Quotes About Dance

Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

You dance love, and you dance joy, and you dance dreams. And I know if I can make you smile by jumping over a couple of couches or running through a rainstorm, then I'll be very glad to be a song and dance man.

If we seek the real source of the dance, if we go to nature, we find that the dance of the future is the dance of the past, the dance of eternity, and has been and always will be the same... The movement of waves, of winds, of the earth is ever the same lasting harmony.

Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.

GRINNING, DUCKING MY HEAD FOR BALANCE, I START TO SPIN WILDLY AS I CAN. THAT IS MY FAVORITE DANCE, BECAUSE IT CONTAINS A SECRET. THE FASTER I TWIRL, THE MORE I AM STILL INSIDE. MY DANCE IS ALL MOTION WITHOUT, ALL SILENCE WITHIN. AS MUCH AS I LOVE TO MAKE MUSIC, IT'S THE UNHEARD MUSIC THAT NEVER DIES. AND SILENCE IS MY REAL DANCE, THOUGH IT NEVER MOVES. IT STANDS ASIDE, MY CHOREOGRAPHER OF GRACE, AND BLESSES EACH FINGER AND TOE.

I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.

The tango is a very interior dance. It's not an exterior - it's not flashy and all over the floor. It's a very interior dance when you see the old guys dance in the clubs. I learned everything from the old guys in the clubs.

When I was 16, my friends and I were all starting to think about what we were going to do with our lives, and I started picturing myself majoring in dance at college traveling around with a contemporary dance company, and it didn't excite me as I thought it would all those years. I was just thinking about the things that I loved most about dance, which was entertaining and telling a story, and that's when I kind of opened my eyes again to acting.

Every day I go out and climb, like a dancer who works on his dance. He probably has some goals, some pieces he would like to perform, but his main goal is to work on his dance. This is how he expresses himself. Both he and I are interested in the same thing. It’s the dance that counts.

When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang umumi, kiduo, or lele mama?

Many of my songs were dance orientated from way back. That's because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing.

Dance. Dance for the joy and breath of childhood. Dance for all children, including that child who is still somewhere entombed beneath the responsibility and skepticism of adulthood. Embrace the moment before it escapes from our grasp. For the only promise of childhood, of any childhood, is that it will someday end. And in the end, we must ask ourselves what we have given our children to take its place. And is it enough?

Why do I dance? Dance is my medicine. It’s the scream which eases for a while the terrible frustration common to all human beings who because of race, creed, or color, are ‘invisible’. Dance is the fist with which I fight the sickening ignorance of prejudice.

So, I think I would say, enjoy the process of learning to dance. The process of our profession, and not its final achievement, is the heart and soul of dance.

We dance with women in groups, but it is very rare that you have a partner that is a woman. The dance world is very macho - woman, boy, always couples, and it's very standardized.

I shall dance all my life. . . . I would like to die, breathless, spent, at the end of a dance.

Except for the point, the still point, There would be no dance, and there is only the dance

DNCE is “dance without the a.” It’s not a perfect word, and you don’t always have to be a perfect dancer to dance. Life is just sometimes not perfect.

I never studied dance, but if you look at 'Wild At Heart,' my mother saw that movie and said, 'You are a dancer. Look at how you're moving: all that strange energy is like modern dance.'

The future of dance will always be tied up with the public's acceptance of the star. If they accept the star, then they'll accept the dance.

Indian classical dance is sustained by a profound philosophy. Form seeks to merge with the formless, motions seek to become a part of the motionless, and the dancing individual seeks to become one with the eternal dance of the cosmos.

My impression is that a sense of rhythm, which has no analog in language, is unique and that its correlation with movement is unique to human beings. Why else would children start to dance when they're two or three? Chimpanzees don't dance.

Theater is a dance of a different kind, a dance of rawness and characters stripped down.

Life is like an eternal dance. The movements of the dance are choreographed through your awareness.

Dancing is, in itself, a very trifling and silly thing: but it is one of those established follies to which people of sense are sometimes obliged to conform; and then they should be able to do it well. And though I would not have you a dancer, yet, when you do dance, I would have you dance well, as I would have you do everything you do well.

But how much better, in any case, to wonder than not to wonder, to dance with astonishment and go spinning in praise, than not to know enough to dance or praise at all; to be blessed with more imagination than you might know at the given moment what to do with than to be cursed with too little to give you -- and other people -- any trouble.

Dance until the earth dance.

I think it's useful to experience other types of dance and other cultures, and the life of a classical dancer these days is certainly not all tutus! So experience of other dance forms is a good idea.

A story must be told in such a way that it constitutes help in itself. My grandfather was lame. Once they asked him to tell a story about his teacher. And he related how the holy Baal Shem used to hop and dance while he prayed. My grandfather rose as he spoke, and he was so swept away by his story that he himself began to hop and dance to show how the master had done. From that hour he was cured of his lameness. That's how to tell a story.

In our world, love, sex, music, and dance are all integrated into one experience. Love, and the arts of music and dance go together.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

If you don't go to a dance you can never be rejected but you'll never get to dance either.

Many people are shy when it comes to getting out on a dance floor. Dancing is an activity that... reveals your inner self, whether you like it, or know it, or not. It is hard to fake it on a dance floor.

Any dance of celebration must weave both the sorrows and the blessings into a joyful step....To heal is to let the Holy Spirit call me to dance, to believe again, even amid my pain, that God will orchestrate and guide my life.

I've never been to a prom or a dance; so it's funny, because we have dances on the show, and I'll be like, 'Oh yay! It's my school dance!'

Because dancing is way more fun than the treadmill, I downloaded the video of Beyonces Single Ladies and started to learn her dance. Let me tell you, if I ever did that dance in a club, I would still be a single lady! But what a workout!

The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.

Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.

I didn't want to move or act like a rich man. I wanted to dance in a pair of jeans. I wanted to dance like the man in the streets.

Education in the art of dance is education of the whole man − his physical, mental and emotional natures are disciplined and nourished simultaneously in dance.

The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.

The thing is, I would need the right producer [for dance-music album ], right? "Calling all dance music producers! I'm available.

Every dance is a kind of fever chart, a graph of the heart. The instrument through which the dance speaks is also the instrument through which life is lived ... the human body.

Real men don't dance to other people's tune, instead, they play for others to dance.

Whom are you going to dance with?' asked Mr. Knightley. She hesitated a moment and then replied, 'With you, if you will ask me.' Will you?' said he, offering his hand. Indeed I will. You have shown that you can dance, and you know we are not really so much brother and sister as to make it at all improper.' Brother and sister! no, indeed.

If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.

If anyone asks you if you’re taken,” I said, “the answer is yes.” “I think I can live with that,” he promised. “Good,” I said. “Because you don’t want to see me be cross.” “Too late.” “Shut up and dance, Walt.” “Shut up and dance, Walt.” We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.