Quotes About Criticism

I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.

Accept criticism. If you do not offer your work for criticism and accept that criticism, meaning give it serious thought and attention, then you will never improve.

Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.

The success of the Inklings also helps us to see criticism in a positive light. There are, unfortunately, people who boost their own sense of importance by criticizing others as a matter of principle. Yet within this community, criticism was a mark of respect and commitment.

Two kinds of people live a life without care: one kind are extremely worthy of praise, the other kind are extremely worthy of criticism. The first are those who care nothing for the pleasures of the world and the second (i.e. those who are deserving of criticism) care nothing for haya or modesty.

You can't operate a company by fear, because the way to eliminate fear is to avoid criticism. And the way to avoid criticism is to do nothing.

Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.

Self-criticism, cruel, unsparing criticism that goes to the very root of the evil, is life and breath for the proletarian movement.

A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.

Criticism is futile because it puts a person on the defensive and usually makes them strive to justify themselves. Criticism is dangerous, because it wounds a person's precious pride, hurts their sense of importance, and arouses resentment.

I think the biggest hole is in criticism. I think there should be more informed criticism. Part of the problem is that in the '90s, the newspapers started losing their A-section and department-store advertising, and that paid for fashion writers and for the big feature space.

I know how to make decisions and stand up to the criticism every day.

If you pay too much attention to the criticism of the one who is inferior, then you must endure the constraints of the plane to which you have descended without feeling hurt.

If I were white, I'd get less criticism.

An artist who lacks the power of self-criticism accomplishes but little. It is good if your work stands higher than your own opinion of it; bad if it is on the same level. But it is a great disaster if your work stands lower than your judgment of it.

I like criticism, but it must be my way.

I like a lot of hardcore, but it's just a genre about which I don't have much to say. It's kind of a thing where, unless you're active in the hardcore community, what could you have to say of value about it? It resists criticism because it's not just a style but an entrance into several different worlds of ideas- political, philosophical, societal. The music is really only part of the whole scene. In that sense, the music doesn't change much because it shouldn't: It needs to be there as a signal that you're entering into a certain discursive mode, maybe.

When on life's journey it becomes our lot to travel with criticism of skeptics, the hate of some, the rejection of others, the impatience of many, or a friend's betrayal, we must be able to pray in such a manner that an abiding faith and a strong testimony that the Lord will be with us to the end, will compel us to say, "Nevertheless, Father, Thy will be done, and with Thy help, in patience I will follow firmly on the path that takes me back to Thee."

You just never give up, no matter how hard the challenges are, and observe this world with a healthy dose of criticism and don't just follow the herd like somebody else might do.

Why anyone, by dying, should thereby be declared beyond criticism, innocent of wrongdoing, suddenly filled with virtue and above reproach escapes me.

Persons of delicate taste endure stupid criticism better than they do stupid praise.

We, the Greens, should thank our former foreign minister Joschka Fischer for bringing something hideous and shameful to light - that Nazi ideas were fully adopted by white-collar workers in the Foreign Ministry. Joschka Fischer stood up to criticism that he would foul his own nest, and with his order to start the historical commission he made it clear that the ministry's pride in itself, as a haven of resistance to Hitler, was no longer acceptable.

In the visual arts, for example, the semiological approach to graphics provides a rigorous analysis of the visual means used by the artist. It defines the basic properties and laws governing the arts and suggests objective criteria for art criticism.

There are some books and characters so pleasant, or rather which contain so much that is pleasant, that criticism is perplexed or silent. The hounds are perpetually at fault among the sweet-scented herbs and flowers that grow at the base of Etna.

The more repression there is, the more need there is for irreverence toward those who are responsible for that repression. But too often sarcasm passes for irony, name-calling passes for insight, bleeped-out four-letter words pass for wit, and lowest-common-denominator jokes pass for analysis. Satire should have a point of view. It doesn't have to get a belly laugh. It does have to present criticism.

It is said that the fear of public speaking is a fear greater than death for most people. According to psychiatrists, the fear of public speaking is caused by the fear of ostracism, the fear of standing out, the fear of criticism, the fear of ridicule, the fear of being an outcast. THE FEAR OF BEING DIFFERENT PREVENTS MOST PEOPLE FROM SEEKING NEW WAYS TO SOLVE THEIR PROBLEMS.

It seems to me that I cannot afford, as a self-respecting individual, to refuse to do a thing merely because it will make me disliked or bring down a storm of criticism on my head.

That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.

I don't think of myself as a critic or teacher either, but simply - and at the obvious risk of disingenuousness - as someone who teaches, writes drama criticism (and other things) and feels that the American compulsion to take your identity from your profession, with its corollary of only one trade to a practitioner, may be a convenience to society but is burdensome and constricting to yourself.

The only way I will leave this job will be because of results. I'm too stubborn to quit because of criticism - too stubborn.

And it does no harm to repeat, as often as you can, 'Without me the literary industry would not exist: the publishers, the agents, the sub-agents, the sub-sub-agents, the accountants, the libel lawyers, the departments of literature, the professors, the theses, the books of criticism, the reviewers, the book pages- all this vast and proliferating edifice is because of this small, patronized, put-down and underpaid person.'

One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.

Barack and I have been in the public eye for many years now, and we've developed a thick skin along the way. When you're out campaigning, there will always be criticism. I just take it in stride, and at the end of the day, I know that it comes with the territory.

Faith can cut in so many ways. If you're penitent and not triumphal, it can move us to repentance and accountability and help us reach for something higher than ourselves. That can be a powerful thing, a thing that moves us beyond politics as usual, like Martin Luther King did. But when it's designed to certify our righteousness - that can be a dangerous thing. Then it pushes self criticism aside. There's no reflection.

If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant.

Neither criticism nor praise should be highly regarded.

People ask for criticism, but they only want praise.

I don't know but a book in a man's brain is better off than a book bound in calf--at any rate it is safer from criticism. And taking a book off the brain, is akin to the ticklish & dangerous business of taking an old painting off a panel--you have to scrape off the whole brain in order to get at it with due safety--& even then, the painting may not be worth the trouble.

A state that suppresses all freedom of speech, and which by imposing the most terrible punishments, treats each and every attempt at criticism, however morally justified, and every suggestion for improvement as plotting to high treason, is a state that breaks an unwritten law.

The media are used to being able to control the agenda of both their friends and their enemies, their buddies and their opponents, and Trump doesn't play by their rules because Trump is not afraid of them. And Trump knows that he doesn't need them. That's the big equalizer. Unlike most Republicans who think they can't get anywhere without at least some favorable treatment in the media or at least less criticism from the media, Trump doesn't need the media. He's got his Twitter account and he's got his rallies.

Even when I was an actor in training, one criticism my teachers had was that I should think about directing instead of acting because the best actors see the material they’re working on through blinders. They can’t see anything but their role. I could never really do that.

I was trying to release emotions, exercise emotions, and then I entered the art world. Even after grad school, some of [the earlier works] were still lingering in my head. I realized there were some pieces where I felt that I had to respond to the criticism.

I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.

Each one of us, in his timidity, has a limit beyond which he is outraged. It is inevitable that he who by concentrated application has extended this limit for himself, should arouse the resentment of those who have accepted conventions which, since accepted by all, require no initiative of application. And this resentment generally takes the form of meaningless laughter or of criticism, if not persecution.

All truth is valuable, and satirical criticism may be considered as useful when it rectifies error and improves judgment; he that refines the public taste is a public benefactor.

Comprehension, inventiveness, direction, and criticism: intelligence is contained in these four words.

Dissonance cannot be corrected by criticism.

Criticism didn't really stop us and it shouldn't ever stop anyone, because critics are only the people who can't get a record deal themselves.