Quotes About Fantasy

In a closed urban fantasy, the magical world is secret and no one knows about it. In an open urban fantasy, everyone knows about it. So with a closed fantasy, you have to figure out how the world keeps itself secret, and with an open one, you have to figure out how knowledge of magic has altered the world we know.

But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they’re in a dire situation or comedic situation.

At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.

Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.

It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.

A fantasy can be equivalent to a paradise and if the fantasy passes, better yet, because eternal paradise would be very boring.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.

$1,000,000 in the bank isn't the fantasy. The fantasy is the lifestyle of complete freedom it supposedly allows.

Nobody wants to see the truth. Everybody wants to have the fantasy. When I look back at the books I was reading in my childhood were selling some sort of fantasy as well. Most stories are not going to tell the deep suffering of every day. No book prepared me for the suffering I would experience in life because the word "suffering" does not even describe what the suffering is. No story is going to tell you that, and no words can tell you that.

It's hard if you start believing that you should be really that perfect fantasy ideal, that people start believing because of all of the retouching. You can delve into that fantasy world and play with it, but when you walk away, that's not you.

There's a challenge to playing these fantasy figures because they are fantasy figures. You have to enter into this sort of imaginative world of the writer.

A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.

Fantasy fans are incredibly loyal and passionate. Other people don't want to be seen as passionate about things, they want to be cool and laconic. The great thing about fantasy fans is they'll really get behind a show.

I think that because I'm overweight, [my] fantasy was lightness. So I project my fantasy to the clothes, and now all I do is light, light clothes because it's the one thing I don't have. That is why I'm too afraid to lose weight because then I might make heavy clothes.

If it has horses and swords in it, it's a fantasy, unless it also has a rocketship in it, in which case it becomes science fiction. The only thing that'll turn a story with a rocketship in it back into fantasy is the Holy Grail.

We are all the judges and the judged, victims of the casual malice and fantasy of others, and ready sources of fantasy and malice in our turn. And if we are sometimes accused of sins of which we are innocent, are there not also other sins of which we are guilty and of which the world knows nothing?

I had this fantasy of becoming a neurosurgeon. You know, the normal Jewish boy fantasy, but I wanted to be a neurosurgeon for some reason. So I started in this unpleasant way. I was an assistant to the coroner, opening up corpses, taking the innards out, opening skulls, taking the brains out.

Children’s literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world.

Once it's established that we are a team, I can demand of you and expect you to demand of me. Life without pain is an addiction and the fantasy of perpetual happiness is like the "delusion of fusion."

When a fantasy turns you on, you're obligated to God and nature to start doing it right away.

To me, fantasy should be as real as possible. I don't buy into the notion that because it's fantastic, it should be unrealistic, because I think you have to have a sense of believing the world that you're going into.

In his fantasy, he kissed his best friend again, pulled back, and… “I love you,” he said into the spray of the shower. “I… love you.” As he closed his eyes against the pain, it was hard to know how much of what ran down his cheeks was water, and how much was something else.

A man's primary fantasy is access to a variety of attractive women without the fear of rejection.

The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.

Not even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not, I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy - this implicit pact with the reader is my starting point.

My real life’s not like the fantasy Tom Ford world – with naked girls pouring perfume everywhere. It’s more staying in and watching Friends on television.

If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?

Fantasy works inwards upon its author, blurring the boundary between the visioned and the actual, and associating itself ever moreclosely with the Ego, so that the child who has fantasied himself a murderer ends by becoming a Loeb or a Leopold. The creative Imagination works outwards, steadily increasing the gap between the visioned and the actual, till this becomes the great gulf fixed between art and nature. Few writers of crime-stories become murderers--if any do, it is not the result of identifying themselves with their murderous heroes.

The essayist has to follow a certain intellectual pattern. The novelist has the advantage of using fantasy, of being subjective.

Truthfullness to life-both fantasy life and factual life-is the basis of all great art.

One of the things that I love so much about fantasy and science fiction is that the weirdness that it creates is always at its best completely its own end and also metaphorically and symbolically laden.

I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it . . . the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality.

Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.

People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized-not just for Bruce Wayne, but for the audience. Inwardly, Bruce Wayne is still an adolescent watching his parents being murdered. That will never leave him. And people really relate to that.

If we are to make reality endurable, we must all nourish a fantasy or two.

Stop doing things that waste time. Don't replace time with your family or things that you need to do. I needed to put together two fantasy teams this weekend because that's something I enjoy, but I did stop playing Nintendo Wii for hours on end.

That's proof right there that men and women are on different levels because men can watch two women together and that's a turn-on. It doesn't work the same way for us, does it, ladies? No, uh-uh - it doesn't work the same. You ask any woman in here her sexual fantasy, and I will bet you a million dollars that it's NOT to go home and catch your man bent over with some big, burly guy standing behind him.

Physical attraction that strong is addictive. And knowing that kind of magic isn’t just a fantasy makes me want to find it again. But what about being with someone who makes me a better person? What about sharing my life with someone who adores me as much as I adore him, whom I can always count on, who helps me find my way when I’m lost?

I had a fantasy that i'd drift up to Scotland and spend my life as a faux bodhisattua.

I was someone who really loved fantasy novels and science fiction novels.

Most modern fantasy just rearranges the furniture in Tolkien's attic.

The neurotic's strongest fantasy is that he has no fantasies. The real is very real to him, the unreal even more so.

When I work, I live in a fantasy world. It's great. I get to play different characters who inspire me.

The reinvention of American culture as purely the self catapulted Las Vegas to prominence. The city took sin and made it choice -- a sometimes ambiguous choice, but choice nonetheless. Combined with a visionary approach to experience that melded Hollywood and Americans' taste for comfort and self-deception, Las Vegas grew into the last American frontier city, as foreign at times as Prague but as quintessential as Peoria. In Las Vegas, you can choose your fantasy; in the rest of America, you don't always get to pick.

It's better to have the faith to embrace reality with all its pain than to cling to the false comfort of a painless fantasy.

I don't really like politics that much. And I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end you still like sports. I almost love the fantasy world of sports more than the real world.

There is a fantasy in Redmond that Microsoft products are innovative, but this is based entirely on a peculiar confusion of the words "innovative" and "successful." Microsoft products are successful - they make a lot of money - but that doesn't make them innovative, or even particularly good.

I am definitely interested in soundtracks that one might associate with fantasy or sci-fi - they tend to be rich with musical ideas.