Quotes About Building

I've always said if I could own one piece it would be Vermeer's The Love Letter, and if I could put it anywhere it would be in a David Chipperfield building. I'm almost there with the building - Chipperfield is building a new house for me in London. The Vermeer is a long way off.

The philosopher believes that the value of his philosophy lies in the whole, in the building: posterity discovers it in the bricks with which he built and which are then often used again for better building: in the fact, that is to say, that building can be destroyed and nonetheless possess value as material.

As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.

It occurred to me that building a company was the best way to align a group of people towards building something great. And its really... it's a good organizational structure where you can really reward people. If they're building something that's good, you can you work with partners and reward them if the product that you're developing work well. It's a good way to get the best people involved to build something very good.

Well, I work out three to four times a week, in a gym, which - thank God - is right in my building here in New York City. It's in the Reebok building, and it's got every kind of weightlifting equipment you can imagine, spread out over six floors, plus basketball courts and everything else. And because it's right in the building, there's no excuse.

One day, when I came home from work, I accidentally put my car key in the door of my apartment building. I turned it, and the whole building started up. So I drove it around. A policeman stopped me for going too fast. He said, "Where do you live?" I said, "Right here!" Then I drove my building onto the middle of a highway, and I ran outside, and told all of the cars to get the hell out of my driveway.

I have great people, smart people that are around me and we love the challenge. I guess it's like climbing a mountain or building a building. It's a challenge but you love every challenge that it brings or presents itself.

I was working with actors who were very easy to work with, but I can just imagine how, with all the other decision-making problems that come up along the way, in addition to that, the whole point of what your doing is following performance and character development. You're building your story with those building blocks, and it is not easy. I've only come out with more respect for directors, from this.

Building a set is like building a place, but it's a temporary place, because sets usually get torn down. Kind of unfortunate.

When HSBC took the painting out of their building, they had to block the road and use a crane to bring the painting out from the window. They spent about 20,000 dollars just to get the painting out of the building! They said not to bring it back, and told Sotheby's to sell it immediately!

I collect clothes-they keep building and building. I buy them instead of having them washed.

I think the place maybe to watch with the greatest worry right at the moment, and to try to help the most, may be those parts of Africa around Somalia that are enduring a climate-caused and really record-breaking drought. It may be the greatest humanitarian crisis since the end of World War II. And of course, where humanitarian crises happen, so do political instability. This is the world that we're building and building fast. And it's the world that people are trying somehow to slow down. Trying very hard to bring down this fossil fuel machine before it does any more damage.

Anger can be borne - it can even be satisfying - if it can gather into words and explode in a storm, or a rapier-sharp attack. But without these means of ventilation, it only turns back inward, building and swirling like a head of stream - building to an impotent, murderous rage.

Broken Window Theory: Consider a building with a few broken windows. If the windows are not repaired, the tendency is for vandals to break a few more windows. Eventually, they may even break into the building, and if it's unoccupied, perhaps become squatters or light fires inside. Or consider a sidewalk. Some litter accumulates. Soon, more litter accumulates. Eventually, people even start leaving bags of trash from take-out restaurants there or even break into cars.

In the field of fantastic fiction, the question of world-building is not uncontroversial. But I grew up with 'Dungeons and Dragons,' so that whole world-building thing is very close to my heart.

We must be as familiar with the functions of our building as with our materials. We must learn what a building can be, what it should be, and also what it must not be.

If there is no military need for the building, leave it alone, neither putting anyone in or out of it, except on finding some one preaching or practicing treason, in which case lay hands on him, just as if he were doing the same thing in any other building.

Actually there were many officers' clubs that Yossarian had not helped build, but he was proudest of the one on Pianosa. It was a sturdy and complex monument to his powers of determination. Yossarian never went there to help until it was finished; then he went there often, so pleased was he with the large , fine, rambling shingled building. It was a truly splendid building, and Yossarian throbbed with a mighty sense of accomplishment each time he gazed at it and reflected that none of the work that had gone into it was his.

It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.

There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.

For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by.

Being in the building with Sarah Palin that night is a transformative and oddly unsettling experience. It’s a little like having live cave-level access for the ripping-the-heart-out-with-the-bare-hands scene in Indiana Jones and the Temple of Doom.

You could be a Green Beret and a kid could jump out from behind a building and hit you with a rock. No matter how tough you become in the military, there's a way to die: there's nothing safe about it.

We've been able to watch on our television screens sophisticated weaponry find a building; and we've seen dramatic reports from the front where Pulitzer Prize-to-be winning reporters stood up and declared, the United States is attacked, and all that.

It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies

This building we're in has doors and windows. If we close the doors and windows, we can't get out. People lock themselves inside a house of delusions. But they're only delusions. They can leave anytime. Actually there is no house to leave. There's not even any leaving. What we see are flowers in the sky, the moon in the water. As for the meditative powers of Zen masters like Hsu-yun, sometimes it's useful to meditate and sometimes it isn't.

Humans had spent thousands of years climbing out of caves and building technology so they could reach the moon and live in caves again.

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.

Start-up should focus on innovation not on building on infrastructure. Thanks to Google cloud service they can.

In a science fiction movie, the first act is a little longer than it is in most movies because there is so much world building to do.

Courage is required not only in a person's occasional crucial decision for his own freedom, but in the little hour-to-hour decisions which place the bricks in the structure of his building of himself into a person who acts with freedom and responsibility.

I also talk about building a wall and oftentimes I'll say, and there's going to be a big beautiful door in that wall and people are going to come into our country because we want people to come in. We want people to come into our country, but we want them to come in legally.

What you need to do is build the house you will live in. You build that house by laying a solid foundation: by building physical, emotional, mental, and spiritual health.

When you go to Washington and get off at Union Station, as I sometimes do, and see the Capitol building, I get this hopeless feeling that comes over me.

The body is not simply the combination of dance, muscles, body-building, strength and sex: it is a universe.

... where Solomon says that 'Wisdom has built herself a house' (Prov. 9:1), he refers darkly in these words to the preparation of the flesh of the Lord: for the true Wisdom did not dwell in another's building, but built for Itself that dwelling-place from the body of the Virgin.

Get a book, so you know where to put your fingers. Otherwise it would be tough to learn. Also you have to fight through getting callouses on your fingers because it hurts, you are pressing your fingers on metal strings, they will hurt at first until you start building up callouses.

Many of the received models of modern architecture and planning owe their ultimate origin to the building code and public health reform movements of the second half of the 19th century.

People look at my competitive spirit, and they automatically attach it to the thing that's most similar, most easily recognizable, which is Michael [Jordan's] competitive spirit. I'm different. I enjoy building. I enjoy the process of putting the puzzle together, and then the byproduct of that, the consequence of that, is beating somebody. That becomes the cherry on top, the icing on the cake.

On my first day teaching my own classroom, I threw up before I entered the building.

Vision gets the dreams started. Dreaming employs your God-given imagination to reinforce the vision. Both are part of something I believe is absolutely necessary to building the life of a champion, a winner, a person of high character who is consistently at the top of whatever game he or she is in.

Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts. Only then will their work be imbued with the architectonic spirit which it has lost as salon art. Together let us desire, conceive, and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise toward heaven from the hands of a million workers like the crystal symbol of a new faith.

Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.

When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.

The female brain is predominantly hard-wired for empathy. The male brain is predominantly hard-wired for understanding and building systems.

Not even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not, I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy - this implicit pact with the reader is my starting point.

You thought you were going to be made into a decent little cottage: but He is building a palace. He intends to come and live in it himself. (Quoted by C.S.Lewis in Mere Christianity)

It was strange, how easily and quickly protection could cause destruction. Sometimes, Vasher wondered if the two weren't really the same thing. Protect a flower, destroy pests who wanted to feed on it. Protect a building, destroy the plants that could have grown in the soil. Protect a man. Live with the destruction he creates.