prophetic form. In most other cases, the voluminous talk about intuition does nothing but conceal a lack of perspective toward the object, which merits the same judgement as a similar lack of perspective toward men.

One of the things I wanted to do after three, prolonged movies is to do something that was really, kind-of knee-jerk decisions, and artistic instincts and strip down the process to more of a guttural level, and make something that wasn't so manicured and polished; wasn't quite so developed and supported, and just run wild with it and see what happens with it.

I'm a horrible drawer. I have no artistic ability in my hands.

We used the camera only as a means of expression and as a visual medium that offers possibilities found in no other artistic technique, possibilities that the eye cannot catch in their totality. We tried to establish a characteristic vision of photography.

It wasn't just music in The Ramones: it was an idea. It was bringing back a whole feel that was missing in rock music – it was a whole push outwards to say something new and different. Originally it was just an artistic type of thing; finally I felt it was something that was good enough for everybody.

Great artistic talent in any direction... is hardly inherent to the man. It comes and goes; it is often possessed only for a short phase in his life; it hardly ever colors his character as a whole and has nothing to do with the moral and intellectual stuff of the mind and soul. Many great artists, perhaps most great artists, have been poor fellows indeed, whom to know was to despise.

I played a heap of snow in a school play. I was under a sheet, and crawled out when spring came. I often say I'll never reach the same artistic level again.

It is the freedom to blaspheme, to transgress, to move beyond the pale, that is at the heart of all intellectual, artistic and political endeavor. Far from censoring offensive speech, a vibrant and diverse society should encourage it. In any society that is not uniform, grey and homogeneous, there are bound to be clashes of viewpoints.

I'm passionate about capturing amazing snowboarding action. I get so much out of the artistic endeavor of even getting one amazing shot in a pristine environment, using specialist cameras to showcase how fun and dynamic snowboarding is. That's what I live for.

I was a strange child. I was the kid with funny hair listening to dodgy music [...] I'd come in with my hoodie and skate-shoes, with purple hair under the hood. I got away with it because I spent all my time in the art room, so they figured I was 'artistic'. I was that kind of kid, listening to Green Day and the Deftones and all that kind of thing.

Just selfishly, I wanted to be associated with something as synonymous with cool and cutting edge and artistic as CBGB. People are aware of that, at least, even if nothing else. That's something to be proud of, to be a small part of the association with something like that.

In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.

Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life.

I have more artistic control in a smaller show. But it doesn't really matter. Sometimes you can have the smallest role in the smallest production and still make a big impact.