Quotes About Criticism

When I first prepared this particular talk... I realized that my usual approach is usually critical. That is, a lot of the things that I do, that most people do, are because they hate something somebody else has done, or they hate that something hasn't been done. And I realized that informed criticism has completely been done in by the web. Because the web has produced so much uninformed criticism. It's kind of a Gresham's Law-bad money drives the good money out of circulation. Bad criticism drives good criticism out of circulation. You just can't criticize anything.

People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.

Nice criticism is good when it tells you something. A lot of negative "criticism" isn't criticism at all: it's just nasty, "writerly" cliché and invective.

For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself.

Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots.

Pedants make a great rout about criticism, as if it were a science of great depth, and required much pains and knowledge--criticism however is only the result of good sense, taste and judgment--three qualities that indeed seldom are found together, and extremely seldom in a pedant, which most critics are.

But what is criticism? Criticism is purely destructive; anyone can destroy, but not everyone can build up.

I play in New York, man. Criticism is part of the game. You take criticism as a challenge.

In the eight years I worked at newspapers, even during a little stretch when I was a film critic, I was never, ever doing exclusively criticism. In the daily newspaper world, much more value is placed on reporting than on thinking abstractly about art. The eight years I was in newspapers, I was mainly a journalist in the conventional sense, and just doing criticism when there were opportunities.

It may be relatively mild when expressed as criticism, anger, or feelings of severe frustration. Criticism has a negative influence on the feelings of love for and interest in one's spouse.

Your regional newspaper, and I like to use this example, in your local museum buys a Picasso, that's news especially if they've spent $10 million for it. But if you don't have a credit on your staff then you don't have anybody who's confident to say whether or not it was a good Picasso, might even be aware of the fact that there are bad Picassos. Arts journalists who don't have the experience of criticism, the skill of criticism, don't think in terms of critical evaluation are not going to be as good a journalist as they might be.

There will always be critics. On one hand, criticism can be positive. On the other hand, criticism can be negative. But critics will always be watching the game. If you listen to everybody, you can go crazy. I have my own point of view, and I always try to keep it.

A society needs famous people; the question is whom it chooses for that role. Any criticism of its choice is by implication a criticism of that society.

Creativity is contagious. And so is banality. Criticism is an art in itself. Don't let the dullness around destroy the creativity within. T.S. Eliot said, "honest criticism and sensitive appreciation is directed not upon the poet but upon the poetry." Good to remember.

I know how to make decisions and stand up to the criticism every day.

Those who have chosen the path of least resistance in life, who cannot bear to bring themselves to make a stern value-judgment in criticism of their own most intimate feelings, achieve what they deserve: not self-understanding but radical self-superficialization, not a discovered but a self-ascribed identity that explains nothing, reveals nothing, means nothing, and ultimately accomplishes nothing culturally or intellectually.

RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?

It is triple ultra forbidden to respond to criticism with violence. There are a very few injunctions in the human art of rationality that have no ifs, ands, buts, or escape clauses. This is one of them. Bad argument gets counterargument. Does not get bullet. Never. Never ever never for ever.

Constant criticism can wear one down and weaken knees.

A final word on self-criticism: Do not beat up on yourself. Even if you think you know your flaws, there is no need to advertise them. Most people won't have noticed.

The dread of criticism is the death of genius.

If you want to write for T.V. and movies, you will be subjected to kind and unkind criticism. You had better get used to it and develop a shell.

The exercise of criticism always destroys for a time our sensibility to beauty by leading us to regard the work in relation to certain laws of construction. The eye turns from the charms of nature to fix itself upon the servile dexterity of art.

The factor in human life provocative of a noble discontent is the gradual emergence of a sense of criticism, founded upon appreciation of beauty, and of intellectual distinction, and of duty.

As for the criticism we receive, you know, even Mr. [Donald] Trump's team criticize us. For instance, one of the participants or members of his team claimed that Russia was giving money to the Clintons through some funds and that in fact Russia is controlling the Clinton family. This is nonsense.

Criticism is the art of appraising others at one's own value.

Successful families try to work together toward solutions instead of resorting to criticism and contention.

It is said that the fear of public speaking is a fear greater than death for most people. According to psychiatrists, the fear of public speaking is caused by the fear of ostracism, the fear of standing out, the fear of criticism, the fear of ridicule, the fear of being an outcast. THE FEAR OF BEING DIFFERENT PREVENTS MOST PEOPLE FROM SEEKING NEW WAYS TO SOLVE THEIR PROBLEMS.

When we refuse to work with our disappointment, we break the Precepts: rather than experience the disappointment, we resort to anger, greed, gossip, criticism. Yet it's the moment of being that disappointment which is fruitful; and, if we are not willing to do that, at least we should notice that we are not willing. The moment of disappointment in life is an incomparable gift that we receive many times a day if we're alert. This gift is always present in anyone's life, that moment when 'It's not the way I want it!

The only way I will leave this job will be because of results. I'm too stubborn to quit because of criticism - too stubborn.

And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'

One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.

It is from the womb of art that criticism was born.

There was a criticism that stuck with me a little bit, which is that somebody said that I was jumping on a bandwagon by talking about sexuality. Obviously that's not a massive takedown, but I found that personally quite offensive because it's something that I've been living with and dealing with my whole life, and just because I decided to speak about it now is not me jumping on a bandwagon; it's a reflection of how I feel within this industry and how I've grown in the past five years.

I can take any amount of criticism, as long as it is unqualified praise.

I have moments of weakness, but mostly I brush the criticism off... Who cares if I'm not a size zero? I don't want to be. I love my body; I'm healthy, I work out.

I'm the same as maybe six or seven people in every ten - I can't take f***ing criticism.

I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.

I will accept comments and criticism about change.

Sure, we have an obstacle, ISIS. They can do great damage. They can do great damage and they scare the living hell out of everybody with good reason. But they are, instead of dealing with nation-states that are arranged against us, we're to deal with non-state actors that can do damage to us. But this is within our control. We are beginning to make genuine progress as to how we isolate them, how we take them out. We're in a situation - I mean, I just could go on. But I am - the only generic criticism I had is we're not talking about the possibilities.

I believe in clear-cut positions. I think that the most arrogant position is this apparent, multidisciplinary modesty of "what I am saying now is not unconditional, it is just a hypothesis," and so on. It really is a most arrogant position. I think that the only way to be honest and expose yourself to criticism is to state clearly and dogmatically where you are. You must take the risk and have a position.

Criticism often takes from the tree caterpillars and blossoms together.

I love constructive criticism.

Each one of us, in his timidity, has a limit beyond which he is outraged. It is inevitable that he who by concentrated application has extended this limit for himself, should arouse the resentment of those who have accepted conventions which, since accepted by all, require no initiative of application. And this resentment generally takes the form of meaningless laughter or of criticism, if not persecution.

Fox News is nothing if not impressive. No matter how harsh the criticism it endures, the network somehow always manages to prove itself even worse than we had previously imagined.

We can not fight for our rights and our history as well as future until we are armed with weapons of criticism and dedicated consciousness.

If you really look at my lyrics, nobody's exempt. Nobody's exempt from observation, criticism or what I think is correction.

David Simon goes to the Jewish Weekly and said he's made all this money, but he can't enjoy it because of criticism by people like Ishmael Reed.