Quotes About Emotion

If you have just an emotion, you would not necessarily feel it. To feel an emotion, you need to represent in the brain in structures that are actually different from the structures that lead to the emotion, what is going on in the organs when you're having the emotion.

If you ant to feel deeply, you have to think deeply. Too often we separate the two. We assume that if we want to feel deeply, then we need to sit around and, well, feel. But emotion built on emotion is empty. True emotion- emotion that is reliable and does not lead us astray- is always a response to reality, to truth.

Human beings are powered by emotion, not by reason. Study after study has proven that if the emotion centers of our brain are damaged in some way, we don't just lose the ability to laugh or cry, we lose the ability to make decisions. Alarm bells for every business right there. The neurologist Donald Calne puts it brilliantly: “The essential difference between emotion and reason is that emotion leads to action while reason leads to conclusions.”

In this world, man has two significant possessions: intelligence and emotion. These two possessions govern our day-to-day life. But very often we see that emotion (ego) gets the upper hand in our life. We know that even if someone is extremely intelligent, when his emotion comes to the fore it will devour him. He is compelled to do what his emotion asks him to do.

An emotion is only an emotion. It's just a small part of your whole being. You are much more than your emotion. An emotion comes, stays for a while, and goes away, just like a storm. If you're aware of that, you won't be afraid of your emotions.

Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.

One thing was absolutely certain—it was a given for Kazuo. Although he might not have particularlyrealized it, or more appropriately, perhaps because he was incapable of coming to such a realization, this was what it came down to: he, Kazuo Kiriyama, felt no emotion, no guilt, no sorrow, no pity, towards the four corpses, including Mitsuru's—and that ever since the day he was dropped into this world theway he was, he had never once felt a single emotion.

Gratitude: An imaginary emotion that rewards an imaginary behavior, altruism. Both imaginaries are false faces for selfishness, which is a real and honest emotion.

I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort - this emotion over that emotion, this memory over that memory, this thought over another. And isn't that process of establishing a hierarchy on the page a kind of political act?

I am a very emotional person. I basically think and feel in emotion, so writing is much easier for me than communicating by voice or by talking to somebody just because I can really get into the emotion more succinctly with writing. So I guess that's what makes me a better writer than speaker.

One extremely important purpose of emotions from an evolutionary perspective is to help us decide what to remember and what to forget. The cavewoman who could remember which cave had the gentle guy who gave her food is more likely to be our foremother than the cave woman who confused it with the cave that held the killer bear. The emotion of love (or something resembling it) and the emotion of fear would help secure her memories.

The essential difference between emotion and reason is that emotion leads to action while reason leads to conclusions.

Art is not emotion. Art is the medium in which emotion is expressed.

It is because of that balanced relationship to the moment that mindfulness serves as the platform for insight... if we feel an emotion, for example, and struggle against it right away, there is not going to be a lot of learning going on. In the same way, if we are swamped by that emotion, overcome by it, there won't be enough space for there to be learning or insight.

People are starting to reflect upon the power of emotions on illness and I have always felt a direct connection between emotion and body. It is fascinating that neurologists are starting to tell their patients that yes, they are sick, the symptoms are there, but it is probably happening because an emotion is not coming out the way it could and should.

I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.

So take a new approach as to how you feel emotions. It's not about the right emotion or the wrong emotion; it's about honoring the way that you're feeling. We tend to think that being sensitive is a weakness, but it really gives us an ability to be compassionate and to appreciate so many things in the world.

Anytime you feel negative emotion, stop and say: 'Something is important here, otherwise I would not be feeling this negative emotion. What is it that I want?' And then simply turn your attention to what you DO want. In the moment that you turn your attention to what you want, the negative attraction will stop, and in the moment the negative attraction stops, the positive attraction will begin. And in that moment, your feelings will change from not feeling good to feeling good.

Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back-- you're there... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through-- the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying.

Vonnegut's war was necessary. And yet it was massacre and screaming and confusion and blood and death. It was the mammoth projection outward of the confused inner life of men. In war, the sad tidy constructs we make to help us believe life is orderly and controllable are roughly thrown aside like the delusions they are. In war, love is outed as an insane, insupportable emotion, a kind of luxury emotion, because everywhere you look, someone beloved to someone is being slaughtered, by someone whose own beloved has been slaughtered, or will be, or could be.

Within every girl is the possibility of arousing emotion. Without emotion there is no beauty.

Other than the obvious, like Cher and Diana Ross, I actually find a lot of inspiration from time periods. So it's not necessarily people, it's the essence of the time period, whether it be the '90s or the '70s or the '40s. The specific time and what vibe it gave you, what the emotion of that time was, and trying to get that emotion again.

The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.

Vinyaya was being openly antagonistic, and that was an emotion that could be trusted, unless of course it was a bluff and the commander was a secret fan of his, unless it was a double bluff and she really did feel antagonistic.

I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.

Danger lies in the writer becoming the victim of his own exaggeration, losing the exact notion of sincerity, and in the end coming to despise truth itself as something too cold, too blunt for his purpose -- as, in fact, not good enough for his insistent emotion. From laughter and tears the descent is easy to sniveling and giggles.

Or if the hypothesis were offered us of a world in which Messrs. Fourier's and Bellamy's and Morris's Utopias should all be outdone, and millions kept permanently happy on the one simple condition that a certain lost soul on the far-off edge of things should lead a life of lonely torment, what except a specifical and independent sort of emotion can it be which would make us immediately feel, even though an impulse arose within us to clutch at the happiness so offered, how hideous a thing would be its enjoyment when deliberately accepted as the fruit of such a bargain?

They ended every speech with the word hiro, which means: like I said. Thus each man took responsibility for intruding into the inarticulate murmur of the spheres. To hiro they added the word koue, a cry of joy or distress, according to whether it was sung or howled. Thus they essayed to piece the mysterious curtain which hangs between all talking men: at the end of every utterance a man stepped back, so to speak, and attempted to interpret his words to the listener, attempted to subvert the beguiling intellect with the noise of true emotion.

There is no such thing as privacy between a deity and his worshipper. There are no secrets, no glossed-over failures. Only promises kept and abandoned, sins committed and imagined, and raw emotion. How many of us are ready to have our lives judged? What would happen if we were found wanting?

When you're feeling down, did you know that you can change it in an instant? Put on a beautiful piece of music or start singing - that'll change your emotion.

The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.

I agree with you about the music of today. It lacks style and emotion. I can't relate to it either, as for grunge music, well that was the death kneel for a lot of the glam metal hair bands of the 80's, so I really do not care for grunge. I miss the 80's as well, it was a truly great decade for music.

I'm not ashamed of anything I've done. Shame is a useless emotion.

Rodgers & Hammerstein shows have a purity of unironic emotion that imprints itself upon people's hearts. They seem to touch our feelings so effortlessly. They have a scope and ambition that's missing from many musicals now.

Win with your heart, not your head - win on emotion, not in logic; have a passion about what you do; nobody wants a boss, everybody wants a coach.

Between the conception and the creation, between the emotion and the response, Falls the shadow.

The binders, the charts, the grids may seem formidable, but the meetings themselves are built around informality, trust, emotion and humor.

I like cinematic art that doesn't have to include violence as the main meat of emotion. Now, excellence in cinema is based on murder, guns. Tarantino bores me. Even though he is very appealing and very facile about putting elements of pop culture into his work. But it kinds of dates it, right?

What a host of little incidents, all deep-buried in the past -- problems that had once been urgent, arguments that had once been keen, anecdotes that were funny only because one remembered the fun. Did any emotion really matter when the last trace of it had vanished from human memory; and if that were so, what a crowd of emotions clung to him as to their last home before annihilation? He must be kind to them, must treasure them in his mind before their long sleep.

The confessions can touch on every human emotion. They can be laugh-out-loud funny, for sure, they can be heart-breaking, they can be sexual or hidden acts of kindness, they can be romantic.

Sometimes when we weep in the movies we weep for ourselves or for a life unlived. Or we even go to the movies because we want to resist the emotion that's there in front of us. I think there is always a catharsis that I look for and that makes the movie experience worthwhile.

The key is to remember a sex scene is a scene of dramatic action and psychological development. You need to pay attention to emotion and to a character's self-awareness or lack of self-awareness.

Fishing books , lit by emotion recollected in tranquility, are like poetry. .. . We do not think of them as books but as men. They are our companions and not only riverside. Summer and winter they are with us and what a pleasant company they are.

I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.

Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly... perhaps even malignant. Homesickness is a real sickness--the ache of the uprooted plant.

What they smell isn't the emotion of fear. What dogs can smell is the changes in a person's skin that suggest fear to the dog, anxiety, the way your skin sweats, the amount of uric acid that suddenly pours out of your pores.

I think films are about having a good time, so I don't know that there's a message. The message of a film is always what a critic writes, and the fun of a film or the emotion of a film is what the audience feels.

To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.