Quotes About Cultural

The gospel is never heard in isolation. It is always heard against the background of the cultural milieu in which one lives. A person raised in a cultural milieu in which Christianity is still seen as an intellectually viable option will display an openness to the gospel which a person who is secularized will not [as such] part of the broader task of Christian scholarship is to help create and sustain a cultural milieu in which the gospel can be heard as an intellectually viable option for thinking men and women.

We also have a cultural phenomenon: the emergence of a global culture, or of cultural globalization

The Jews cannot be classed as a 'race' per se, they are an ethnic group. '...the Jews form an ethnic group; that like all ethnic groups they have their own racial elements distributed in their own proportions; like all or most ethnic groups they have their 'look,' a part of their cultural heritage that both preserves and expresses their cultural solidarity...they have developed a special racial sub-type and a special pattern of facial and bodily expression.

People who want to wage cultural wars ought to keep in mind that cultural views often don't move at all for a very long time, but when they move they can move very fast.

Christian adults need to think about talking to our own children as a form of cross-cultural missions. Cultural change happens so quickly that teens are exposed to ideas and worldviews very different from those of previous generations.

There are cultural issues everywhere - in Bangladesh, Latin America, Africa, wherever you go. But somehow when we talk about cultural differences, we magnify those differences.

The Japanese director Tadashi Suzuki once stated, 'International cultural exchange is impossible - therefore we must try.' I agree with all my heart. The impossibility of seeing beyond one's own cultural context is a political act in the world and has the potential to break down the rigid assumptions surrounding us.

To begin to use cultural forces for the good of our daughters we must first shake ourselves awake from the cultural trance we all live in. This is no small matter, to untangle our true beliefs from what we have been taught to believe about who and what girls and women are.

The union of a man and a woman is the most enduring human institution, honored and encouraged in all cultures and by every religious faith." ... "Marriage cannot be severed from its cultural, religious and natural roots without weakening the good influence of society.

If you care about this country, if you want to take part in a citizen’s movement that helps heal the deep racial, economic, and cultural divides tearing us apart, you must read Eric Deggans’ Race-Baiter. No book of recent vintage so thoroughly dissects the media’s monetized appetite for division. Provocative, honest, and smart, Race-Baiter is a supremely important book. Read it and let the conversation begin.

Modernity is the ensemble of changes - intellectual, political, economic, social, cultural, technological, aesthetic - that have altered the world drastically since roughly the 17th century, until which time the world was, in the above respects, far less different from the world of any previous epoch of recorded history than it is from the world of today. The modern predicament is the set of problems these changes have bequeathed us.

Most of our life is miscommunication, and when you add a language barrier to it, it just becomes total mayhem and confusion... It just adds to it with all of the cultural differences. It could be an American family meeting another American family and you could still have a total clash. With family, it's like visiting another planet.

Regarding social order, [Francis] Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F. A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century.

Africa is our center of gravity, our cultural and spiritual mother and father, our beating heart, no matter where we live on the face of this earth.

In my view, Africa's real problems are cultural.

I've heard plenty of Christians try to answer the why question by going back to the what. "You have to believe because Jesus is the Son of God." But that's answering the why with more what. Increasingly we live in a time in which you can't avoid the why question. Just giving the what (for example, a vivid gospel presentation) worked in the days when the cultural institutions created an environment in which Christianity just felt true or at least honorable. But in a post-Christendom society, in the marketplace of ideas, you have to explain why this is true, or people will just dismiss it.

I think it's interesting, from a creative point of view, to have witnessed the loss of consciousness on a national level and on a cultural level - Bush had 91 percent support in the polls after 9/11. We wanted to kick some ass!

It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books.

Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.

Often, these downplay the power of cultural imperialism - in that sense, playing the game of US interests - by reassuring us that the global success of American mass culture is not as bad as all that.

Any social or cultural change has to be made openly and with people agreeing. You don't get there by just pushing an outsider's point of view.

In mysticism, knowledge cannot be separated from a certain way of life which becomes its living manifestation. To acquire mystical knowledge means to undergo a transformation; one could even say that the knowledge is the transformation. Scientific knowledge, on the other hand, can often stay abstract and theoretical. Thus most of today’s physicists do not seem to realize the philosophical, cultural and spiritual implications of their theories.

When I began writing science fiction in the middle 60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.

I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.

The gospel always comes to people in cultural robes. There is no such thing as a ‘pure’ gospel, isolated from culture

There's a cultural conviction that any 'artist' must have personal suffering to back up their work, otherwise there's something undeserved and therefore inauthentic about it, perhaps even some sort of cheating.

The Arts, especially film, transcend all cultural barriers, hopefully offering an avenue where all people can find a common place to meet, understand each other, and nurture a safe world for all our children to grow strong within.

On to the Next Dream is so outlandish. I call it absurdist fiction, because the story is utter hyperbole. The story builds to such an exaggerated and ridiculous pitch that there's no way it can be true - and yet, because it's based on the current cultural climate, it feels as if it is.

I founded the King Hussein Foundation after my husband's death in 1999, to build on his humanitarian vision and legacy in the country and abroad, through programs promoting education and leadership, economic empowerment, tolerance, cross-cultural dialogue, and media that enhances mutual understanding and respect among different cultures across conflict lines.

Some sort of belief in all-powerful supernatural beings is common, if not universal. A tendency to obey authority, perhaps especially in children, a tendency to believe what you're told, a tendency to fear your own death, a tendency to wish to see your loved ones who have died, to wish to see them again, a wish to understand where you came from, where the world came from, all these psychological predispositions, under the right cultural conditions, tend to lead to people believing in things for which there is no evidence.

Israel's economic and cultural progress is due to three things: the pioneering spirit that inspires the best of our immigrant and Israeli youth, who respond to the challenge of our desolute areas and the ingathering of the exiles; the feeling of Diaspora Jewry that they are partners in the enterprise of Israel's resurgence in the ancient homeland of the Jewish people; and the power of science, and technology which Israel unceasingly, and not without success, tries to enhance.

Elite athletes learn entitlement. They believe they are entitled to have women serve their needs. It's part of being a man. It's the cultural construction of masculinity.

I love history, cultural and religious studies, philosophy, photography and traveling.

Many people don’t realize the extent to which stories influence our behavior and even shape our culture. Think about how Bible stories teach the fundamentals of religion and rules of conduct. Think of the fables and parables that molded your values. Think of how stories about your national, cultural or family history have shaped your attitudes about yourself and others.

By giving our audience intimate access to the lives of musicians, we hope to raise awareness of the region's beautiful cultural heritage and present a more nuanced portrait of its people.

I'm completely uninterested in the origins of Stonehenge. I don't care about the real story behind it or whether it should be saved or not. What I'm interested in is this: in the Victorian era, you could go there as an early cultural tourist and you were given a chisel to chip off a bit of the stones and take it with you. That's what you did in Victorian times.

In a world where there are no longer books we have almost all of us read, the movies we have almost all of us seen are perhaps the richest cultural bond we have. They go on haunting us for years the way our dreams go on haunting us. In a way they are our dreams. The best of them remind us of human truths that would not seem as true without them. They help to remind us that we are all of us humans together.

Within a social structure, a familial structure, or a cultural structure of various kinds, there is a substitute for actual freedom. I mean, actual freedom is a very abstract notion; we have no idea what it means, except within a context - freedom to do what? So within these social structures, freedom becomes defined as power, your ability to make choices, and the power relationship within a family, any family.

The genius of rock music is that it matched the cultural hysteria around it.

I think it's too easy to just say that there is a direct and necessary conflict between black identity and gay identity. I think it's more nuanced than that simply because I think black is a color and then people layer on top of it all kinds of socio-cultural elements.

Women have always been healers. Cultural myths from around the world describe a time when only women knew the secrets of life and death, and therefore they alone could practice the magical art of healing... The emergence of women whose consciousness blends with the ancient themes of healing is the single most promising event in health care.

A lot of native culture has been destroyed. So you already feel lost inside your culture. And then you add up feeling lost and insignificant inside the larger culture. So you end up feeling lost squared. And to never be recognized, to never have any power, you know, other minority communities actually have a lot of economic, cultural power.

There is an undeniable economic and cultural disconnect between many of those who volunteer to serve and those who choose to remain civilians. But what is more concerning to me is the disconnect between our political leadership that applauds our soldiers and veterans, but then won't provide funding to properly armored vehicles or health care when our servicemen and women come home. You can't send men and women to war without being prepared to take care of them abroad and give them the services they need when they return home.

Writing was a political act and poetry was a cultural weapon.

Intellectual and cultural freedom is the most important single precondition for the breakdown of the kinds of tyrannical and totalitarian systems that periodically threaten us.

In every domain of art, a work that corresponds to the need of its day carries a message of social and cultural value. It is the artist who crystallizes his age ... who fixes his time in history.

Soul is a constant. It's cultural. It's always going to be there, in different flavors and degrees.

American television is a huge product that is exported around the world and what that means is that what our movies and films say about who women [are] has global ramifications. There is a burden and a responsibility when you are someone who is very aware of how far we've yet to travel in granting women equal rights and equal respect and you are creating cultural products. You have to be responsible and be aware of the message that you are sending out.