Quotes About Budget

Opening up the Arctic National Wildlife Refuge to oil drilling is bad public policy that has no place in the budget process,. The Budget Committee needs to leave drilling in the Arctic Refuge behind and focus on crafting this year's budget package.

If you compare NASA's annual budget to explore the heavens, that one year budget would fund NOAA's budget to explore the oceans for 1,600 years.

I have long been in favor of a balanced budget restriction at the level of the federal government of the United States. Because the federal government has money-creating powers it can, in fact, be very damaging if it runs a series of budget deficits. With the state government in the United States, they don't have money-creating powers. The automatic discipline imposed by the fact that they are in a common monetary unit and don't have control over the money power means that the balanced budget restriction is less needed.

A budget is not an issue. I mean a budget is used if you need more weeks or more time or more elements, but the creative process is exactly the same. In some instances you become more of a boss when you are doing a small movie. So that is not so relevant. The only thing is that the bigger a movie is in terms of budget, is that there are more people giving opinions.

Perhaps women are lied to more often because managers think they're not going to push back. If you're told, "We don't have the budget right now" and have no access to the budget to prove otherwise, there's not much you can do, but there's no reason why you can't ask if you can reassess in six months. Then, spend those six months chronicling every good thing you do so you return with a stack of data that proves you need that raise.

According to the National Priorities Project, military expenditures are 54% of the budget. The next biggest line item is 7%. And there are a whole bunch of 7 percents. So in short, we have a military budget surrounded by a lot of footnotes. This is not serving us well.

What naturally stops you making the film is there is no more money in the budget. That's really what it is. If you had an unlimited budget, if you were a billionaire and you financed your own movies, then you can either date, because you can sit in an editing room for six years, like Howard Hughes, and never finish anything.

Our state has a balanced budget. We have to live within our means in the state of Wyoming. I was in the state senate. This country needs a balanced budget amendment to the Constitution.

Unfortunately, the (budget) does not . . . help Congress reform such programs as Medicaid and Medicare, which both grow at average rate of around 8 percent each year through 2015 and will continue to eat up more of the total federal budget.

Any director will tell you, no matter how big his budget, that it's always the budget and the day count.

Although we are being presented in Carnegie Hall, we have to furnish a budget for our guest stars, and for the music writing - which is a huge budget in any orchestra that plays popular music.

When American producers see my film, they think that I had a big budget to do it, like 23 million. But in fact I had 10 percent of that budget. I did Mars et Avril for only 2.3 million.

I love shopping on a budget. I believe that more fashion mistakes are made by people with deep pockets than by those who shop on a budget.

I'm always attracted to lower budget, not because it's lower budget, but because they tend to be better scripts.

Increased revenues, meaning higher taxes, will be a central element of any successful long-term budget plan, and President Obama is right to insist that the wealthy - the slice of America that has come through the recession in by far the best financial health - should provide those funds.

A low budget is uncomfortable.

My buildings are all on budget.

When I did 'Ferris Bueller's Day Off', I had the idea on Monday and the following Tuesday it was in budget at Paramount. I couldn't walk.

Budget grows out of the story. If you're writing a story with people caught in an elevator for most of the film, you're pretty sure it won't be a $200 million movie.

We've spent half the expenditures, we've wrecked our budget on all these other domestic programs, and the only justification for it, in my opinion, to do it in the pell-mell fashion is because we hope to beat them and demonstrate that starting behind them, as we did by a couple of years, by God, we passed them. I think it would be a helluva thing for us.

My teachers believe that the creative producer's job is to service the vision of the director, to stay within schedule and budget, and to get the studio what they need, but you work for the director to get their vision on the screen. That's not how everyone approaches producing, but it is certainly how directors like you to approach producing. How I was brought up is that my job is to help you make the movie you want to make.

What if we gave fifty percent of our discretionary budget to the world’s poor and then counted on the moral power of that action to protect us?

I was a novelist first. But in the mid 80s, I did work in television for ten years. And yes, that was frequently the reaction to my scripts. People would say, you know, George, this is great. We love it, a terrific script, but it would cost five times our budget to shoot this.

Because we were a poor area, the school had a small budget and was unable to teach the second half of the alphabet.

It's all right to agree or disagree on the balanced budget amendment. It's all right to talk about how we're going to appropriate.

The opponents of my budget propose taking $200 million out of our classrooms and instead spending it on a larger school employee pay raise. Our focus should be on making sure our children come first.

The reality is, the United States has global interests. Our defense budget is about the same as the defense budgets or military budgets of every other country in the world put together.

Custom developed digital weapons, cyber weapons nowadays typically chain together a number of zero-day exploits that are targeted against the specific site, the specific target that they want to hit. But it depends, this level of sophistication, on the budget and the quality of the actor who's instigating the attack. If it's a country that's less poor or less sophisticated, it'll be a less sophisticated attack.

If we can't find cuts in the defense budget, we're not looking carefully enough.

When you have a 12-minute debate over whether lipstick on a pig refers to a demeaning comment about the vice presidential candidate, you know we're not talking about health reform, we're not talking about energy policy, we're not talking about balancing the budget. And you know, it's fairly stupid.

One of my central philosophies is to be creatively driven so I have to be extraordinarily creative in the way I get things done and I have to be really flexible. Striving for the best creativity can be a really moving target if you're trying to budget anything because if you come up with a better idea for something and it's going to make the movie stronger then you have to do it. And that's what I do. The difficulty is that you have to use more judgement as a producer then you might in other places. I have to make unbelievably great creative decisions.

Remember, the political idea being expressed a year ago was that because the GOP interpreted its 1994 mandate as a call to budget-balancing austerity, the electorate would never give the White House to the GOP if its nominee was also a root-canal austerian.

It's a very stressful thing, directing a movie. You have the budget, you have the schedule, you are in certain confines, and you have everybody giving you advice about what to do.

The problem with the cable networks is the lack of money, not from personal income but as far as show budget.

We can't get to the $4 trillion in savings that we need by just cutting the 12 percent of the budget that pays for things like medical research and education funding and food inspectors and the weather service. And we can't just do it by making seniors pay more for Medicare.

I knew that if I wanted to really maintain control, I would have to keep the budget down. And I did. And I feel very fortunate that - y'know, this movie [Don Jon] - frame for frame, line for line - is exactly what I wanted it to be. Nobody made me change anything.

As an actor on sets, Ive always clocked how hard the crew works, how much longer their days are, how much lesser their glory is - and the fact that their commitment to the work and project is unwavering, no matter the budget.

What's less well known is that the CIA's executive management staff is far more concerned with selecting the right candidates to serve as CIA officers than it is about selecting agents overseas. The CIA dedicates a huge portion of its budget figuring how to select, control, and manage its own work force. It begins with instilling blind obedience. Most CIA officers consider themselves to be soldiers. The CIA is set up as a military organization with a sacred chain of command that cannot be violated. Somebody tells you what to do, and you salute and do it. Or you're out.

Eisenhower admitted that the budget can't be balanced and McCarthy said the communists are taking over. You don't know what to worry about these days - whether the country will be overthrown or overdrawn.

It’s not about the budget; it’s about the power...So will the attack on unions succeed? I don’t know. But anyone who cares about retaining government of the people by the people should hope that it doesn’t.

It [Doral] is 800 acres in the middle of Miami. If you look at the ballroom, that was brand-new ballroom that didn`t exist. And it`s, you know, one of the great places on earth. We had a construction crew here of 1,600 people. We rebuilt the whole place in about 14 months. We did it under budget, although I did increase the scope of the work, because we decided to use the finest marbles.

Newlyweds shooting budget: 5k for actors, 2k insurance, 2k food and drink. 9k in the can. We only shot 12 days. That's how to make an independent film.

That was the appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.

I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.

I actually had less time and the exact same budget on Hairspray, which was few years ago and this is a much bigger movie [then Rock of Ages]. That's the way studios do it now.

The problem with doing a schlocky or big budget studio film is that it wouldn't actually be fun for me. It wouldn't be exciting.

I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.

The appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.