Quotes About Choose

Everyone has problems. It's how you choose to deal with them. Some people choose to be whiners some choose to be winners. Some choose to be victims some choose to be victors.

There's only what you choose, and how you can have it. If you choose peace and joy and love, you won't get much of it through what you're doing. If you choose happiness and contentment, you'll find little of that on the path of doingness. If you choose reunion with God, supreme knowing, deep understanding, endless compassion, total awareness, absolute fulfillment, you won't achieve much of that out of what you're doing.

You are free to choose. You are not free not to choose. No choice is a choice. You are free to choose but you are not free to choose the consequences of that choice.

In America, we have freedom of choice. But some are free to choose between Lamborghini and Rolls Royce while others are free to choose which dumpster they're going to have their meal out of next. Some are free to choose which, you know, homes and farms to foreclosed on, while others choose which bridge they're going to sleep under tonight.

Some decisions are hard, some are easy, but either way it's our choices that matter. Who we chose to align with. What we choose to give in to. What we choose to resist. And most of all, who we choose to be. Because it is always our choice.

Prison life taught him how little one can get along with, and what extraordinary spiritual freedom and peace such simplification can bring. I remember again, ironically, that today more of us in the world have the luxury of choice between simplicity and complication of life. And for the most part, we, who could choose simplicity, choose complication. War, prison, survival periods, enforce a form of simplicity on us. The monk and the nun choose it of their own free will. But if one accidentally finds it, as I have for a few days, one finds also the serenity it brings.

If I had to choose between sex and food, I would choose food, but I'd choose sex over nearly everything else.

We can work, study, laugh and have fun, dance, sing, and enjoy many different experiences. These are a wonderful part of life, but they are not central to why we are here. The opportunity to choose good over evil is precisely why we are here. Not one of us would say, "I want to choose evil." We all want to choose the right. However, the choice of good over evil is not always easy, because evil frequently lurks behind smiling eyes.

When you wake up each morning, you can choose to be happy or choose to be sad. Unless some terrible catastrophe has occurred the night before, it is pretty much up to you. Tomorrow morning, when the sun shines through your window, choose to make it a happy day.

The pace of science forces the pace of technique. Theoretical physics forces atomic energy on us; the successful production of the fission bomb forces upon us the manufacture of the hydrogen bomb. We do not choose our problems, we do not choose our products; we are pushed, we are forced -- by what? By a system which has no purpose and goal transcending it, and which makes man its appendix.

In choosing a President, we really don't choose a Republican or Democrat, a conservative or liberal. We choose a leader.

Who knows? Maybe they’re right. Maybe we are driven crazy by our feelings. Maybe love is a disease, and we would be better off without it. But we have chosen a different road. And in the end that is the point of escaping the cure: We are free to choose. We are even free to choose the wrong thing.

Men choose Hamlet because every man sees himself as a disinherited monarch. Women choose Alice [in Wonderland] because every woman sees herself as the only reasonable creature among crazy people who think they are disinherited monarchs.

It is absurd to think that anything in us could have the least influence upon our election. Some say that God did foresee that such persons would believe, and therefore did choose them; so they would make the business of salvation to depend upon something in us. Whereas God does not choose us FOR faith, but TO faith. "He hath chosen us, that we should be holy" (Eph. 1:4), not because we would be holy, but that we might be holy. We are elected to boldness, not for it.

Before we choose our tools and technology, we must choose our dreams and values, for some technologies serve them, while others make them more unobtainable.

By developing balance in your life, you will increase your energy, motivation, and your sense of satisfaction. In short, your happiness. Most people are as happy as they choose to be. May you choose to be very happy in 1998! SUCCESS to You . . .

If Britain must choose between Europe and the open sea, she must always choose the open sea.

We do not choose between a life of difficulty and a life of ease. We simply choose for what purpose we will work, sometimes suffer, and hopefully endure.

In the end, creativity isn’t just the things we choose to put in, it’s the things we choose to leave out.

Consider the cost when Christians ignore Jesus commands to sell their possessions and give to the poor and instead choose to spend their resources on better comforts, larger homes, nicer cars, and more stuff. Consider the cost when these Christians gather in churches and choose to spend millions of dollars on nice buildings to drive up to, cushioned chairs to sit in, and endless programs to enjoy for themselves. Consider the cost for the starving multitudes who sit outside the gate of contemporary Christian affluence.

For memory is a moral action, a choice. You can choose to remember. You can choose not.

We, the people, gave the marching orders to our democratically-elected officials and instructed them. We wanted out of Vietnam and we got out of Vietnam. We wanted women's right to choose and we got women's right to choose. We got the EPA, we got the Clean Air Act, Water Act, we got rights for workers in the workplace to be protected from dangers. We accomplished pretty much all of what we wanted when we had the courage of our convictions. That is the missing ingredient.

But we don’t remember those lives. We can’t read our diaries.’ ‘It doesn’t matter. We are where we are, however we got here. What matters is where we go next.’ ‘But can we choose that?’ ‘I don’t know.’ ‘We’re Dead. Can we really choose anything?’ ‘Maybe. If we want to bad enough.

I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid. I think you see that nowadays, in this postmodern context, there's much more use of different mediums in contemporary art. For me, if you're a creative person, you can choose to make a painting, you can choose to make a film.

What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing.

If you can, start your own business while you're working another job so that your bills get paid. Choose something that you love, so that when you're exhausted when you come home from work, you're actually looking forward to your 3 hours every night that you can apply to your business, either after your kids go to sleep or while they're watching TV or while they're doing their homework, however you can budget your time. Instead of a chore, choose something you love so you absolutely look forward to it.

When we talk about sin, we need to understand what sin is. Sin is not God says 'you can't do this' because He wants to take something away from you. He says: "If you do this, it will be death. If you do this, it will be life." And then He says: "Please, choose life, so that you can live. I've made you, I know how you work. I've made this whole Earth, I know how it works. Please, choose life.

Freedom is not simply the circumstances that allow you to do whatever you want. Freedom is not only the opportunity to choose. Freedom is the strength of character to choose and to do what is right. With that in mind, our age is not an age of freedom, but an age of slavery. It is subtle, but it is real. The foundation of freedom is not power or choice. Freedom is upheld not by men and women in government, but by people who govern themselves.

When it comes to making decisions, I will come down on the side of Nebraska every time. If I have to choose between the White House and the farmhouse, I choose the farmhouse.

I'll impose upon you the same arrogance that was imposed on me, and on my mother, my grandmother, my grandmother's mother: all the way back to the first human born of another human being, whether he liked it or not. Probably, if he or she had been allowed to choose, he would have been frightened and answered: No, I don't want to be born. But no one asked their opinion, and so they were born and lived and died after giving birth to another human being who was not asked to choose, and that one did likewise, for millions of years, right down to us.

I sometimes get commissioned to photograph families, and they see the results and say, "Oh, I look terrible." And that's when I realize the difference between the people I choose and the people who choose me.

There have been so many outstanding players I've had as team-mates, but if I had to choose I'd choose Giggsy, he can do anything.

Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have - life itself.

You can choose your friends, but you sho' can't choose your family.

I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.

Each one of us must in the end choose for himself how far he would like to leave our collective fate to the wayward vagaries of popular assemblies For myself it would be most irksome to be ruled by a bevy of Platonic Guardians, even if I knew how to choose them, which I assuredly do not I should miss the stimulus of living in a society where I have, at least theoretically, some part in the direction of public affairs.

Therefore: In dwelling, choose modest quarters, in thinking, value stillness, in dealing with others, be kind, in choosing words, be sincere, in leading, be just, in working, be competent, in acting, choose the correct timing. Follow these words and there will be no error.

Movies cost so much that studios really try to impose their personality over yours. A lot of times, you can get swallowed up in that and end up making movies that are indistinguishable from anybody else's. One of the things I've always tried to do is to inject myself as much as possible into the movie, so I feel like it's mine. But that also comes from what you choose to do and what you choose not to do. There are certain projects I could have said yes to, and I know exactly how they would have turned out: exactly the way they turned out when someone else did them.

Sometimes I think if I had to choose between an ear of corn or making love to a woman, I'd choose the corn.

You create your own decoration. You choose your color, you choose your mood. ... If you are depressed, you put some bright yellow and suddenly you are happy.

On the robot kit, I can choose very boring parts or I can choose exciting and interesting parts. That is a reflection of my personality and the kinds of things I am interested in.

People say, 'Are you afraid? Are you scared for your life?' and I tell them: If I choose today to tone it down, if I choose today to shut up, tomorrow me, you, and all of us will be forced to.

There is no fear when you choose love. The more you choose love, the more love is in your life. It gets easier and easier.

Art is free, but of course you have to be alert to catch it when it comes onto the canvas. I don’t choose the ideas, they choose me. I don’t wait for them. They come without my permission!

Never choose the easy path. Choose the one that has morals

Actually, the ability to choose presence depends on the degree of presence that's emerging in you. Ultimately, you are not choosing, there's nobody there to choose. When you think you are choosing, presence is simply emerging in that moment.

[On writing:] What a difficult kind of work to choose! But of course one did not choose it. There was no choice.

It's often said that I choose subjects that are sensational! I choose to film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that's what I hope my films do.