Quotes About Cultural

I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.

Citizenship has not delivered Indigenous Australians the same quality of life other Australians expect. Basic human rights involve health, housing, education, employment, economic opportunity, and equality before the law, and respect for cultural identity and cultural diversity. These human rights must be capable of being enjoyed otherwise they are empty gestures.

UNESCO provides protection for the great cultural institutions. There is something called the intangible cultural heritage list. And the Italians want to put Neapolitan pizza on it. But in order to do that, you have to show that whatever it is that you're trying to protect is under threat. And pizza is totally under threat from Pizza Hut and Domino's...

I think that we're making a mistake if we don't see that there is a cultural basis to many illnesses, not just psychiatric ones. Breast cancer would be one prevalent example right now, different kind of cultures surrounding it. If you don't understand the cultural meaning of an illness like that you're going to miss the boat even if you're a great scientist.

I am all for cultural diversity and would be willing to see each recognizable group value its cultural heritage. I am a New York patriot, for instance, and if I lived in Los Angeles, I would love to get together with other New York expatriates and sing "Give My Regards to Broadway".

Religion is a feature of cultural evolution that, among other things, addresses anxieties created by cultural evolution; it helps keep social change safe from itself.

Christian adults need to think about talking to our own children as a form of cross-cultural missions. Cultural change happens so quickly that teens are exposed to ideas and worldviews very different from those of previous generations.

I think that in the diaspora, and among immigrants, religion becomes a vehicle for the transmission of cultural information, and cultural codes, and this does end up re-inscribing certain things about the religion - like caste. Caste discrimination and hierarchy are still a very fundamental and violent part of Hinduism. My family was upper caste, and that was very clear. I feel like caste and religious practice are inextricable, actually.

Why does no one speak of the cultural advantages of the country? For example, is a well groomed, ecologically kept, sustainably fertile farm any less cultural, any less artful, than paintings of fat angels on church ceilings?

Since the notion that we should all forsake attachment to race and/or cultural identity and be “just humans” within the framework of white supremacy has usually meant that subordinate groups must surrender their identities, beliefs, values, and assimilate by adopting the values and beliefs of privileged-class whites, rather than promoting racial harmony this thinking has created a fierce cultural protectionism.

In the last couple of years before Chairman Mao's death he said that the "Cultural Revolution" had been wrong on two counts: one was "overthrowing all", and the other was waging a "full-scale civil war". These two counts alone show that the "Cultural Revolution" cannot be called correct. Chairman Mao's mistake was a political mistake, and not a small one.

If we are to believe or accept that buildings are cultural markers, if architects work in a vacuum with their own preconceptions about society, then we won't be creating appropriate cultural markers.

The cultural influences in our country are like the floo floo bird. I am referring to the peculiar and especial bird who always flew backward. To keep the wind out of its eyes? No. Just because it didn't give a darn where it was going, but just had to see where it had been.

There were positive things about the church, that is, in the European cultural sense, the architecture, the liturgy, the music, the art, such as it was, the stations of the cross in the church, the tradition, and the atmosphere of awe and mystery in the mass. The atmosphere of miracle, one of mainly mystery, that's what fascinates me.

The sexual revolution produced cultural convulsions that were unparalleled in the 20th century.

God comes through all people, in the way that people experience themselves. The beautiful part about God is that God is trans-cultural, and tends to reveal himself through the experiential filters of all people to whom he is revealed.

Bookishness, highest literacy, every technique of cultural propaganda and training not only can accompany bestiality and oppression and despotism but at certain points foster it.

Chairman Mao creatively applied Marxism-Leninism to every aspect of the Chinese revolution, and he had creative views on philosophy, political science, military science, literature and art, and so on. Unfortunately, in the evening of his life, particularly during the "Cultural Revolution", he made mistakes - and they were not minor ones - which brought many misfortunes upon our Party, our state and our people.

I've heard plenty of Christians try to answer the why question by going back to the what. "You have to believe because Jesus is the Son of God." But that's answering the why with more what. Increasingly we live in a time in which you can't avoid the why question. Just giving the what (for example, a vivid gospel presentation) worked in the days when the cultural institutions created an environment in which Christianity just felt true or at least honorable. But in a post-Christendom society, in the marketplace of ideas, you have to explain why this is true, or people will just dismiss it.

There is a need for educators, young people, artists and other cultural workers to develop an educative politics in which people can address the historical, structural and ideological conditions at the core of the violence being waged by the corporate and repressive state and to make clear that government under the dictatorship of market sovereignty and power is no longer responsive to the most basic needs of young people - or most people for that matter.

The crucial differences which distinguish human societies and human beings are not biological. They are cultural.

The concepts of community and community life, have since the Dreaming, always held special significance for Aboriginal people because both provided the physical, cultural, spiritual and social environments, which supported children, young people, families and the aged.

Any social or cultural change has to be made openly and with people agreeing. You don't get there by just pushing an outsider's point of view.

It seems far simpler to go ahead and say that the epic is a fantastic myth, that happens to be true of the material Universe, that other myths are true in terms of their cultural meaning, and that there's absolutely no problem with holding more than one story, just as there's no problem with viewing the sunset in terms of planetary rotation and spectra and nuclear fusions one moment and as visual splendor the next.

I think worldwide, the movement has been towards accepting and respecting the individuality and the rights of gay people, lesbians and transgender people. Here, however, age-old cultural mindsets - which also comes from Victorian times, affect the thinking of people.

This work of the Lord is indeed great and marvelous, but it moves forward essentially unnoticed by many of mankind's political, cultural, and academic leaders. It progresses one heart and one family at a time, silently and unobtrusively, its sacred message blessing people everywhere.

Elvis is the greatest cultural force in the twentieth century. He introduced the beat to everything, music, language, clothes, it's a whole new social revolution - the 60's comes from it.

I grew up in the suburbs and basically associate the suburbs with cultural death.

This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion

I believe the minorities need to have a strategy of survival because needless aggression when you cannot change the situation does not help. Wisdom is more important than saving some cultural symbol.

I love history, cultural and religious studies, philosophy, photography and traveling.

When considering the Islamic world, Turkey is the best example of a country where democracy irreversibly gained a foothold despite religious and cultural traditions still respected today. With some reservation, this can be said about Pakistan, too, where we can observe dynamic political processes going on [and] governments change as a result of elections. In my opinion, it is up to the ruling elite to initiate cardinal changes.

People cooked with a certain integrity before fast food, 50 or 60 years ago. When the cheap food arrived, and we didn't have the education and deep cultural roots to hold on, we got swept away by fast, cheap and easy.

Those [American Jews] who favor the [Israeli] attack on Gaza are certainly guilty of such overwhelming emotional and cultural attachment to Israel and Israelis, that they long ago ceased viewing this conflict with any remnant of objectivity.

Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding ofhuman behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.

I think cultural appropriation has been an issue since the beginning of time and I think it's so important for us to tell our own stories and tell them the way we know how they're supposed to be told but also giving each other the exposure and access in order to do that.

These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.

There is an undeniable economic and cultural disconnect between many of those who volunteer to serve and those who choose to remain civilians. But what is more concerning to me is the disconnect between our political leadership that applauds our soldiers and veterans, but then won't provide funding to properly armored vehicles or health care when our servicemen and women come home. You can't send men and women to war without being prepared to take care of them abroad and give them the services they need when they return home.

... despite the limitations and problems inherent to photographic representation (and especially the representation of politics), it remains for me the most powerful and engaging medium today - one central to the development of cultural dialogue.

As a Liberal of course I am very strongly committed to the notion of artistic freedom and very hostile to the idea of there being a single view of cultural policy dictated from on high.

One difference with the political writings, whether about feminism or class, is that the intent is to change how people think of a certain political reality; whereas with cultural criticism, the goal is to illuminate something that is already there.

[Virginity is] a cultural ideology that conflates passivity - the act of not having sex - with superior morality.

I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.

Widespread cultural acceptance of lying is a primary reason many of us will never know love

I have very mixed feelings about Jesse Jackson. He's very good about labor, and human and civil rights issues, but not so good on cultural issues.

Gun crime is a major cause of fear and distress throughout the UK. The problem is deeply entrenched in a wide range of social and cultural factors and therefore not an isolated issue.

American television is a huge product that is exported around the world and what that means is that what our movies and films say about who women [are] has global ramifications. There is a burden and a responsibility when you are someone who is very aware of how far we've yet to travel in granting women equal rights and equal respect and you are creating cultural products. You have to be responsible and be aware of the message that you are sending out.

Some will say: "Why should we celebrate the birth of colonialism, of oppression, of cultural genocide through Canada 150?" It's 2017. In spite of the genocide we faced via the residential school system, and all we have endured from colonialism and control, from 1876 to this day, we're still here. We need to show the country and the world that we are still here.