Quotes About Challenging

I've written some poems that are in the middle ground - who are in between very challenging and abundantly clear, but there's a tremendous investment in the challenging poem, and it's been going on so long that the whole infrastructure supporting it, a lot of critics and theorists and so on are deeply invested in maintaining that status.

It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.

I do not remember the most challenging one but I remember that many of the titles I have recorded have been quite challenging for me.

I want to keep growing as a writer. I find myself doing unexpected projects and sort of challenging my idea of where I am in my career, or what I'm supposed to be doing. In fact, I'm not supposed to be doing anything. Just finding projects that are challenging to me. I want to be a writer who keeps growing and figuring out new things and hopefully people will follow me along as I publish these things.

I thoroughly believe in evolution, and how we evolve and how our physical being is affected by time and use and by the environment... it's more than just challenging, it can be terrifying. We all struggle, but I think it's important to be there for one another.

Good times are a reminder and a reward for dealing with the difficult and challenging times we all go through. The trick is to celebrate the good times in advance of the difficult times. Always remember, good times await you after the difficult times pass.

People always ask, 'Was it fun? Was it fun working on a movie?' I don't know if that's the operative word. It is challenging and interesting and all those other things, but fun isn't always.

When you take that to the next level of guiding a group of filmmakers to actually depict him, it's even more challenging. The one that that I think everybody involved believes is that we won't move forward with this until we believe it's right. There's no deadline that a movie has to be made by. We have to believe that we have served the responsibility, however long it takes us to get to that point.

The most challenging thing for a young entrepreneur is to think long-term. When you are 22 years old, it’s hard to think in 22-year increments since that’s as long as you’ve been alive. But it’s really important to view your life as an entrepreneur as a long journey that consists of many short-term cycles.

I'm going to continue to make short films. I love making shorts. I don't have a boss. There's no boss telling me what I can and can't do. I find that it's incredibly creative and challenging to just keep doing that.

This is the most challenging activity that humans get into, which is love. You know, where we have the sense that we can't live without love. That life has very little meaning without love.

It's challenging as an actor to let go but I had some pleasure out of it too. To not have the effort of having to present myself is quite liberating.

President Obama is a man who had certain advantages because of the civil rights movement. He had the opportunity to go to some of the best schools in this country - schools that train you how to run the political paradigm, not challenge it. The leaders of the Black Power Movement were challenging that paradigm.

It is our duty to give meaning to the life of future generations by sharing our knowledge and experience; by teaching an appreciation of work well done and a respect for nature, the source of all life; by encouraging the young to venture off the beaten path and avoid complacency by challenging their emotions.

If you come face to face with some really challenging situations and tragic circumstances - you are going in there with a purpose. You are not going in there as a tourist. You're not going there just to merely observe. You have a purpose, and your purpose is to tell that story, to share that story for the bigger benefit of millions of other people. Your purpose is to create that bridge so you can give that story the dignity and the focus that it deserves, and you can become a part of the amplification that needs to be there.

When you make giving a priority, something happens inside of you. Especially when it's financially challenging to do so. It's like you loosen your grip on a value system whose motto says, "Money is the key to life and happiness and safety."

Balancing the complex point of view in the edit room was mostly a matter of challenging ourselves to keep digging deeper.

I like doing a challenging class because it makes me more brave in life. My perception of hardships is now completely different. I'm not whining and moaning inside as much.

Designing and developing anything of consequence is incredibly challenging.

I think and hope I have changed the way we look at hats. They are no longer symbols of conformity but highly individual acts of rebellion. I am constantly challenging the perception of what a hat should be and what role it should play.

My godfather was a Chicago policeman, and I've always looked at law enforcement as a challenging and interesting job.

Men weren't always happy for me. It was very challenging to watch a woman be so successful.

There's always a silver lining to every cloud and everything has to happen for a reason and if everything's really challenging, then you can make it into a positive.

You ask why London has to 'stand for' anything. One response is that in fact it always inevitably does. One could say at the moment it stands for a complex mix of multiculturalism and financial power. Interestingly, that is a political mix of progressive and oppressive. What I'm arguing is simply that we should take responsibility for the effects of 'our place' around the world. To take responsibility for our embeddedness. If you don't want to, so be it. It does demand an imaginative engagement with our planetary interdependence and that can be quite challenging.

Being pregnant taught me how to be a better writer. It was a lesson in negative capability and surrendering to necessity. Suddenly, my body instinctually yielded to the needs of this growing being, and I had no choice but to embrace what was happening and all that lay ahead, even if I was afraid and uncertain. So, while being a parent has made writing more challenging, it has also made being a writer more certain. There's no room to procrastinate; there is to time for fear.

Friction and misunderstandings often occur when communicating across generations. It gets even more challenging when working across virtual settings.

The vast amount of time it takes to make my paintings is very challenging. I have so many exciting ideas I would love to bring to a final painting, but my time-consuming technique limits the number of ideas that get to become a painting.

I'm just challenging white supremacy at its intellectual heart every day. It's a pedagogy that I deploy against some of the most vicious resistance to blackness that whiteness is able to throw up. I engage in a lot of intellectual combat with supremacists and with the predicate of white supremacy and white indifference to black identity, and brown and red and yellow identity too, for that matter.

There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other.

There were the classic challenges any tourist faces, like getting lost, getting sick, losing things, getting in a fight... All these things happened numerous times. The only point of the trip that was defiantly challenging was a point that's not actually in our film.

I'd like to be a weak, boring housewife. Because then it would involve more acting. It would be challenging to do something like that.

There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.

I definitely try to broaden the scope of music. I don't know if it's pop or classical or what, but I'm religiously challenging myself all the time, for better or for worse.

We live in a complex world and at a challenging time.

It wasn't sexual in its element. I wasn't being exploited. I was doing what happened. It was very challenging because I played Phyllis from 15 years old to 53 when she died of breast cancer.

I personally love to run outdoor fitness trails. I love the meditative value I get when out alone, challenging myself to run faster and higher.

In choosing any role, I ask the same questions: what kind of part is it? is the role challenging? does the director have a vision? is the story moving? etc.

I'm definitely a fan of sort of dramas, independent sort of social dramas where you play really challenging roles. Every actor wants to play those dark roles and it's definitely true for me and I'd love to kind of challenge myself in any way possible.

You're always looking for roles and other creatives who are going to be challenging to you, because you're always a better actor after the experience.

If peace is really what you want, then you will choose peace. If peace mattered to you more than anything else and if you truly knew yourself to be Spirit rather than a little me, you would remain nonreactive and absolutely alert when confronted with challenging people or situations. You would immediately accept the situation and thus become one with it rather than separate yourself from it.

Performing, I can take it or leave it. Horticulture is far more challenging. I'm absolutely fascinated by it.

The further you get away from yourself, the more challenging it is. Not to be in your comfort zone is great fun.

When your team loses, everybody gets deflated. And it's hard, and it's challenging.

I really appreciate crafts. I like cooking. I love food and drink. I love owning that through Instagram. Although that can be challenging at times because it doesn't fit people's stereotypes of a technical founder.

I cannot tell you how many times guides have said to me, "Please tell them to stop praying to me. I can't make things happen. I can't protect them from going through challenging experiences. These are experiences their soul has chosen to go through. I'm here to keep them on their path, but I don't want them to give me all this attention or power or focus." Realistically, the guides I work with are really encouraging people to find their inner voice.

Every episode [in a TV series] is a challenge, and what's challenging in most episodes is the monster. You're always a heartbeat from the monster looking ridiculous. You really have to work so hard to make them not look like ridiculous when they turn up on the set.

I enjoyed cross-country road trips. And I found the work challenging because it was art that existed on the land rather than mere concepts in a gallery or photographic documentation, or any of the paraphernalia that can be used to indicate that. The art was on the land.

When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.