Quotes About Emotion

In this world, man has two significant possessions: intelligence and emotion. These two possessions govern our day-to-day life. But very often we see that emotion (ego) gets the upper hand in our life. We know that even if someone is extremely intelligent, when his emotion comes to the fore it will devour him. He is compelled to do what his emotion asks him to do.

The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.

When you're really trying to make serious change, you don't want people to get caught up in emotion because change isn't emotion. Because change isn't emotion. Its real work and organization and strategy - that's just the truth of it. I mean, you pull people in with inspiration, but then you have to roll up your sleeves and you've got to make sacrifices and you have got to have structure.

For my part, I think we need more emotion, not less. But I think, too, that we need to educate people in how to feel. Emotionalism is not the same as emotion. We cannot cut out emotion - in the economy of the human body, it is the limbic, not the neural, highway that takes precedence. We are not robots...but we act as though all our problems would be solved if only we had no emotions to cloud our judgement.

Every emotion is connected with the breath. If you change the breath, change the rhythm, you can change the emotion.

I am often surprised when I think to count my graces, for the more I count, the more there seem to be. And if pride in my accomplishments is the emotion that I naturally feel when I focus on my gifts, gratitude is the emotion I feel as I become aware of the many graces that have shaped me and my gifts.

Anger is an emotion that is very energetic. It is an ideal emotion to turn it around to make it work as a positive force.

I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort - this emotion over that emotion, this memory over that memory, this thought over another. And isn't that process of establishing a hierarchy on the page a kind of political act?

Poetry should begin with emotion in the poet, and end with the same emotion in the reader. The poem is simply the instrument of transferance.

The writer's joy is the thought that can become emotion, the emotion that can wholly become a thought.

I think a lot of women, in the way that they might attach emotion to sex, attach emotion to food, in a different way than men.

All along, my mantra was: Don't write unless it contributes to the emotion, and do anything you do in service of the emotion only.

I wanted to see if I could create something that is emotional between people. Existing games are about killing each other or killing something together. The idea of social emotion means people need to share feelings. At that moment, the players are in sync. The problem [with many games] is there's no chance to share emotion. Most of them are busy, [there are] explosions everywhere. So we got rid of all the background noise and we had to get rid of the guns.

Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before ithas had time to reconcile its feelings to the change in circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere sur prise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contradictory appearances.

As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.

As my body lay dead on that stretcher (he later recovered from being struck by lightning attracted by his cell phone), I was reliving every moment of my life, including my emotions, attitudes, and motivations. The depth of emotion I experienced during this life review was astonishing. Not only could I feel the way both I and the other person had felt when an incident took place, I could also feel the feelings of the next person they reacted to. I was in a chain reaction of emotion, one that showed how deeply we affect one another.

Gay men may seek sex without emotion; lesbians often end up in emotion without sex.

For me, it's really important that the experience of art is always something that is able to provoke strong emotion, an emotion that you feel in your heart or your stomach, but also that challenges the brain at the same time. It's an experience - physical and intellectual.

The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.

When you experience the emotion of sadness, there will be changes in facial expression, and your body will be closed in, withdrawn. There are also changes in your heart, your guts: they slow down. And there are hormonal changes.

Perhaps adding a line or two of dialogue to try to better capture an emotion. But I've found that if the story isn't there in the beginning, right from the start, I generally can't beat it into shape no matter how much rewriting I do.

I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.

Having a daughter and a grandson, I certainly could relate to the fact that this child, who you simply dote on, being taken away from you at an early age, and every single kind of emotion you would have to go through.

I was genuinely happy when I wrote that song [Training Wheels] and very in love. That's a very rare emotion to evoke out of me.

I venerate old age; and I love not the man who can look without emotion upon the sunset of life, when the dusk of evening begins to gather over the watery eye, and the shadows of twilight grow broader and deeper upon the understanding.

Understand that all emotions serve you. Those you once thought of as negative emotions are merely calls to action. For example, if you feel frustrated it means that you believe things could be better, and they're not. This is a call to action telling you there's something you must do to make this better now. This "negative" emotion is actually a gift if you use it effectively.

My interest is that there is a disconnect between the science and the size of the threat that people mention about nature, the planet and the climate, and the emotion that this triggers. So we are supposed to be extremely frightened people, but despite that we appear to sleep pretty well.

How easily we make things as way, truth, and life. Or, we call hot atmosphere as life, we label clear thought as life. We consider strong emotion or outward conduct as life. In reality, though, these are not life. We ought to realize that only the Lord is life. Christ is our life. And it is the Lord who lives out this life in us. Let us ask Him to deliver us from the many external and fragmentary affairs that we may touch only Him. May we see the Lord in all things-way, truth, and life are all found in knowing Him. May we really meet the Son of God and let Him live in us. Amen.

I should attempt to treat human vice and folly geometrically... the passions of hatred, anger, envy, and so on, considered in themselves, follow from the necessity and efficacy of nature... I shall, therefore, treat the nature and strength of the emotion in exactly the same manner, as though I were concerned with lines, planes, and solids.

Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.

The greatest piece of acting or music or sculpture or what-have-you always has its roots in the truth of human emotion.

In the Communist period, the revolutionaries, the leaders were almost always - Che Guevara, people like that - they were always from the middle class and the educated. And empathy is a very powerful emotion.

Singing is a way of releasing an emotion that you sometimes can't portray when you're acting. And music moves your soul, so music is the source of the most intense emotions you can feel. When you hear a song and you're acting it's incredible. But when you're singing a song and you're acting it's even more incredible.

If you really want to communicate something, even if it’s just an emotion or an attitude, let alone an idea, the least effective and least enjoyable way is directly. It only goes in about an inch. But if you can get people to the point where they have to think a moment what it is you’re getting at, and then discover it, the thrill of discovery goes right through the heart.

But there was nothing I could do with the emotion really. It just went away after a while.

A vast sector of modern advertising... does not appeal to reason but to emotion; like any other kind of hypnoid suggestion, it tries to impress its objects emotionally and then make them submit intellectually.

The important thing is not the object of love, but the emotion itself.

Stupefaction overrode all other emotion when I saw this creature on the lookout, lying in wait for the game. For it was an ape, a large-sized gorilla. It was in vain that I told myself I was losing my reason: I could entertain not the slightest doubt as to his species. But an encounter with a gorilla on the planet Soror was not the essential outlandishness of the situation. This for me lay in the fact that the ape was correctly dressed, like a man of our world, and above all that he wore his clothes in such an easy manner.

We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.

Perfect love is to feeling what perfect white is to color. Many think that white is the absence of color. It is not. It is the inclusion of all color. White is every other color that exists, combined. So, too, is love not the absence of an emotion (hatred, anger, lust, jealousy, covetousness), but the summation of all feeling. It is the sum total. The aggregate amount. The everything.

Never feel guilty. Don't hold yourself back by guilt or fear. No other species in the entire world deals with guilt. Guilt is a bizarre emotion that makes you feel bad about decisions that you make.

If you can manage to experience three positive emotions for every one negative emotion … you dramatically improve your health and your ability to successfully tackle any problem you're facing.

Don't bother Me with promises. Vows are cheaply manufactured, come with no guarantees. Don't bother to say you love me. The word is indefinable. Joy to some, heartbreak to others, depending on circumstance. There is evidence that the emotion can make a person live longer, evidence it can kill you early. I think it's akin to a deadly disease. Or at least some exotic fever. Catch it, and you'd better, quick, swallow some medication to use as a weapon against the fire ravaging body and soul.

I'm lucky because the strongest emotion I have ever felt is being in love, and that definitely informs my writing.

Even when I'm singing on record there's a lot of times when I'll fight for a bit of imperfection. I might not have quite hit the note to the perfect pitch, but there was a soul in there and feeling that,to me, delivers the emotion of that moment. For me, doing a show, the excitement of singing live, and the possibility that you're not going to be perfect - that's the thrill of it.

People have so many expectations when they go out on stage, so many wishes about what their night is going to be: if they're going to meet that person, have a fun time with their friends, have a good high, hear good music. People get drunk and turn into themselves in a way, and they go to experience some kind of emotion. But it's not always about fun. There's a destructive side to it. But I'm more into the empowerment of going out, because it's always been the place where I could be myself and get inspired. Even if I'm sad, dancing is a way to let stuff out.

Glamour cannot exist without personal social envy being a common and widespread emotion.

Until writing was invented, man lived in acoustic space: boundless, directionless, horizonless, in the dark of the mind, in the world of emotion.