Quotes About English

Branson ate his salad, and left the rest of his fish untouched, while Grace tucked into his steak and kidney pudding with relish. 'I read a while ago,' he told Branson, 'that the French drink more red wine than the English but live longer. The Japanese eat more fish than the English but drink less wine and live longer. The Germans eat more red meat than the English, and drink more beer and they live longer too. You know the moral of this story? 'No' 'It's not what you eat or drink - it's speaking English that kills you.

English is the largest of human tongues, with several times the vocabulary of the second largest language -- this alone made it inevitable that English would eventually become, as it did, the lingua franca of this planet, for it is thereby the richest and most flexible -- despite its barbaric accretions . . . or, I should say, because of its barbaric accretions. English swallows up anything that comes its way, makes English out of it.

Malcolm Bradbury made the point, and I don't know whether it's a valid one or not, that the real English at the moment is not the English spoken in England or in America or even in Canada or Australia or New Zealand. The real English is the English which is a second language, so that it's rather like Latin in the days of the Roman Empire when people had their own languages, but had Latin in order to communicate.

The fact that for a long time Cubism has not been understood and that even today there are people who cannot see anything in it means nothing. I do not read English, an English book is a blank book to me. This does not mean that the English language does not exist. Why should I blame anyone but myself if I cannot understand what I know nothing about?" -Pablo Picasso.

I'm English, without a doubt. I will never ever say I'm not English. English born and bred. I'm Turkish, though

English is not the primary language for universities in China, Korea, and Japan, but they are being evaluated on the basis of publications in English and courses taught in English.

There was - there still is - a big shortage of good Chinese-English literary translators. So for two years in London, I was stuck waiting, not writing, with several Chinese books I couldn't get translated. That's when I decided to write in English, since I had been living here and had decided to reconstruct my life here. Even if I wrote in broken English, it was better than getting bored and weary and bitter on the long queue of authors waiting to be translated by a stranger.

Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

We were living with Bernard [Leach] in his home. He had a fantastic collection of early English and Japanese and Chinese and Korean pots and German pots, contemporary English work as well. And we had access to this collection.

English grammar is so complex and confusing for the one very simple reason that its rules and terminology are based on Latin - a language with which it has precious little in common. In Latin, to take one example, it is not possible to split an infinitive. So in English, the early authorities decided, it should not be possible to split an infinitive either. But there is no reason why we shouldn't, any more than we should forsake instant coffee and air travel because they weren't available to the Romans.

Of course, English is a very powerful language, a colonizer's language and a gift to a writer. English has destroyed and sucked up the languages of other cultures - its cruelty is its vitality.

Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English.

We admire Chaucer for his sturdy English wit.... But though it is full of good sense and humanity, it is not transcendent poetry.For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is.

I'm a champion for western civilization and, yes, our English language is a big part of it. It's a carrier of freedom. Wherever the English language has gone globally, freedom went with it. Science technology has always lifted up the standard of living on average of everybody on the planet. I want more of that, not less. There are civilizations that produce very little, if any. This western civilization is a superior civilization, and we want to share it with everybody.

In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.

I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.

A passage is not plain English - still less is it good English - if we are obliged to read it twice to find out what it means.

There is something remarkably and peculiarly English about the passion for sitting on damp seats watching open-air drama only the English have mastered the art of being truly uncomfortable while facing up to culture.

The English Language Amendment says above all, 'Let's see to it that our children, our young people, learn English. Let us not deny them the opportunity to participate in American life, so that they can go as far as their dreams and talents can take them.

The Americans all love 'The Holy Grail', and the English all love 'Life Of Brian', and I'm afraid on this one, I side with the English.

Our common language is English. And our common task is to ensure that our non-English-speaking children learn this common language.

I think of myself primarily as a reader, then also a writer, but that's more or less irrelevant. I think I'm a good reader, I'm a good reader in many languages, especially in English, since poetry came to me through the English language, initially through my father's love of Swinburn, of Tennyson, and also of Keats, Shelley and so on - not through my native tongue, not through Spanish. It came to me as a kind of spell. I didn't understand it, but I felt it.

I don't think it is always necessary to take up the anti-colonial -- or is it post-colonial? -- cudgels against English. What seems to me to be happening is that those people who were once colonized by the language are now rapidly remaking it, domesticating it, becoming more and more relaxed about the way they use it -- assisted by the English language's enormous flexibility and size, they are carving out large territories for themselves within its frontiers.

I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.

I'm keen on making English language movies. English is still the global language and we can't change that.

... The truth of the matter is, that most English people don't know how to make tea anymore either, and most people drink cheap instant coffee instead, which is a pity, and gives Americans the impression that the English are just generally clueless about hot stimulants.

I could wish there were a treaty made between the French and the English theatres, in which both parties should make considerableconcessions. The English ought to give up their notorious violations of the unities, and all their massacres, racks, dead bodies, and mangled carcasses, which they so frequently exhibit upon their stage. The French should engage to have more action, and less declamation, and not to cram and to crowd things together to almost a degree of impossibility from a too scrupulous adherence to the unities.

Much of the academy on the humanities side, English departments in particular, no longer write what can pass for normal English.

I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and - if he is lucky enough - know the love of an honest woman.

[It was] the poverty caused by the bad influence of the English bankers on the Parliament which has caused in the colonies hatred of the English and . . . the Revolutionary War.

And in spite of everything, Ireland remains the brain of the Kingdom. The English, judiciously practical and ponderous, furnish the over-stuffed stomach of humanity with a perfect gadget--the water closet. The Irish, condemned to express themselves in a language not their own, have stamped on it the mark of their own genius and compete for glory with the civilized nations. This is then called English literature.

It's a historical thing, up to the 19th century the English hated the French. Then in the 20th century the English started to hate the Germans - as we began to move alphabetically through the map of the world. Now, the year 2000, we are fine with the Germans... but the Hungarians are pissing us off.

In order to translate a sentence from English into French two things are necessary. First, we must understand thoroughly the English sentence. Second, we must be familiar with the forms of expression peculiar to the French language. The situation is very similar when we attempt to express in mathematical symbols a condition proposed in words. First, we must understand thoroughly the condition. Second, we must be familiar with the forms of mathematical expression.

I think my films are very English. That certain emotional distance, interest in the world, interest in irony. These are all deeply English propositions.

I understand English; I read and write English perfectly, but the accent won't go away.

The English, the plain English, of the politest address of a gentleman to a lady is, I am now, dear Madam, your humble servant: Pray be so good as to let me be your Lord and Master.

I can hardly believe that I even know this, but I am aware that Noah Webster's original dictionary, apart from being the first truly American lexicography, was a kind of line in the sand. It claimed a very discrete, American form of the English language, explicitly to compare it to the English of our erstwhile colonial masters who had been operating under Dr. Johnson's dictionary rules for well over a century.

As sheer casual reading matter, I still find the English dictionary the most interesting book in our language.

Psychobabble attempts to redefine the entire English language just to make a correct statement incorrect. Psychology is the study of why someone would try to do this.

To write a genuine familiar or truly English style is to write as anyone would speak in common conversation, who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes.

If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.

There is an old Italian proverb about the nature of translation: "Traddutore, traditore!" This means simply, "Translators-traitors!" Of course, as you can see, something is lost in the translation of this pithy expression: there is great similarity in both the spelling and the pronunciation of the original saying, but these get diluted once they are put in English dress. Even the translation of this proverb illustrates its truth!

German and English firms operate internationally, while French firms do not. The only place where they all have work is in China. Anybody can sell himself in China!

Bradford specifically there were a lot of Pakistanis there. Even today it has a very large Pakistani population.It was something that I experienced - getting chased home from the bus stop after school by English kids, boarding school, being targeted for praying to what they call Allah wallah ding dong.

The reason I live in America is because I mean literally every six or seven years I've done something in England. The last lead I had in an English film I did was 1998. So that's why I live here. It's because I get more work. I'll travel back for radio, you know what I mean. I've just got to consider myself to be living in the middle of the ocean, and that way I have a really nice career, if I'm prepared to do television, radio, theater, and film.

In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary.

English literature is a flying fish.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.