Quotes About Building

When we started out, we were among the first. Beijing had no and Shanghai had very few large buildings. At that time, it was all about building, building, building - and then selling, selling, selling. We were working like a manufacturer. Soon, however, we realized that land was running out in Beijing and Shanghai. So we started keeping our buildings, and managing and renting them out. We became landowners. That was the second act.

Ever building, building to the clouds, still building higher, and never reflecting that the poor narrow basis cannot sustain the giddy tottering column.

As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.

In terms of what is the solution is going forward, in my view, it is the grassroots human-rights groups - both Israeli and Palestinian - that are doing exactly what needs to be done, which is building trust, developing relationships and building that sense of common community which is essential if we're going to figure out how to move forward.

I think there are definitely two types of student: the academic kids and the 50% who fail. It's very clear to see - it's fact. We're not doing enough for those who fail; they need a more physical, tactile approach, involving people skills, team-building, problem-solving, building things.

The rules of engagement around building a brand have changed significantly over the past 10 to 15 years. Where companies at one time could spread their message through traditional marketing, consumers now seek an enduring emotional connection with the companies they patronize. The foundation of that connection is the most important characteristic of building a world-class brand: trust. Trust with your people and trust with your customers.

I believe that voting is the first act of building a community as well as building a country.

There is a danger when every building has to look spectacular; to look like it is changing the world. I don't care how a building looks if it means something, not to architects, but to the people who use it.

It's very atmospheric. It's not a building that is a severe statement in the skyline. We need the height; otherwise, the building almost disappears because it is so slender.

Any housing solution that involves paying for industrially produced building materials and commercial building contractors is doomed to certain failure. If houses are to be built at all, in sufficient quantity, they must be built without money. We must go right outside the framework of the money system, bypass the factories, and ignore the contractors.

The existing American laws we use in a pinch just do not adequately protect artists or any other group of rental tenants. For example, artist certification. You can always get around that. Every society that does not want to really protect tenants' rights tries historic preservation. But that says nothing about the right of people to stay in their homes. It says that the building cannot be demolished. But it does not say who is allowed to live in the building.

At a certain point, I just put the building and the art impulse together. I decided that building was a legitimate way to make sculpture.

We must be as familiar with the functions of our building as with our materials. We must learn what a building can be, what it should be, and also what it must not be.

My cousin Jerry Lucey and five other firefighters died in a warehouse fire in Worcester, Mass. - my hometown - right in the middle of our old neighborhood downtown when a homeless couple started a fire to keep warm and the entire building went up. My cousin died trying to save homeless people who had already left the building.

The good building is not one that hurts the landscape, but one which makes the landscape more beautiful than it was before the building was built.

If there is no military need for the building, leave it alone, neither putting anyone in or out of it, except on finding some one preaching or practicing treason, in which case lay hands on him, just as if he were doing the same thing in any other building.

Fate, they say, fate- the clay that molds the events of your life, and it was the same fate that had thrown the stone of her heart on the building of his expectations. But then wasn't it his fault that he had constructed the building of glass? Hadn't he failed to cement the bricks of his love with trust and colour them with security? There was no insurance for broken hearts, no ointment for wounded souls and there would never be one, he knew.

You know what’s better than building things up in your imagination? Building things up in real life.

When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.

A climb-out fight is where you climb a building. You climb fire escapes. You climb to the top of the building. You fight on the roof, and you fight all the way down again.

The great successful men of the world have used their imagination. They think ahead and create their mental picture in all its details, filling in here, adding a little there, altering this a bit and that a bit, but steadily building - steadily building.

I don't want to use the term "nuclear weapons" because those people in Iran who have authority say they are not building nuclear weapons. I make an appeal to the countries who do have nuclear weapons. They don't consider them a nuclear threat. But let's say a country that doesn't have nuclear weapons gets involved in building them, then they are told by those that already have nuclear weapons that they oppose [such a development]. Where is the justice in that?

I've been very, very successful at building probably the most recognizable, physically recognizable brand in personal development.

I be off the slave ships, building pyramids, writing my own hieroglyphs

Trails need to be reconstructed. Please avoid building trails that go uphill.

Bismarck's genius, as well as his great flaw, was the same as that of another outstanding nineteenth-century politician of the German-speaking world, Prince Clemens Metternich. Both men were artificers, able to hold off the future by building a fragile present out of pieces of the past.

I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.

Everybody has a gas-guzzling car because people like SUVs. They would like SUVs if they were hybrid vehicles that had the same horsepower and used less gasoline. Instead, what the auto manufacturers are doing is building SUVs that are hybrid vehicles that use the same amount of gasoline because they up the horsepower. That's a decision that they make to market irresponsible economic behavior. The American people like the SUVs, they have kids, they, they need them, they get around in them, but we have options.

If the design of the building be originally bad, the only virtue it can ever possess will be signs of antiquity.

The building of a personality beyond its normal limitations.

Architecture is not a private affair; even a house must serve a whole family and its friends, and most buildings are used by everybody, people of all walks of life. If a building is to meet the needs of all the people, the architect must look for some common ground of understanding and experience.

We want to create the purely organic building, boldly emanating its inner laws, free of untruths or ornamentation.

In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.

The important thing is to take the bricklayer and make him understand that he’s building a home, not just laying bricks.

Nothing can prevent the united consumer from working for themselves with the aid of mutual credit, from building factories, workshops, houses for themselves, from acquiring land; nothing — if only they have a will and begin.

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.

Medical education is not just a program for building knowledge and skills in its recipients... it is also an experience which creates attitudes and expectations.

Becoming a member of the NR is not just about working smarter. It's about building a system to replace yourself.

Where the road sloped upward beyond the trees, I sat and looked toward the building where Naoko lived. It was easy to tell which room was hers. All I had to do was find the one window toward the back where a faint light trembled. I focused on that point of light for a long, long time. It made me think of something like the final throb of a soul's dying embers. I wanted to cup my hands over what was left and keep it alive. I went on watching the way Jay Gatsby watched that tiny light on the opposite shore night after night.

Start-up should focus on innovation not on building on infrastructure. Thanks to Google cloud service they can.

In fact, it will be very easy to climb the building because of its shape and architecture.

The reality is there is only each present moment: You are called to give a talk. You get out of a building and into a car. You look out of the window. You arrive at the venue. You sit in the chair; you wait; you step out onto the stage. Every movement is simple. There is only that.

Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, what's he trying to say? And what's the volley with all these other people around him? So I don't feel like that part of it changes. I have not reached the point - if there's a point you reach as an actor where it's, "Oh, I got this figured out, I know how to do this". But I am happy to say that the primary building blocks of where you start, at least, there is a little bit of sameness to that. And that's always nice.

When you go to Washington and get off at Union Station, as I sometimes do, and see the Capitol building, I get this hopeless feeling that comes over me.

The Building of European Commission would be perfect for a brothel.

Let's say there was a burning building and you could rush in and you could save only one thing: either the last known copy of Shakespeare's plays or some anonymous human being. What would you do?

There's a sort of sibling moratorium when you're establishing yourself as an adult. So much of your energy has to be focused on other things like work and kids. But when people become more settled, siblings tend to regroup because now you're building a new extended family.

There is a tendency in my work toward minimalism, in terms of stripping away the unnecessary. I am seeking a tightly ordered gestalt, usually. I've always felt a strong affinity towards Mondrian's work. I understand the importance of those subtle planar and linear modulations he made in the course of building up the incredible visual tension in his work.