Quotes About Book

You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.

A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.

(in response to the question: what do you think of e-books and Amazon’s Kindle?) Those aren’t books. You can’t hold a computer in your hand like you can a book. A computer does not smell. There are two perfumes to a book. If a book is new, it smells great. If a book is old, it smells even better. It smells like ancient Egypt. A book has got to smell. You have to hold it in your hands and pray to it. You put it in your pocket and you walk with it. And it stays with you forever. But the computer doesn’t do that for you. I’m sorry.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.

The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.

If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.

I remember as a young child, during one of my frequent trips to the local library, spending hours looking at book after book trying in vain to find one that had my name on it. Because there were so many books in the library, with so many different names on them, I’d assumed that one of them — somewhere — had to be mine. I didn’t understand at the time that a person’s name appears on a book because he or she wrote it. Now that I’m twenty-six I know better. If I were ever going to find my book one day, I was going to have to write it.

The book on my nightstand right now isnt anything that inspired me, but it entertained me. I read a book on Labor Day, it was a holiday, and I have three daughters, and we all went to the shopping mall and I sat on the bench and read a book while they shopped, it was called The Greatest Golfer there Ever Was, it was a great book, easy to read and entertaining.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

If 'Mystery Train' is my Nixon book and 'Lipstick Traces' my Reagan book, 'Invisible Republic' is my Bill Clinton book. I really liked Clinton. He made me proud to be part of this country again. For all of his failings, the way he put all that he'd done in jeopardy, I supported him from beginning to end.

IMPORTANT Book reading is a solitary and sedentary pursuit, and those who do are cautioned that a book should be used as an integral part of a well-rounded life, including a daily regimen of rigorous physical exercise, rewarding personal relationships, and sensible low-fat diet. A book should not be used a as a substitute or an excuse.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

I like the idea of standalone novels. I always found with series of books, it's something that publishers love obviously because they can make a lot of money and they build an audience from book to book, but I don't like that as a writer. I prefer the idea of just telling a story, completing it within your book, and moving on and not forcing a child to read eight of them.

You cannot pretend to read a book. Your eyes will give you away. So will your breathing. A person entranced by a book simply forgets to breathe. The house can catch alight and a reader deep in a book will not look up until the wallpaper is in flames.

Harry: This book belongs to Harry Potter. Ron: Shared by Ron Weasley, because his fell apart. Hermione: Why don't you buy a new one then? Ron: Write on your own book, Hermione. Hermione: You bought all those dungbombs on Saturday. You could have bought a new book instead. Ron: Dungbombs rule.

I don't think it is enough appreciated how much an outdoor book the Bible is. It is a "hypaethral book," such as Thoreau talked about - a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better. Or that has been my experience of it. Passages that within walls seem improbable or incredible, outdoors seem merely natural. This is because outdoors we are confronted everywhere with wonders; we see that the miraculous is not extraordinary but the common mode of existence. It is our daily bread.

Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.

If I pick up a book with vampires on the cover, I want there to be vampires. If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling.

Now, almost twenty years since my last job in book publishing, I know that there are far more socially inept people in book than in magazine publishing. At the time, however, I just didn't feel I was enough: smart enough, savvy enough, well read enough, educated enough, charming enough. Much of this was probably because I was very naive, and didn't really know how to behave in an office. This made me a terrible assistant, which in turn made me a terrible junior book editor.

With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.

Angus Deaton has written a wonderful book, The Great Escape: Health, Wealth, and the Origins of Inequality. . . . Deaton's book is a magisterial overview of health, income, and wealth from the industrial revolution to the present, taking in countries poor and rich. Not just jargon-free but equation-free, the book is written with a beautifully lucid style. . . . [P]owerfully argued and convincing.

For some Church members the Book of Mormon remains unread. Others use it occasionally as if it were merely a handy book of quotations. Still others accept and read it but do not really explore and ponder it. The book is to be feasted upon, not nibbled (see 2 Nephi 31:20).

Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.

I told the brethren that the Book of Mormon was the most correct of any book on earth, and the keystone of our religion, and a man would get nearer to God by abiding by its precepts, than by any other book.

Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.

I appreciate your giving my book -- and in no small way, me -- a chance. To thank you, I really wanted to acknowledge all of you in the book. Unfortunately, I didn't have enough room for each name. So I've put in a code name that stands for all of you reading this book. The name is 'Mom.' It will be our little secret. So when you see 'Mom' in the acknowledgments, you'll know I'm really talking about you. And don't let my mother try to tell you otherwise.

If reading makes you smart then how come when you read a book they have to put the title of the book on the top of every single page? Does anyone get halfway through a book, What the hell am I reading?

A book is one of the most patient of all man's inventions. Centuries mean nothing to a well-made book. It awaits its destined reader, come when he may, with eager hand and seeing eye. Then occurs one of the great examples of union, that of a man with a book, pleasurable, sometimes fruitful, potentially world-changing, simple; and in a library...witho ut cost to the reader.

Let us answer a book of ink with a book of flesh and blood.

The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.

I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.

She closed the book and put her cheek against it. There was still an odor of a library on it, of dust, leather, binding glue, and old paper, one book carrying the smell of hundreds.

[Mark] Twain is pointing at you. You, the reader of the book one hundred and thirty years ago and today. That is what has made it a great American novel and the most widely read book in American Literature around the world today.

By the end of the book, it is quite different than the way you thought it would be when you started the book - both in form and what it contains and what you think. Well, you tipped in a lot and you digested a lot - it wasn't pre-digested in your view. And it changed what you thought and how you see things.

I hope that the relationship of the title to the novel [ What Belongs To You] gets more complex with each section of the book: that maybe it begins by resonating with the question of prostitution - to what extent can a body be commodified, what exactly are you renting or purchasing when you pay for sex - and deepens over the course of the book to address larger questions of ownership and belonging.

It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me.

In the course of writing a book I'll produce loads of pieces of paper to help the novel itself. Diagrams, charts, family trees. And at the end of each book I'll pack it all away. It takes me a while to do it - it's like a relationship that way; there's a period of letting - go, of grief, in a way - but then I box it up, label it, and put it in the attic.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.

To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.

In a well-functioning democracy, the state constitution is considered more important than God's holy book, whichever holy book that may be, and God matters only in your private life.

I believe in the magic of books. I believe that during certain periods in our lives we are drawn to particular books--whether it's strolling down the aisles of a bookshop with no idea whatsoever of what it is that we want to read and suddenly finding the most perfect, most wonderfully suitable book staring us right in the face. Unblinking. Or a chance meeting with a stranger or friend who recommends a book we would never ordinarily reach for. Books have the ability to find their own way into our lives.

There is no such thing as a worthless book though there are some far worse than worthless; no book that is not worth preserving, if its existence may be tolerated; as there may be some men whom it may be proper to hang, but none should be suffered to starve.

Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.

I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.

I suppose that it was inevitable that my word-base broadened. I could now for the first time pick up a book and read and now begin to understand what the book was saying. Anyone who has read a great deal can imagine the new world that opened. Let me tell you something: from then until I left that prison, in every free moment I had, if I was not reading in the library, I was reading in my bunk. You couldn’t have gotten me out of my books with a wedge...Months passed without my even thinking about being imprisoned. In fact, up to then, I never had been so truly free in my life.

If you're going to visit and re-visit a book, it has more reason to be a real book, because of that ability to concentrate and that relationship that you build up with it, as opposed to the relationship that you build up with your screen, rewards replacement.