Quotes About Building

In terms of what is the solution is going forward, in my view, it is the grassroots human-rights groups - both Israeli and Palestinian - that are doing exactly what needs to be done, which is building trust, developing relationships and building that sense of common community which is essential if we're going to figure out how to move forward.

When you're at the beginning of your career, there are a lot of, "I don't care about this," jobs that you take because it's about building your resume and building connections. There are so many factors that don't have anything to do with choosing for the material.

Like any small business owner, I experienced the pressures of building a company from the ground up - developing a business plan, balancing the books, meeting payroll and building a customer base

Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.

I grew up in a household that revered building businesses. It wasn't thinking about leadership; it was more about building something. To build something, you ultimately have to lead.

By early 1943, the Pentagon was complete-a building big enough to house forty thousand people and all their accoutrements, the largest building in the world, conceived, funded, designed and constructed in a little more than a year. And on the day it was finished, it was already too small.

9/10 startups fail, which is a harsh reality in the world of entrepreneurship. However, I believe that such a high number of startups fail because they do not take the right steps necessary when building their business. The biggest challenge people have is building something that their target audience or niche really wants.

My special situation was that I was the son and grandson of architects. And so I saw building. We were building the city, and that was exciting.

We have become so quick and effective in building things today. It would be easy to build another Pyramid of Giza or another Great Wall. But these buildings haven't withstood the test of time because of their building quality. They stand tall because they have a symbolic value, they represent a culture.

It's very atmospheric. It's not a building that is a severe statement in the skyline. We need the height; otherwise, the building almost disappears because it is so slender.

François Mitterrand was a student of architecture, he had done a lot of research before he called me. He said, "You did something special at the National Gallery of Art in Washington - you brought the new and the old together." But John Russell Pope finished the West Building in 1941, so when the East Building opened it was only about 40 years old. But the Louvre is 800 years old! A much bigger design challenge.

Any housing solution that involves paying for industrially produced building materials and commercial building contractors is doomed to certain failure. If houses are to be built at all, in sufficient quantity, they must be built without money. We must go right outside the framework of the money system, bypass the factories, and ignore the contractors.

Haji Ali taught me to share three cups of tea, to slow down and make building relationships as important as building projects. He taught me that I had more to learn from the people I work with than I could ever hope to teach them.

From building a fire one can learn something about artistic composition. If you use only small kindling and large logs, the fire will quickly eat up the small pieces but will not become strong enough to attack the large ones. You must supply a scale of sizes from the smallest to the largest. The human eye also will not make its way into a painting or building unless a continuum of shapes leads from the small to the large, from the large to the small.

Software is definitely engineering. It's different in that we take on novel tasks every time. It's not like building a certain bridge that is virtually identical to some previous bridge or some previous building.

In times when the tempo for struggle is not very high, you prepare populations by conducting acts of courage-building, confidence-building, respect for each other. That's what the preparation is about and it requires leadership.

I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming from and where you're going." At a certain point, it was interesting as the project started to become what it is now, The Source, which has a physical installation and also an online presence. As we started building the installation, I started thinking, "It's really strange that we're building this installation, this piece of architecture you can go into." It's almost strange because I suppose it's an artwork, but it's an artwork that's really constructed out of ideas.

Surely something must be terribly wrong with a man who seems to be far more concerned with Jews building houses in Israel than with Muslims building a nuclear bomb in Iran.

Asked about Donald Trump, [Pope] Francis said a person who thinks only about building walls and not building bridges is not Christian, a remark you might remember that Trump described as disgraceful.

You know what’s better than building things up in your imagination? Building things up in real life.

Building a smarter grid has long been a key part of our government's plan to modernize our energy infrastructure and provide clean, reliable affordable power to consumers. By supporting Ryerson's Centre for Urban Energy we are building a whole new landscape for innovations that will be the backbone for our energy system for future generations.

When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.

It turned out that building mobile software was a lot more like building hardware... where you had 1 shot and you had to get it right, right out of the gate.

LEGO has essentially taken the concrete block, the building block of the world, and made it into the building block of our imagination.

Trails need to be reconstructed. Please avoid building trails that go uphill.

Conversion is not a repairing of the old building, but it takes all down, and erects a new structure... The sincere Christian is quite a new fabric, from the foundation to the top-stone. He is a new man, a new creature; all things are become new. Conversion is a deep work, a heart work. It makes a new man in a new world. It extends to the whole man, to the mind, to the members, to the motions of the whole life.

Is it okay to go the roof of the tallest building in your town and jerk off into the street?

When I first became really interested in building furniture, I went to Toys-R-Us, and spent $200 on Transformers toys. By taking the toys apart and studying how they moved, I was able to figure out how to hide a table leaf, what type of contraption I'd need to slide it under the table. I'm a really visual learner.

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.

All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.

In fact, it will be very easy to climb the building because of its shape and architecture.

The anger that appears to be building up between the sexes becomes more virulent with every day that passes. And far from women taking the blame... the fact is that men are invariably portrayed as the bad guys. Being a good man is like being a good Nazi.

When you go to Washington and get off at Union Station, as I sometimes do, and see the Capitol building, I get this hopeless feeling that comes over me.

It's important to know the kind of character that you need to be building up to, throughout the series.

A building does not have to be an important work of architecture to become a first-rate landmark. Landmarks are not created by architects. They are fashioned by those who encounter them after they are built. The essential feature of a landmark is not its design, but the place it holds in a city's memory. Compared to the place it occupies in social history, a landmark's artistic qualities are incidental.

We are bound by ideals that teach us what it means to be citizens. Every child must be taught these ideals. Every citizen must uphold them.... I ask you to be citizens. Citizens, not spectators. Citizens, not subjects. Responsible citizens building communities of service and a nation of character.

We all know that a church is not a building.

Many of the received models of modern architecture and planning owe their ultimate origin to the building code and public health reform movements of the second half of the 19th century.

People have grown fond of me, like some old building.

I'm building an empire. How do you know I won't be the next [Universal Music Group Chairman/CEO] Doug Morris one day? I'm doing a hell of a job, and I'm on the road to that next level.

Most kids don't believe in fairy tales very long. Once they hit six or seven they put away "Cinderella" and her shoe fetish, "The Three Little Pigs" with their violation of building codes, "Miss Muffet" and her well‐shaped tuffet—all forgotten or discounted.And maybe that's the way it has to be. To survive in the world, you have to give up the fantasies, the make‐believe.

I like to see myself as a bridge builder, that is me building bridges between people, between races, between cultures, between politics, trying to find common ground.

Jack looked out the window as they passed the Mormon temple, just outside the beltway near Connecticut Avenue. A decidedly odd-looking building, it had grandeur with its marble columns and gilt spires. The beliefs represented by that impressive structure seemed curious to Ryan, a lifelong Catholic, but the people who held them were honest and hardworking, and fiercely loyal to their country, because they believed in what America stood for.

Greater public recognition will also be critical in encouraging prevention and early intervention, and more generally in building public support to meet the challenges of dementia.

I actually think history doesn't repeat itself. There are recurrent themes, but they're repeated with variations. Each time there's an immigration crisis, a threat from outside which is met with inhospitable wall building, it's different. And I think it's helpful to notice the big patterns in history, but it's also important to pay attention to the details, which makes each situation distinct from another.

There is a tendency in my work toward minimalism, in terms of stripping away the unnecessary. I am seeking a tightly ordered gestalt, usually. I've always felt a strong affinity towards Mondrian's work. I understand the importance of those subtle planar and linear modulations he made in the course of building up the incredible visual tension in his work.

I voted against the war in Iraq. I voted against the first Gulf War. I think war is the last resort - the last option of a great military power like us. I think that we need to focus on building coalitions. Yes, ISIS must be destroyed. But it should be destroyed by a coalition of Muslim nations on the ground with the support of the United States and the other major powers in the air and in training the troops there.

I am confident that we will see a growing consensus about the most effective way to transform food in America: building a real, sustainable and free school-lunch program.