Quotes About Commercial

In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.

There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.

I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.

I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.

The English practice of accommodating the rules of commercial law to commercial practice. The line of causation ran from economic need to legal response

There is a problem in pretending I can still control my destiny in the commercial market.

The person who starts out simply with the idea of getting rich won't succeed; you must have a larger ambition. There is no mystery in business success. If you do each day's task successfully, and stay faithfully within these natural operations of commercial laws which I talk so much about, and keep your head clear, you will come out all right.

This investment will provide capital to help high-potential start-up companies transition from product development to market entry, while also providing skills training to help them position themselves to be more attractive to investors and commercial partners. We are pleased to support the entrepreneurial community in southern Ontario and contribute to economic growth and job creation.

Why is non-commercial public expression considered criminal?

I would want to make Radio Haiti as independent as possible, which means it can't be strictly commercial.

You can do a lot with a commercial break - you can change days, you can suggest the passage of time. So sometimes that's a great thing artistically, to know that's going to be there. Obviously you'd always prefer that people see it straight through, and you don't want them to be taken out of it by advertising, but that's the reality of what's paying the bills here.

Silicon Valley, after all, feeds off the existence of computers, the internet, the IT systems, satellites, the whole of micro electronics and so on, but a lot of that comes straight out of the state sector of the economy. Silicon Valley developed, but they expanded and turned it into commercial products and so on, but the innovation is on the basis of fundamental technological development that took places in places like this [MIT] on government funding, and that continues.

JPMorgan was already, for the most part. Our businesses at JPMorgan share the same cash-management systems. The commercial bank, the private bank, the retail bank, they all use the branches. The cash-management system moves the money around the world - for global corporations, and for you, the consumer, too.

The only advice I have for youth is to date outside your race. I just think it's so cute when I see little kids in interracial relationships; it makes me feel like I'm watching a commercial.

That means I gotta fly like a movie no commercial That's Young Money, Cash Money yeah I'm universal

Commercial Art tries to make you buy things. Graphic Design gives you ideas.

It seemed that after he was killed, Gadhafi's body was stored at a commercial freezer at a shopping mall. It's one thing to hunt a guy down and shoot him twice in the head, but then to drag him to the mall? Come on, guys hate that.

They all looked like a shampoo commercial, healthy and clear-skinned, perfectly proportioned, a group of handsome young men. Their clothes hung on them like they were glad to be gracing such supermodels.

If NASA is to reach beyond the Moon and someday reach Mars, it must be relieved of the burden of launching people and cargo to low earth orbit. To do that, we must invest more in commercial spaceflight.

I have a dream, and a plan, to combine the commercial possibilities of Valentine's Day with the substance and meaning of black history month. I call it: Blackentine's Day.

If you import a commercial quantity of illegal drugs. It is because you have made the personal decision that you are prepared to get rich by destroying our children. I have made the decision that I love our children enough that we will kill you if you do this.

It's pretty hard to make out what's going to be a commercial success and what's not.

For example, the first time McDonald's put a deaf person in a commercial they saw a jump in sales. I think that happens with other kinds of disabilities and products and that is something that is being realized more and more.

Poetry died as a commercial form and then it died as a serious art form. No one serious touches it. It used to be that somebody like F. Scott Fitzgerald could make a high middle-class income from working as a short story writer for the Saturday Evening Post and other outlets. That doesn't happen anymore. It used to be that a legitimate playwright could make a living on Broadway from writing decent plays.

I'd like to film a British commercial; they're better than American ones.

I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.

I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.

At the foot of the mountain, the park ended and suddenly all was squalor again. I was once more struck by this strange compartmentalization that goes on in America -- a belief that no commercial activities must be allowed inside the park, but permitting unrestrained development outside, even though the landscape there may be just as outstanding. America has never quite grasped that you can live in a place without making it ugly, that beauty doesn't have to be confined behind fences, as if a national park were a sort of zoo for nature.

I own myself the friend to a very free system of commerce, and hold it as a truth, that commercial shackles are generally unjust, oppressive and impolitic.

I was an executive at Columbia Pictures for ten years. I was doing great. My career was on the upswing. But, right then, was when I said I gotta quit. I gotta start my own company. I gotta be on the other side of it because I felt the strong call on my life - to tell stories that, on the face of it, might not look like a commercial movie.

As the ongoing industrial crusade to turn all earthly life to commercial purpose relentlessly impoverishes the biosphere and human culture, our living images of graceful possibility dwindle.

It's always the guy who gets the diarrhea on the commercial at an inconvenient moment. As if you've ever been in a situation: 'You know, this would be a great time to get the runs, you think? I mean the sun's out, we're on the ferris wheel - what are we waiting for?

I've been involved in a lot of different kinds of projects. I've been on straight hip hop tours. I've been on underground rock tours. I've been on multimillion selling rock shows. I've been in the jam band thing, and both commercial and underground hip hop. Very few people listen to one kind of music.

I would never put my songs in a commercial.

That's the power of great insights. Insights, not ideas. There's a difference. Ideas, valuable though they may be, are a dime a dozen in business. Insight is much rarer -- and therefore more precious. In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials.

The blurring of fact and fiction has great commercial potential, which is bound to be corrupting in historical terms.

Before the commercial ventures, Linux tended to be rather hard to set up, because most of the developers were motivated mainly by their own interests.

The great rule of conduct for us, in regard to foreign nations, is in extending our commercial relations to have as little political connection as possible... Why, by interweaving our destiny with that of any part of Europe, entangle our peace and prosperity in the toils of European ambition, rivalships, interest, humor, or caprice?... It is our true policy to steer clear of permanent alliances with any portion of the foreign world.

I think all of us, looking back on our careers and our lives, there'll probably be a "road not taken" that we'll regret and mourn. Certainly, artists will always feel that way, especially when the path taken was more commercial than the one not taken.

My parents had an independent theater company here in Sweden during the 1980s, so I was raised watching my parents create independently, having a lot of fun and just doing what they wanted to do. I think that idea of independence as an artist was something I was always used to. And then I entered the industry from a very commercial perspective, and things were very different then from what I grew up with.

I watched the video [ with my first commercial] when I was 20, and in the video, there are two families. The first family is this smiling blond Partridge family, a Californian/Aryan kind of thing, all playing guitars, all singing together and harmonizing. And then, there's my family - and in my family, it starts with my mom saying that she feels like a drill sergeant sometimes, and she's yelling at one of my brothers to stop hitting another one of my brothers. It's just like, "Great, we're that family." It felt a little Simpsons versus Flanders.

The commercial broadcasters have tremendous influence in Washington, D.C., for a couple of reasons. First, they're extremely rich and they have lots of money and they have had for a long time, so they can give money to politicians, which gets their attention.

There was reason for STILLMAN'S EXTREME SECRECY. HE WAS PREPARING TO EXTEND THE CITY BANK'S POWER OVER THE EARTH AND FULLY RECOGNIZED THAT THIS AMBITION WOULD DRAW HIM INTO THE WEB OF INTERNATIONAL COMMERCIAL INTRIGUE AND ESPIONAGE

Edward [Weston] was the first artist - and I don't use the word lightly - to make a living doing art photography. Other photographers did commercial work, or worked for the government.

It's something I want to do going forward - make a movie that is commercial and universal and will play in any movie theater or living room in the States or the UK, but is definitively Canadian. I don't think there's such a thing as prohibitively Canadian.

I'm responsible. I even did a commercial for MTV saying how I was going to register to vote. And I still haven't.

I obviously think that freely available software can not only keep up with the evolution of commercial software, but often exceed what you can do commercially.

The sort of commercial parameters of classical music changed after the [World War II] , and the whole industry became more backward-looking.