Quotes About Broadway

I'm very comfortable with my own body. I come from Broadway — everybody's naked on Broadway. I like to think of myself as more granola. I'm not going to run around naked or anything like that unless I'm at my own home. Today, I walked into my backyard and was standing out there naked for a while. Don't tell: my neighbors will freak out!

I have this huge, huge fan base of people who've never seen a Broadway show, but I think it's a great introduction to what Broadway is because my shows are not that. I think that if you're getting people to go to theater then somebody should be celebrating that.

I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.

I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'

Let's give a big cuddly shout-out to Pat Healy, infant provocateur and amateur journalist at The New York Times. Keep it up, Pat - one day perhaps you'll learn something about how Broadway works, and maybe even understand it.

Being a gay married man, I love Broadway musicals.

I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.

It was during my first trip to America in 1953 - thats when I learned to visit museums. I was then 26 years old. When I travel, the first thing I do is to visit museums. When I go to New York City, I usually go to Broadway to see the shows.

The good thing about Broadway is that you don't have to worry about an airdate. It gets done when it gets done.

I hoped, hoped, that maybe I'd be lucky enough to do something on Broadway, in the chorus.

I did my first Broadway show when I was nineteen years old - and to be able to say that I am still working with the incredible talents of all of the creative teams that I have been able to work with - that's so special to me.

I started my career off replacing Rita Moreno in a Broadway show.

When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.

Broadway is like a club I haven't been invited to, and I'm hoping that maybe they will give me a guest pass one of these days.

We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.

It became apparent to me really fast that I wasn't going to be able to make a living and pay my bills playing on Broadway.

I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.

I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.

When you're doing a Broadway show, you have no free time.

I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.

The first Broadway show I ever heard was the recording of 'Carousel', and it was a very vivid experience.

I definitely want my career to continue to branch out. I've had the pleasure of working in different areas of entertainment, from being in the music business as a teenager in a girl group to doing Broadway.

I had never auditioned for Broadway - any play - and I was not familiar with what you're supposed to do

We do have American Idiot picked up by HBO and I wrote the record and concept to it. [We have] the writer Rolin Jones and [director] Michael Mayer [who also directed the Broadway production], so we'll see what happens.

Like when that man was running down Broadway stark naked and we all had to eat in the cafeteria while the police tried to catch him.

Rent Control was an interesting movie. It was directed by... I had done a couple of plays off Broadway, and this Italian director came, his name was Gian Luigi Polidoro, and he determined I was the person to play the lead in his low-budget comedy. He'd won an award at the Venice Film Festival, and... He was, y'know, a skilled director.

I have always wanted to be on Broadway, whether on ice or on the boards.

It's every actor's dream to work in a hit show on Broadway and also shoot a television show.

It's tourists in New York. Everything is geared towards that. It's so hard on Broadway now for them to get people in there. They have to compete with so many other entertainments, so they have to bring a star in which puts people there out of work.

When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.

I don't think of myself as a TV actor. I think of myself as a film, television and Off-Off-Off-Off Broadway actor.

It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.

It's better to star in Oshkosh than to starve on Broadway.

I love music. I'd love to go on Broadway and do a musical there. I just like to kind of go with whatever's inspiring at the moment, and kind of follow that as far as I can.

Broadway has the most savvy audience anywhere. They see everything and they know their theater. As sophisticated and subtle as you think you can be, the houses you get here will want something finer.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

If you have something important to say, Broadway and New York are great places to say it.

I'm a Broadway baby, through and through. It's my first love, and it's what brought me to New York in the first place.

I received the most fantastic welcome to the Broadway Theatre community. I walked on stage to tremendous applause and a long standing ovation, wondering when I was ever going to be able to say my first line!

I really enjoyed Eddie Bracken. He told me a great story. He did The Odd Couple on Broadway, replacing Art Carney, and he said, "Art Carney did it for six months and I did it for three years, and I don't think anyone I've ever spoken to saw me. They all saw Art Carney."

Many years ago, I was in a Broadway show and I had to wear a fox fur around my shoulders. One day my hand touched one of the fox's legs. It seemed to be in two pieces. Then it dawned on me.... her leg had probally been snapped in two by the steel trap that had caught it.

I want to toy around with producing a Broadway show.

There is only one thing I respect in so-called Broadway actors... and that is their competitive sense.

What about Broadway? Yes, I'm involved with a new musical based on 'The Adams Family.'

I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.

I am persistent about everything I believe in. If there's a film I want to do, a record, a Broadway show - I do it. Everybody can hate it but I will still do it. I am fearless that way.

There have been two [career highlights]. Waking up in New York to hear I'd been nominated for Best Actor for a Tony Award on Broadway, for An Ideal Husband. The other one was waking up the morning after the opening night of A Man For All Seasons and reading the reviews.