Quotes About City

I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.

New Orleans is a city whose basic industry is the service industry. That's why it makes its money. That's - it brings people to the city. People come to the city and experience the wonders of this extraordinary city and everything else. The question is that, how do we create jobs which are the jobs that have pay, that - living wages?

Since its founding, Detroit has been a place of perpetual flames. Three times the city has suffered race riots and three times the city has burned to the ground. The city's flag acknowledges as much. Speramus Meliora; Resurget Cineribus: We hope for better things; it shall rise from the ashes.

The city of cats and the city of men exist one inside the other, but they are not the same city.

There are a lot of car bombs and roadside bombs, house bombs, even, in this city planted by ISIS. So - but it's going to be a tough fight ahead, and the Iraqi generals expect to take the city back, the city of Ramadi, by mid-January.

For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.

You have all these people in the city and everything has become centralized. If you live outside the city and you need a birth certificate or some official paper from the government, you have to travel to the city.

And Kansas City is at Chicago tonight, or is it Chicago at Kansas City? Well, no matter as Kansas City leads in the eighth 4 to 4.

Just because you choose, AG Sessions and Trump, to, whole cloth, say that immigrants don't belong here and you are racist and you want to implement those policies, doesn't mean that New York as a city is going to enforce those policies. We have a different approach. And we believe that we are a welcoming city, and we support those who want to help us build this city.

I walked down Paseo del Prado, losing myself to the sights, sounds, and dense magic of the city. There's something weirdly calming about being alone in a big city. It made me feel like the universe was hugely generous, and that my species was so damn smart to have constructed such a beautiful city.

Sooner or later there will be a nuclear 9/11 [by Islamic terrorists] in an American city or that of a US ally... A terrorist nuclear attack against an American city could take many forms. A worst case scenario would be the detonation of a nuclear device within a city. Depending upon the size and sophistication of the weapon, it could kill hundreds of thousands or even millions of people.

So here's my advice to city planners. Make your city runnable. Runners are the first wave of troops bringing human activity back to the urban core of any city. Where we go, others will follow. The connection between runnability and livability is so clear (at least to me), that it's surprising that new developments consistently leave pathways out of the plans.

The City's going to be very very beautiful! Its going to be like a beautiful beautiful park in some places, and there in the lower level where the river flows right through the City there's going to be these beautiful trees growing on both sides, fruit trees with 12 different kinds of fruit, a different kind every month, think of that!-And leaves that'll be able to heal the people outside the City that are still sin-sick, and sick of their disobediences and their rebellion against God. We're going to be able to take those leaves outside and heal them!

One can say that the city itself is the collective memory of its people, and like memory it is associated with objects and places. The city is the locus of the collective memory.

For the most part Ho Chi Minh City is safe but like any large city you need to pay attention to what's going on around you.

To be a European is to try to negotiate morally, intellectually and existentially the opposing statements and praxis of the city of Socrates and the city of Isaiah.

My dream in growing up in the city of Detroit was to be Mayor. At the family picnics from the time I was 9-years-old that's what I told people I was going to be. The mayor of the city of Detroit.

...for our wisdom is better than the strength of men or of horses. ... nor is it right to prefer strength to excellent wisdom. For if there should be in the city [any athlete whose skill] is honoured more than strength ... the city would not on that account be any better governed.

In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.

An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives.

How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.

The world's greatest city - New York City - deserves a government that works for all New Yorkers. That starts with a mayor who is independent from party bosses and special interests, who isn't afraid to be honest with the people, and who is focused on the issues New Yorkers care about most.

My ideal city is more like the city (New York and Paris come to mind, but it sort of applies to all) that existed up to and including the 1930s, when different classes lived all together in the same neighborhoods, and most businesses of any sort were mom-and-pop, and people and things had a local identity.

In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.

When people endure a traumatic event, they are either defeated or made stronger. On Sept. 11, I told New Yorkers, "I want you to emerge stronger from this." My words were partially a hope and partially an observation that people in New York City handle big things better than little things. I could not be more proud of the way my city responded.

Tribal life comes automatically to an end when a primitive people begins to live in a town or a city, for sooner or later a tribal organization is found to be incompatible with life in a city.

You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.

Touring is very grueling. It's very taxing on the body and living out of your suitcase, going from city to city, night after night. It's a tough job.

The subject of criminal rehabilitation was debated recently in City Hall. It's an appropriate place for this kind of discussion because the city has always employed so many ex-cons and future cons.

For me, selfishly, Toronto is my favorite city in the world. It's the greatest city and you have the whole world here.

That was in Crescent City, California, up near the Oregon border. I left soon after. But today I was thinking of that place, of Crescent City, and of how I was trying out a new life there with my wife, and how, in the barber's chair that morning, I had made up my mind to go. I was thinking today about the calm I felt when I closed my eyes and let the barber's fingers move through my hair, the sweetness of those fingers, the hair already starting to grow.

Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.

Anyone who becomes master of a city accustomed to freedom and does not destroy it may expect to be destroyed by it; for such a city may always justify rebellion in the name of liberty and its ancient institutions.

I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.

Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.

People think of Paris as the city of love or the city of light, but where you got love you got hate, where you got light you got darkness.

I grew up in a city, I'm a city person - I go on holiday and I'm bored.

Beneath the stars the lake lay dark and sombre," Stead wrote, "but on its shores gleamed and glowed in golden radiance the ivory city, beautiful as a poet's dream, silent as a city of the dead.

I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.

I don't write police stories, per se, but I usually write about areas that are very panoramic, like Harlem, or the Lower East Side, or a small urban city like Jersey City.

Paris is my favorite city in the world. The men are so beyond gorgeous, especially the humpy Arab men. But I could never live in Paris, it's a boutique city.

"A Tale of Three Cities" is a tribute to our parents' generation, who escaped from city to city in search of their loved ones and in search of a place to build a better home. The story is set during the turbulent war years in China in the '40s and '50s.

Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.

Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.

Montreal is a very cosmopolitan, sophisticated, erudite, educated, glorious city today. But it wasn't quite that way when I was growing up there. There was a lot of anti-Semitism. And I had to deal with that in an area of the city that had very few Jews.

I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not have to go and wait tables again.

If you say city to people, people have no problem thinking of the city as rife with problematic, screwed-up people, but if you say suburbs - and I'm not the first person to say this, it's been said over and over again in literature - there's a sense of normalcy.

Any city, however small, is in fact divided into two, one the city of the poor, the other of the rich; these are at war with one another.