Quotes About Dark

Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.

Living in a culture that prefers to shut out the dark, avoid shadows, and anesthetize pain means that many people are isolated. ... Family, friends, and co-workers, fearful of the dark, are reluctant to participate in our shadow experience and may urge us to be done with the dark before it is done with us.

It is a dark, dark world. If you're going to be in a dark world, I can't think of any better one to be in. I still think I'm very lucky to be in it.

Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.

When we look at the universe, what we see by eye or with our telescopes is only five percent of the universe. The rest, 95 percent is dark. Dark meaning, first of all, not visible to our instrument. Second, dark also indicates our ignorance. We don't know what's the composition of this part of the universe.

When youre in a fighter jet and theres a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, its light and blue. You are totally connected with the elements. You are in another world.

Being a correspondent at the Vietnam war for me was about exposing myself to danger but it wasn't completely self-serving. I felt that there were these dark places of the earth, were dark things were happening and people should know about them. Call it my moral obligation to go and see them and report them.

I SEE thee better in the dark, I do not need a light. The love of thee a prism be Excelling violet. I see thee better for the years That hunch themselves between, The miner’s lamp sufficient be To nullify the mine. And in the grave I see thee best— Its little panels be A-glow, all ruddy with the light I held so high for thee! What need of day to those whose dark Hath so surpassing sun, It seem it be continually At the meridian?

Even a room which must be dark needs at least a crack of light to know how dark it is.

In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

My habit would have been to veer towards the dark - to prove I was something; edgy, or maybe to prove that I was cognisant of the dark side. Now, with age and confidence, I can say, yeah, that's true, but I am cognisant of the fact that people can do things well. And can be more loving than you expect.

Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair!

I wanted to capture time through how food and I were getting along at any given moment. That necessitated writing some dark stuff, some sad stuff, and a lot of painful memories, because my life has often been dark, sad, and painful. I didn't want to sugarcoat anything.

We account for all the matter and energy that we're familiar with, measure up how much gravity it should have, it's one-sixth of the gravity that's actually operating on the universe. We call that dark matter. It really should be called dark gravity. We don't know what that is.

I dreamed of you. I dreamed you were wandering in the dark, and so was I. We found each other. We found each other in the dark.

Bro, it's dark. You can't go to a strange building with a mysterious address in the dark. Haven't you ever seen a horror movie?

Don't go looking in dark places, because dark things live there.

It's not that I'm necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it's very appealing to play all those levels, and that is probably going to involve some dark moments.

There is something about talking in the night, with the shreds of sleep around your ears, with the silences between one remark and another, the town dark and dreaming beyond your own walls. It draws the truth out of you, straight from its little dark pool down there, where usually you guard it so careful, and wave your hands over it and hum and haw to protect people's feelings, to protect your own . . . You can bring out the jaggedest feelings - if you are my wife and know how to state them calm - into the night quiet. They will float there for consideration, harming no one.

What difference, being a pawn for the Light or a pawn for the Dark?" "There is a great difference. One difference is that for the Dark, certainly, you are a pawn. For the Light, you are a free human being, free to make mistakes, to do wrong, even. You are free to choose, whether or not you believe it.

Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark.

The dark shadow we seem to see in the distance is not really a mountain ahead, but the shadow of the mountain behind - a shadow from the past thrown forward into our future. It is a dark sludge of historical sectarianism. We can leave it behind us if we wish.

'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.

Oh, my darling, wish you were here! And my dark soul is happy again, because it does not know how to be anything else for very long, and because the pain is a deep dark sea in which I would drown if I did not sail my little craft steadily over the surface, steadily towards a sun which will never rise.

When people ask me what my dream role would be, I tell them that it's to play someone very dark. Very dark - like someone involved in the drug world or some other criminal venture. Maybe someone who's delusional or not all there or just not well. I really hope I can do that one day.

'The Walking Dead' was my favorite show before I even auditioned for it. That's every actor's dream, to be on a show that they're a fan of. It's just dark, and as a comedian, I'm drawn to dark things.

It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.

It is the easiest thing in the world for us to obey God when He commands us to do what we like, and to trust Him when the path is all sunshine. The real victory of faith is to trust God in the dark, and through the dark. Let us be assured of this, that if the lesson and the rod are of His appointing, and that His all-wise love has engineered the deep tunnel of trial on the heavenward road, He will never desert us during the discipline. The vital thing for us is not to deny and desert Him.

All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that's to come and everything under the sun is in tune but the sun is eclipsed by the moon. "There is no dark side of the moon really. Matter of fact it's all dark.

There's always going to be bad stuff out there. But here's the amazing thing -- light trumps darkness, every time. You stick a candle into the dark, but you can't stick the dark into the light.

Invitation to Dance- It’s a Dance. And sometimes they turn the lights off in this ballroom. But we’ll dance anyway, you and I. Even in the Dark. Especially in the Dark. May I have the pleasure?

But death is stronger than that and when you cover your eyes you are the one who can't see the dark. The dark still sees you.

I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.

The downside of my celebrity is that I cannot go anywhere in the world without being recognized. It is not enough for me to wear dark sunglasses and a wig. The wheelchair gives me away.

Like everybody else, I've got dark and light, trying to hold onto the civilized part and use it successfully. I'm sure that includes competition, but not in a way that I can recognize. Most of the games I like have more to do with the process of the game or the aesthetics. Racing's really about the aesthetics for me, not particularly the idea of coming in first - though I certainly appreciate a champion, and I like watching people do something really well.

Why are there beings at all instead of nothing? That is the question. Presumably it is not arbitrary question, "Why are there beings at all instead of nothing"- this is obviously the first of all questions. Of course it is not the first question in the chronological sense [...] And yet, we are each touched once, maybe even every now and then, by the concealed power of this question, without properly grasping what is happening to us. In great despair, for example, when all weight tends to dwindle away from things and the sense of things grows dark, the question looms.

From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.

I like the idea of being sort of withdrawn and mysterious, and what can be more mysterious that someone wearing a trash bag, like a dark trash bag, with eye holes that say "nihilism?" You'd be curious. What's underneath that? Is it perfect? Or is it broken?

While fame impedes and constricts, obscurity wraps about a man like a mist; obscurity is dark, ample, and free; obscurity lets the mind take its way unimpeded. Over the obscure man is poured the merciful suffusion of darkness. None knows where he goes or comes. He may seek the truth and speak it; he alone is free; he alone is truthful, he alone is at peace.

I wish that we lived in a time and a generation where people would stop viewing my honesty as overly emotional. People always act like I spend my life crying in a dark room. I don't, I'm good. I'm a man. I want to be remembered as an artist that gave you a piece of me, as opposed to some surface bullshit. I don't think people realize that we die, we leave here, and either they forget about you or remember you. And how they remember you is up to you. I just want to be remembered as a poet that was open and honest because I wake up every morning and I'm me.

It is moonlight. Alone in the silence I ascend my stairs once more, While waves remote in pale blue starlight Crash on a white sand shore. It is moonlight. The garden is silent. I stand in my room alone. Across my wall, from the far-off moon, A rain of fire is thrown. There are houses hanging above the stars, And stars hung under the sea, And a wind from the long blue vault of time Waves my curtains for me. I wait in the dark once more, swung between space and space: Before the mirror I lift my hands And face my remembered face.

It’s dark now and I am very tired. I love you, always. Time is nothing.

His guilt is why Acheron went out of his way to make sure that all of you had servants and pay for your work. The Dark-Hunters owe that man everything, and I do mean everything. He pays in blood every time one of you wants to go free, and he suffers every day so that you can all live your cushy little lives of wealth and privilege.” … “And I have to say that every time one of your turns on him, it seriously pisses me off. Acheron asks nothing from any of you and that’s exactly what he receives.

Wild, dark times are rumbling toward us, and the prophet who wishes to write a new apocalypse will have to invent entirely new beasts, and beasts so terrible that the ancient animal symbols of St. John will seem like cooing doves and cupids in comparison.

I painted with my husband a portrait of a naked Serge Gainsbourg draped with a French flag, and it hangs in our bedroom. I love gritty and dark art like what the German couple Herakut does.

Hawthorne has given us a tradition that some people refer to as Yankee Magic Realism, and I do think there is a certain quality to the landscape that definitely leads into the dark woods.

I definitely have my days where I look like I got dressed in the dark.

A smile flickered across Coral’s face. “Have you ever noticed that once you have had a taste of certain sweets—raspberry trifle is my own despair—it is quite impossible not to think, not to want, not to crave until you have taken another bite?” “Lord Swartingham is not a raspberry trifle.” “No, more of a dark chocolate mousse, I should think,” Coral murmured. “And,” Anna continued as if she hadn’t heard the interruption, “I don’t need another bite, uh,night of him.