Quotes About Collection

I have some weak poems in that new collection, which is why I'm not ready to send the collection out yet.

I don't think bulk data collection was an enormous factor here, because generally, that deals with overseas calls to the United States. But what bulk data collection did was make the process more efficient. So there were no silver bullets there.

I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.

I’m honored that PBteen has seen me as someone who can help a broader audience understand the need to use recycled, repurposed and organic materials. Global conservation is a focal point of the capsule collection and it falls right in line with the change and direction I’m working towards, on a professional and personal basis. In collaborating with PBteen, we are creating a subtle and natural feel with this collection - something that has an authentic appeal for teens and their parents alike.

Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously.

I go to see the clothes [I designed] in the shops, and of course they're not perfect, and I see only the imperfections. But it doesn't mean it's a failure-you just think, I wish it could be better than this. Sometimes I cannot achieve what I really want to do in just one collection, so in the following collection I do it again. There are certain things I've been working on for three years.

I've teamed up with BaubleBar to curate a collection of gorgeous jewelry pieces. I worked closely with the BaubleBar team to design a collection that encompasses my style and all of my go to pieces.

What I like about organizing things that way is that each story gets nearly full reign over its own space, but all of them are hung on a single string - the loosely-reined voice mentioned above. Thus the collection jogs away from suzerainty and past federation toward, I guess, alliance. Or maybe call each story a separate house on a single street? Or it's all a line of dive bars on some wharf front? What the hell, let's call reading the collection a pub crawl, but with words.

Yoga is a science, and not a vague dreamy drifting or imagining. It is an applied science, a systematized collection of laws applied to bring about a definite end. It takes up the laws of psychology, applicable to the unfolding of the whole consciousness of man on every plane, in every world, and applies those rationally in a particular case. This rational application of the laws of unfolding consciousness acts exactly on the same principles that you see applied around you every day in other departments of science.

I like to think I play rugby as it should be played - there are no yellow or red cards in my collection - but I cannot say I'm an angel.

I'm inspired by different cultures around the world and love to incorporate these facets into my collection.

Bulk collection means all of your communications are being secretly intercepted. They are being stolen as they cross India, and they're being stored in these silos so that they can be rifled through at the convenience of secret agents, basically.

I've been working on a collection of prose vignettes about girls I've had crushes on, from the age of six to the age of eighteen. This manuscript is thematic and organized in a way my poems about my friends aren't. My friends get into the poems simply because they mean a lot to me.

I learned by transcribing songs out of the Library of Congress collection in Washington where I was working. I got a job when I just turned twenty in 1939 and Alan [Lomax] needed some help. I listened to hundreds of records every week.

Visible Faith is an expression of my Christian faith which must be visible to be real! I gave the name to the collection of musicians who worked with me on the record.

A miserable collection of little secrets, that's all any of us is.

For whatever reason, thus far it's been important to me not to write that kind of collection. Which means that I've spent months playing tic-tac-notecard, trying to get the stories in an order whereby stories that are similar in any given way (diction, narrative stance, setting, plot) are separated by others that aren't.

History: a collection of epitaphs.

The ego, as a collection of our past experiences, is continually offering miserable lines of thought. It's as if there were a stream with little fish swimming by, and when we hook one of them there is a judgment. The ego is constantly judging everybody and everything. It has its constant little chit chat about things that can happen in the future, things about the past, too, and these are the little fish that swim by. And what we learn to do-this is why it takes work-is to not reach out and grab a fish.

A diverse and lively collection, the highest art of the interview.

I don't like to generalize; I don't talk about the woman, because the woman doesn't exist. We're just lucky that we are able to choose. Those who feel like I do, who feel close to me find my product and find my soul. Each designer has a role to fulfill and you can never disappoint your audience, because it's for them that you're working. Naturally you always evolve, but my collection is about soul, about power.

We would get rid of assault weapons. There would not be an assault weapon in the United States, whether it's for a show or someone having it in a collection.

In White Summer, Joelle Biele exhibits a Roethke-like affinity with nature and natures creatures. At times a miniaturist, Biele constructs exquisite addresses to a heron, cicada, spider, catalpa tree, mockingbird, snail, cormorant, and others. These pitch-perfect poems are written with a delicate, meticulous attention to craft and music. Like the joy she takes in her subjects, this collection is a joy to read.

In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.

After all manner of professors have done their best for us, the place we are to get knowledge is in books. The true university of these days is a collection of books.

I might do a film someday for the collection. I love designing sets and creating environments, in film school and for my own presentations. I love telling stories.

We are made up of an entire parliament of pieces and parts and subsystems. Beyond a collection of local expert systems, we are collections of overlapping, ceaselessly reinvented mechanism, a group of competing factions. The conscious mind fabricates stories to explain the sometimes inexplicable dynamics of the subsystem inside brain. It can be disquieting to consider the extent to which all of our actions are driven by hardwired systems doing what they do best while we overlay stories about choices.

Macy's has severed ties with Donald Trump and no longer will carry his men's wear collection. From now on, men who want to look like Donald Trump will have to hunt and kill their own hair piece.

Heroin may be bad, but it sure as hell hasn't hurt my CD collection.

I want to write a play. I'd like to do an original musical. I should probably put together a poetry collection.

If my extensive collection of all 53 Now That’s What I Call Music compilations is any indication, I am both qualified and honored to join Ludacris in hosting this amazing show that spotlights the best music and artists of the year. I had so much fun hosting the Billboard Music Awards last year and I can’t wait to be back!

In the beginning I didn't want to do a menswear collection. It felt a little forced. And then I found that it was an amazing world.

Let's talk about that for a moment, about the couple that Yves Saint Laurent and I were. Like all couples we went through "storms," as the Jacques Brel song says. But if there's one area where we never had the slightest disagreement, it was art. Never. Not once. Not about painting, not about opera, not about theater. We were always in complete communion. Of course, that's how all of the collection came into being.

We are told that Sin consists in acting contrary to God's commands, but we are also told that God is omnipotent. . . . This leads to frightful results. . . . The British State considers it the duty of an Englishman to kill people who are not English whenever a collection of elderly gentlemen in Westminster tells him to do so. . . . Church and State are placable enemies of both intelligence and virtue.

What is all wisdom save a collection of platitudes? Take fifty of our current proverbial sayings—they are so trite, so threadbare, that we can hardly bring our lips to utter them. None the less they embody the concentrated experience of the race, and the man who orders his life according to their teaching cannot go far wrong. How easy that seems! Has any one ever done so? Never. Has any man ever attained to inner harmony by pondering the experience of others? Not since the world began! He must pass through the fire.

I have a problem to do a collection that is a secondary line. I mean, you don’t want to be the stepsister. You want to be Cinderella. Show me one girl who wants to be the stepsister.

A good collection is more than just the sum of its parts.

They are works of art that can be considered works of art but don't have to be in the collection of the Metropolitan Museum.

There are no forms in nature. Nature is a vast, chaotic collection of shapes. You as an artist create configurations out of chaos. You make a formal statement where there was none to begin with. All art is a combination of an external event and an internal event… I make a photograph to give you the equivalent of what I felt. Equivalent is still the best word.

In Judith Barrington's striking collection, Horses and the Human Soul, human emotions come ushered and accompanied by animal companions, especially the horses this speaker loves. Here they are witnesses, companions to the spirit, and as vulnerably mortal as human beings. Socially and politically alert, lamenting and celebrating, Barrington's passionate poems inscribe the broad range of her affections.

If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.

The catalyst that converts any physical location - any environment if you will - into a place, is the process of experiencing deeply. A place is a piece of the whole environment that has been claimed by feelings. Viewed simply as a life-support system, the earth is an environment. Viewed as a resource that sustains our humanity, the earth is a collection of places.

The possession of a quantity of plants, however good the plants may be themselves and however ample their number, does not make a garden; it only makes a collection. Having got the plants, the great thing is to use them with careful selection and definite intention.

The legal profession is a business with a tremendous collection of egos. Few people who are not strong egotistically gravitate to it.

In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.

I am a collection of thoughts and memories and likes and dislikes. I am the things that have happened to me and the sum of everything I've ever done. I am the clothes I wear on my back. I am every place and every person and every object I have ever come across. I am a bag of bones stuck to a very large rock spinning a thousand miles an hour.

I have come to the realization that history is not a fixed thing, a collection of precise dates, facts and events (even cogent commencement quotes) that add up to a quantifiable, certain, confidently known, truth. It is a mysterious and malleable thing.

If you're a film fan, collecting video is sort of like marijuana. Laser discs, they're definitely cocaine. Film prints are heroin, all right? You're shooting smack when you start collecting film prints. So, I kinda got into it in a big way, and I've got a pretty nice collection I'm real proud of.