Quotes About Broadway

I'm not a person who believes that Broadway is the only place. I think there's lots of work that goes on outside of Broadway and outside of New York that's better than anything Broadway has ever seen. But, it's historically the place. It's one of the centers of the universe, in many ways.

I was on Broadway for three years with Spiderman and that amount of time spent on a show - it's a grind being on Broadway. The people that do that are probably the hardest working people. I shouldn't say that, because there's a lot of hard work that goes on in film and television, as well. That consistency of the grind of eight shows a week - I feel ready to go back to it now after having a bit of a break. I like to have the chance to jump between different art forms, whether it be theatre, film, TV, music. It's really wonderful to have opportunities in different arenas.

I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.

In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".

I'm lucky to have worked in theater all over the world, but there's something magical about Broadway. The audiences are smart, they're educated. They go in ready and they're up for it, they're up for the party. It's a whole different atmosphere.

I think I could beat Joe Frazier singing. I was in a Broadway musical called Big Time Buck Wright.

I've been blessed by doing classic plays on Broadway, which was one of my great dreams forever.

I'm in a play on Broadway, I have an animated TV show coming up, I have a few movies that just came out.

I love Jane [Krakowski]. Jane's been a dear friend for maybe a dozen years. We've worked together on many shows and concerts and readings. We did 'Damn Yankees' together and then we did 'Xanadu.' Jane did all the workshops of 'Xanadu' before it moved to Broadway. She's hysterical and our voices blended. We had a similar sensibility.

Mother of three; divorcee; American. Twenty years experience as an actress in motion pictures. Mobile still and more affable than rumour would have it. Wants steady employment in Hollywood. (Has had Broadway). References upon request.

When I talk to young people who want to go to Broadway or whatever, I say, "The highs are very high and the lows are very low and then there is a lot in between."

It still feels like Hip Hop is in the early '80s on Broadway.

I remember dreaming about it, about being on TV. I remember seeing Children of a Lesser God on Broadway. I was sitting in the second or third row, and I was just so blown away, and I walked out saying, ‘That’s what I want to do.’

In '75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.

I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.

One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.

Imagination bound us stronger than love. Within its limitless borders we launched ships and love affairs, discovered lost worlds, made buildings and babies, found husbands, wrote letters and Broadway plays. We made ourselves up everyday.

When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.

I sing a mixture of everything from opera, folk music, Broadway. It's a mix of things.

I was just on Broadway for four months, and the amount of fan mail that arrived at the theater was just overwhelming. I mean, I had no idea! I guess people suddenly had access to me and knew where to find me, so they got me there, and I was amazed.

I started in the music business I was first introduced to 1650 Broadway, uh, which was in reality where everything happened in the '60s.

I did the Broadway album unfortunately in a year when there were no hits.

I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones.

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

I want to do a big Broadway musical, at some point. I would love to do that. To do something there would be super-cool.

The experience I had all those 40 years of working on Broadway and working on television, I bring it to students and I let them kind of drain me dry but they all feel at the end of the class that they are getting so much out of it. The students grow in my classroom because they feel safe. They don't feel like they're going to be yelled at.

That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

One day I got to meet him because he was teaching Broadway dance. It was a little after Tap came out and he was very young. He wouldn't remember me, but it was quite amazing. And now I've met him as an adult!

When a man and a woman see each other and like each other they ought to come together - wham - like a couple of taxis on Broadway, not sit around analyzing each other like two specimens in a bottle.

I feel like I've been hit by a car every night, that's how I feel emotionally after The Race show. But it is a complete dream come true. For me growing up in New York all I ever wanted to do was Broadway.

When you're doing a Broadway show, you have no free time.

The next time The Oregonian runs a misleading headline saying that it's because of bike lanes that people aren't having their streets paved, I want all of you to march down Broadway and occupy The Oregonian!

I don't think just funny is enough on Broadway.

That mental grind is the same, and this show has to be approached with the same mentality. Rest is paramount. Taking care of my voice and making sure I have the right foods in my body is paramount. Making sure I'm doing my technique work and staying in the script is all substantial. Continually pushing myself to find different nuances in the character on a nightly basis. This is definitely boot camp for me all over again, and Broadway in general is a boot camp for all actors.

I play characters who are comfortable naked, but that's something you work up to. I did a play off-Broadway in New York when I was in college. It was full-frontal nudity. It's nerve-racking.

A lot of people now don't know I've been on Broadway.

The phone rings and there's another Broadway show or another TV series or a movie. That's the gamble you take.

I am a collector of many things, but I particularly love the sterling silver mint julep cups, each engraved with the titles of the Broadway shows in which I appeared.

I'm not gay, so I don't know much about Broadway musicals.

Broadway is one of the hardest things I've ever done.

What fuels me is that there are a lot of people coming to Broadway and to the show [Aladdin] for the first time. Lots of kids and lots of adults and it's usually the kids were it's a special moment for them.

Everyone would like to be on Broadway, cause if a show works, you make a great deal of money and it allows you to write other shows.

Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again.

Maybe I could be Supergirl on Broadway! That would be perfect.

I'm not going to choose between classical, Broadway or pop. I would love to stay where I am now - a mix of everything.

Many years ago, I was in a Broadway show and I had to wear a fox fur around my shoulders. One day my hand touched one of the fox's legs. It seemed to be in two pieces. Then it dawned on me.... her leg had probally been snapped in two by the steel trap that had caught it.

I thought that I'd always just do Broadway, my original plan, but that was derailed.

It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.