Quotes About Fantasy

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing.

But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they’re in a dire situation or comedic situation.

A precondition for being a science fiction writer other than an interest in the future is that, an interest - at least an understanding of science, not necessarily a science degree but you must have a feeling for the science and its possibilities and its impossibilities, otherwise you're writing fantasy. Now, fantasy is also fine, but there is a distinction, although no one's ever been able to say just where the dividing lines come.

I think glamour is a female thing. I don't think that's a male fantasy. I think glamour's a female fantasy.

There are lots of imposters in this earth, and to very first there always comes a second, to every reality there always come a fantasy, and the fantasy wants to come and live the life of the reality

When you just get fantasy stories that are about fairies or goblins, I just don't care. I'm never going to meet a goblin, it doesn't mean anything to me. So my definition of fantasy is very broad, it's anything to do with memory, or dreams, or ways of interpreting or making sense of the world.

Karl Marx predicted the eventual withering away of the state and the 'dictatorship of the proletariat,' when the people would rule, which was sheer fantasy because it was sheer fantasy because it was based on grossly erroneous assumptions about human nature, as history would repeatedly demonstrate.

To be matter-of-fact about the world is to blunder into fantasy - and dull fantasy at that, as the real world is strange and wonderful.

There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.

A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.

Fantasy for me as a kid was real, and I had a fantasy about what life was, whether it was sort of wicked and dire, or wholly normal, or whatever. Anything really close to home is not, it seems to me, what a good book should be about.

People don't like to say Fantasy they say Magic Realism which means Fantasy written by somebody I went to university with.

I had read tons of science fiction. I was fascinated by other worlds, other environments. For me, it was fantasy, but it was not fantasy in the sense of pure escapism.

Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.

The thing about fantasy - there are certain things you just don't do in fantasy.

I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff. I think it's so cool.

When you get into a hotel room, you lock the door, and you know there is a secrecy, there is a luxury, there is fantasy. There is comfort. There is reassurance.

Venice is not only a city of fantasy and freedom. It is also a city of joy and pleasure.

What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.

I like grey characters; fantasy for too long has been focused on very stereotypical heroes and villains.

When I write my books, actually I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.

The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.

My real life’s not like the fantasy Tom Ford world – with naked girls pouring perfume everywhere. It’s more staying in and watching Friends on television.

We knew so little about eachother. We lay mostly submerged, like ice floes with our visible social selves projecting only cool and white. Here was a rare sight below the waves, of a man's privacy and turmoil, of his dignity upended by the overpowering necessity of pure fantasy, pure thought, by the irreducible human element - Mind.

I think people are more apt to believe photographs, especially if it’s something fantastic. They’re willing to be more gullible. Sometimes they want fantasy. Even if they know it’s fake they can believe anything. People are accustomed to being told what to believe in.

The essayist has to follow a certain intellectual pattern. The novelist has the advantage of using fantasy, of being subjective.

Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

The thing to me that's fun is trying to make the characters seem believable, or realistic. And it's especially challenging when you're doing fantasy stories, when you're doing superhero types of things.

Fantasy mirrors desire. Imagination reshapes it.

Everybody I knew who was really ambitious and kind of annoying wanted to move to New York. I like it here but that has nothing to do with the fantasy image that goes along with it. You have so many people complaining, "It's not how it used to be." If you look for specific things and you don't find them anymore, that's disappointing. But that's just your disappointment, it has nothing to do with the city. I think it's a nice place-harsh at times, and so on, but beautiful nonetheless.

There is nothing I can't do writing in Fantasy. I can have romance, I can have mystery, I can have drama, I can have good characters - I can have everything you can do in any other genre... plus a dragon.

A lot of times you talk about what you know, but since our reality is so difficult, its hard to think about travelling beyond the stars to another dimension - fantasy worlds - when, in reality, you can't get a job on Earth.

The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.

I have abandoned my search for truth and am now looking for a good fantasy

I was someone who really loved fantasy novels and science fiction novels.

I'm only lookin' for a fantasy, an interlude from reality.

I want to be a serial entrepreneur: Incubate an idea, get it to a good state, and make that an enabler to get to the next state. It's every researcher's fantasy.

In any case, do you really think kids even want something that is relevant to their daily lives? You think something practical like compound interest is going to get them excited? People enjoy fantasy, and that is just what mathematics can provide - a relief from daily life, an anodyne to the practical workaday world.

If readers like The Thorn and the Blossom, which I would call literary fantasy, I think they would like books such as Elizabeth Hand's Mortal Love, Catherynne Valente's The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, and Kelly Link's Stranger Things Happen.

This mindless tolerance, which places observable scientific facts, subject to proof, on the same level as unprovable supernatural fantasy, has played a major role in the resurgence of both anti-intellectualism and anti-rationalism.

Sometimes I think Ben is right, that the fantasy world is better because reality sucks...but then I look at Nikki and I believe that we can beat the odds.

As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.

What I feel that "Alice in Wonderland" did for me and other people in exploring your dream state, and using fantasy in your dream state to deal with real issues and problems in your life. People like to separate those things but the fact is that they are things that are intertwined.

I want to be involved with young people in some way. Teenagers. Because that's the most vulnerable time. I have a fantasy of becoming a teacher one day.

I have a fantasy where Ted Turner is elected President but refuses because he doesn't want to give up power.

I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.

The notion that the UN is some sort of dispassionate body that, “does right” and just pursues everybody’s best interests is a fantasy. Each individual nation will be pursuing their best interests. That’s the normal behavior of nation-states. It shouldn’t surprise us, but neither should we go to them for permission to do what’s in our national interests.