Quotes About Artistic

Designers are more like artistic directors now. Before, there wasn't this idea of supervising the artistic direction of the entire house. The old way was to think you could be this couturier or designer or stylist.

My whole artistic life has been devoted to battling myself and my ability to externalize my deepest emotions. As I have gotten older, the work has become more direct, perhaps reflecting the fact that for the first time in my life I feel really free. I have been fascinated with wings all my life. I have had an obsession with transcendence, the need to push forward and metaphorically fly.

Record companies are not necessarily interested in you realizing your artistic dream. The bottom line is that they got to sell records.

One of life's intriguing paradoxes is that hierarchical social order makes cheap rents and outré artists' colonies possible. Raffish bohemian neighborhoods flourished in the days of racial segregation; under integration the artistic poor have no safe places in which to create.... If America lacks a vigorous culture it is partly because studios and ateliers have become crack houses.

Reticence may be an elderly doctrine to preach, yet from the artistic point of view I am sure it is a sound one. Reticence conduces to effect, blatancy ruins it.

Art has the lovely habit of ruining all artistic theories.

You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.

I kind of started with this foundation, and tried to do all the research I could do for Alice [Cullen], and then every time a [new] director would come in, they have their own artistic take on things and add in new elements. And a lot of times they would ask, "What did you love that you portrayed, and what do you wish that you could show?" So I felt, with each installment, I got the opportunity to add on something. I think she was very - you know, really sweet, [laughs] a little odd in the first installment.

One of the main causes of our artistic decline lies beyond doubt in the separation of art and science.

The stage is the opposite: you are talking loud so you can project to the back row and you know the whole play. In a movie, you are scene-to-scene; you only know the purpose of that scene. On the stage, that is artistic science. It is real, it is loving, it is truthfully you. It is two different formulas to make two different art pieces, but it is all about truth.

Knock on wood, my groupies tend to be very artistic, creative people - sometimes way more creative than I am.

The first state an actor experiences onstage is the one he just experienced in life. One needs great courage not to portray this experience. One must surrender entirely to the power of one s artistic nature. It will do all the necessary things. Do not impose any solution upon yourself in advance. The quality to develop in an actor is courage.

There is something inherently valuable about being a misfit. It's not to say that every person who has artistic talent was a social outcast, but there is definitely a value for identifying yourself differently and being proud that you are different.

I would like to tell you that I wrote my book to push back artistic boundaries. But I didn't. I wrote it to impress a girl.

It wasn't until I was in college that I even realized how much I loved film and started to appreciate acting, this beautiful medium of artistic expression. All I wanted to do was go to college, and I thought I wanted to be a teacher.

I believe people may have a predisposition for artistic creativity. It doesn't mean they're going to make it.

Memories of the last nine years have turned Ground Zero from a site of horror, to a reminder of grief, to an occasion for ludicrous artistic posturing - and now to something very close to parody.

AN ARTISTIC DISCOVERY OCCURS EACH TIME AS A NEW AND UNIQUE IMAGE OF THE WORLD, A HIEROGLYPHIC OF ABSOLUTE TRUTH. IT APPEARS AS A REVELATION, AS A MOMENTARY, PASSIONATE WISH TO GRASP INTUITIVELY AND AT A STROKE ALL THE LAWS OF THIS WORLD-ITS BEAUTY AND UGLINESS, ITS COMPASSION AND CRUELTY, ITS INFINITY AND ITS LIMITATIONS.

The Grammys are supposed to be awards for artistic excellence… Iggy Azalea’s not excellent.

There is nothing harder for an Artist than to retain his Artistic integrity in the tomb of success. A tomb, nevertheless, which nearly every Artist: whether he admits it or not; naturally wants to get into.

True artistic expression lies in conveying emotion.

I wanted something where I could have the clearest and most unfiltered artistic and creative voice.

When I was growing up, it was still during Apartheid, so the country was very shielded from the outside artistic world. Anything that was too subversive was basically banned. All the music that we got from outside of South Africa was the poppiest, least subversive music that you could get.

What the study of history and artistic creation have in common is a mode of forming images.

Cartooning is an artistic commitment that requires the full attention and passion of the artist on every level; one should not get into it if one expects to do anything more than produce a book or a story that is exactly as one wants it to be.

...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.

And what is death, if not a face at peace - its artistic perfection.

Now art should never try to be popular. The public should try to make itself artistic.

I feel like my dad was the more artistic one, creating his own thing, loving to be around people, and all this stuff, doing exciting things, and my mom was more of the performer.

I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid. I think you see that nowadays, in this postmodern context, there's much more use of different mediums in contemporary art. For me, if you're a creative person, you can choose to make a painting, you can choose to make a film.

Every film, obviously, everyone starts out aiming at making it good, and in the end, filmmaking is really fragile. Making a film is like building a house of cards on the deck of a speeding boat, or playing chess on train tracks. Every opportunity feels like that; it's the one artistic field that's unlike most of the others.

It wasn't just music in The Ramones: it was an idea. It was bringing back a whole feel that was missing in rock music – it was a whole push outwards to say something new and different. Originally it was just an artistic type of thing; finally I felt it was something that was good enough for everybody.

I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way.

I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.

It is not about surpassing the masters who preceded us but more about opening new artistic vistas. It is about doing the things they didn't have a chance or the time to do.

Whatever prestige the bourgeoisie may today be willing to grant to fragmentary or deliberately retrograde artistic tentatives, creation can now be nothing less than a synthesis aiming at the construction of entire atmospheres and styles of life. . . . A unitary urbanism — the synthesis we call for, incorporating arts and technologies — must be created in accordance with new values of life, values which we now need to distinguish and disseminate. . . .

When I wrote the opera, I made a deal with myself that for at least an hour a day I would work on it, even if it meant just sitting on my piano bench, staring into space and thinking about it. It's about keeping it regular, like your bowel movements - let's get real: it's your bodily artistic movements! It comes from the same place.

Now sexual obsessions are the basis of artistic creation. Accumulated frustration leads to what Freud calls the process of sublimation. Anything that does not take place erotically sublimates itself in the work of art

We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.

A big part of being an actress specifically is feeling entitled to your artistic opinion, feeling that it means something, and being able to stand by it.

Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one

Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.

It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.

When I started I didn't know anything about music. I came from an absolutely non-musical, non-artistic background.

What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.

Analogy pervades all our thinking, our everyday speech and our trivial conclusions as well as artistic ways of expression and the highest scientific achievements.

While there are so many beautiful Baroque churches and it's a beautiful artistic tradition, it almost gets hideous and grotesque if you push it further. You can take something beautiful and overdo it.