Quotes About Classical

I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.

Scientific realism in classical (i.e. pre-quantum) physics has remained compatible with the naive realism of everyday thinking on the whole; whereas it has proven impossible to find any consistent way to visualize the world underlying quantum theory in terms of our pictures in the everyday world. The general conclusion is that in quantum theory naive realism, although necessary at the level of observations, fails at the microscopic level.

Wherever and whenever I sing, if there is only one spiritual on a program, people will talk about two things afterward, and one of them will be the spiritual. What I bring to this is the best of my classical training - not all of it. I apply what is appropriate.

I love the theater and I particularly love the classical theater and I love doing Shakespeare. It pays the soul, but it doesn't pay the rent.

Apparently, in the Avesta classical period no one would have dreamed of having a spiritual experience without resort to drugs.

I listen to Neil Young and jazz and classical stations and, if my girlfriend's driving, it tends to be Hall & Oates.

Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.

I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.

I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.

I wanted to make a classical piece that was actually designed to be a CD, not designed for performance.

Do you know what I've learned? That although ecstasy is the ability to stand outside yourself, dance is a way of rising up into space, of discovering new dimensions while still remaining in touch with your body. When you dance, the spiritual world and the real world manage to coexist quite happily. I think classical ballet dancers dance on pointe because they're simultaneously touching the earth and reaching up to the skies.

It was a grey day, that least fleshly of all weathers; a day of dreams and far hopes and clear visions. It was a day easily associated with those abstract truths and purities that dissolve in the sunshine or fade out in mocking laughter by the light of the moon. The trees and clouds were carved in classical severity; the sounds of the countryside had harmonized to a monotone, metallic as a trumpet, breathless as the Grecian urn.

I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to.

I wasn't listening to that much classical music - not much more than anything else. I was really lucky to have parents who loved all kinds of music.

The road has been viewed as a male turf. If you think of the classic "Odyssey," of, you know, classical literature or Jack Kerouac or almost any road story, it's really about a man on the road. There's an assumption that the road is too dangerous for women.

For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.

I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.

Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there.

My father was a classical pianist, and my mother was a singer of just about everything.

I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.

There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.

If repression has indeed been the fundamental link between power, knowledge, and sexuality since the classical age, it stands to reason that we will not be able to free ourselves from it except at a considerable cost.

There was the noise itself, which he thought of vaguely as the noise of classical music, sameish and rhetorical, full of feelings people surely never had

Running is the classical road to self-consciousness, self-awareness, and self-reliance.

You always have to be diplomatic with music, with classical, with whatever you do.

His wardrobe was extensive-very extensive-not strictly classical perhaps, not quite new, nor did it contain any one garment made precisely after the fashion of any age or time, but everything was more or less spangled; and what can be prettier than spangles!

A temperate style is alone classical.

I definitely try to broaden the scope of music. I don't know if it's pop or classical or what, but I'm religiously challenging myself all the time, for better or for worse.

I've done classical theaters. I played Hamlet myself and Romeo.

Science spotlights three dimensions of nature that point to God. The first is the fact that nature obeys laws. The second is the dimension of life, of intelligently organized and purpose-driven beings, which arose from matter. The third is the very existence of nature. But it is not science alone that has guided me. I have also been helped by a renewed study of the classical philosophical arguments.

I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.

Several classical sayings that one likes to repeat had quite a different meaning from the ones later times attributed to them.

Music has always been transnational; people pick up whatever interests them, and certainly a lot of classical music has absorbed influences from all over the world.

The principal thing is the question of how our culture views age: that old is ugly Just think of Rodin, how he dealt with people of all ages. I have the feeling that I'm alive, I have a body I can make it extremely interesting. That keeps me alive and vital. It's a kind of process of energizing myself by my belief that the classical tradition of art that we've inherited from the Greeks is a load of bullshit.

Every teacher will tell you that you cannot dance classical technique with perfection, there is no such thing, there is no way. So you have to adapt the technique to your abilities or to your deficiencies. Learn to cheat!

Bach, Mozart, Beethoven, Tchaikovsky were not classical musicians while they were alive and active, they were the rock stars of their day.

Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.

I still feel like a novice when it comes to classical theater, but I don't ever want to become comfortable with anything. The greatest creativity comes from being nervous and uncomfortable.

I was teaching drum lessons at a few high schools - everything from marching to classical to rock and jazz. I found that really rewarding, having to explain my thought process, having to think about stuff that I take for granted or as second nature.

It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. [...] Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.

The aesthetic dimension of the ideal state comes out in the idea of harmony, which is the classical idea of beauty as "concinnitas" or "unity-in-variety".

The death of classical music is perhaps its oldest continuing tradition.

Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.

I'm a boxing junkie, a serial-killer junkie, and a classical guitar junkie. All of these guys are great, poetic references.

Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.

Classical design is a mirror of the human mind. It's how we see the world.