Quotes About Feelings

Abuse manipulates and twists a child's natural sense of trust and love. Her innocent feelings are belittled or mocked and she learns to ignore her feelings. She can't afford to feel the full range of feelings in her body while she's being abused-pain, outrage, hate, vengeance, confusion, arousal. So she short-circuits them and goes numb. For many children, any expression of feelings, even a single tear, is cause for more severe abuse. Again, the only recourse is to shut down. Feelings go underground.

There is nothing so deluded as feelings. Christians cannot live by feelings. Let me further tell you that many feelings are the work of Satan, for they are not right feelings. What right have you to set up your feelings against the Word of Christ?

You can have lots of feelings and have the same feelings over and over again. It isn't the recognizable feelings that make so much difference. It is sensing the edge, the unclear, what you don't recognize, but it is there, the bodily discomfort that the problem makes, which has meaning; it has its own peculiar quality, implicity, it is complex, it has in it everything that relates to that problem, but not in a way you can say.

Feelings come and feelings go, And feelings are deceiving; My warrant is the Word of God-- Naught else is worth believing. Though all my heart should feel condemned For want of some sweet token, There is One greater than my heart Whose Word cannot be broken. I'll trust in God's unchanging Word Till soul and body sever, For, though all things shall pass away, HIS WORD SHALL STAND FOREVER!

Experiencing a massage therapy session is its own best advertisement for changing perceptions. A recent national consumer survey found Americans had overwhelmingly positive feelings about their massage experience. Ninety-four percent express favorable feelings. Fully 85 percent expressed very favorable feelings about their most recent massage, with 37 percent rating it a perfect ten-out-of-ten. What is striking is that there are very few detractors. Most of those who haven't yet received a massage simply haven't felt a need for it

Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.

Either you will determine truth by your feelings or truth will determine your feelings. Be careful following feelings alone.

I've heard other gay people say when they were growing up they felt 'foreign.' Growing up, I was able to label these feelings as: 'I'm a Protestant.' It wasn't until I left, I thought: 'Oh, those weren't Protestant feelings.'

Yet, I didn't understand that she was intentionally disguising her feelings with sarcasm; that was usually the last resort of people who are timid and chaste of heart, whose souls have been coarsely and impudently invaded; and who, until the last moment, refuse to yield out of pride and are afraid to express their own feelings to you.

Feelings are memories. Memories are also feelings.

. . . as to moral feeling, this supposed special sense, the appeal to it is indeed superficial when those who cannot think believe that feeling will help them out, even in what concerns general laws: and besides, feelings which naturally differ infinitely in degree cannot furnish a uniform standard of good and evil, nor has any one a right to form judgments for others by his own feelings. . . .

As a songwriter, you're allowed to write anything, and as a person, I am all colors in the rainbow. I've been through everything, you know, so I can write a positive song like 'Better Get to Livin'' because that's my attitude. But that doesn't mean I'm happy all the time. You can't be a deep and serious songwriter without feelings. You kinda have to live with your feelings out on your sleeve and get hurt more than most people. The fear I might get hurt means I might not be able to write another song.

if one's natural feelings are suppressed long enough one develops supernatural feelings and feels surer of having a soul.

I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.

Knowing how you actually want to feel is the most potent form of clarity that you can have. Generating those feelings is the most powerfully creative thing you can do with your life. And not only do we have to put our feelings at the heart of our ambitions, we have to pursue our desires in a way that is life-affirming, rather than soul-depleting. Rigid goal-chasing is burning us out. Soul-anchored intentions are the way to get home.

All friendly feelings toward others come from the friendly feelings a person has for himself.

A lot of people go to the movies wanting the movie to be about feelings, and it's really not about that. Or rather it's about feelings in the abstract.

Thoughts lead to feelings. Feelings lead to actions. Action leads to results.

Propaganda must not concern itself with what is best in man - the highest goals humanity sets for itself, its noblest and most precious feelings. Propaganda does not aim to elevate man, but to make him serve. It must therefore utilize the most common feelings, the most widespread ideas, the crudest patterns, and in so doing place itself on a very low level with regard to what it wants man to do and to what end. Hate, hunger, and pride make better levers of propaganda than do love or impartiality.

To distance ourselves from our experience makes our feelings a liability, while staying in conversation with our experience makes our feelings a resource.

Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. Art is a human activity- that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are touched by these feelings and also experience them.

I can't use logic concerning my feelings, my feelings demand musical notes, violins, guitar solos, the stomping of feet, poetic language, metaphors, poetic lines about birds or deserts or tree-crowded forests.

Playing a drunk doesn't mean being a drunk, only bad actors try to be drunk. A real drunk tries to be sober, he wants another drink. How a character hides their feelings tells us who they are, no one shows their feelings except bad actors.

This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down.

What is of most moment of compassion is not feelings of pity but feelings of togetherness.

Any 'artist' makes a living by expressing what others can't - because they're unaware of their feelings, they're too afraid to express those feelings, or they lack the skills to communicate and be understood.

You can't change a negative situation with bad feelings. If you keep reacting negatively, your bad feelings will magnify and multiply the negativity.

I have feelings that are to the right, and I have feelings that land on the left side of the aisle. The thing is if you have 10 views that land you on the left side of the aisle and two views that land you on the right side of the aisle, then people just put you on the right side of the aisle. I'm not sure why.

Remember that other people are as real as you.Other people's feelings are as real as yours.In fact, our feelings are what make us real.

I know what you're thinking - that anybody with proper sensitive feelings would rather scrub floors for a living. But I should scrub floors very badly, and I write detective stories rather well. I don't see why proper feelings should prevent me from doing my proper job.

Feelings are great liars. If Christians worshipped only when they felt like it, there would be precious little worship. We think that if we don’t feel something there can be no authenticity in doing it. But the wisdom of God says something different: that we can act ourselves into a new way of feeling much quicker than we can feel ourselves into a new way of acting. Worship is an act that develops feelings for God, not a feeling for God that is expressed in an act of worship.

Feelings do not grow old along with the body. Feelings form part of a world I don’t know, but it’s a world where there’s no time, so space, no frontiers.

she thought it was the misfortune of poetry, to be seldom safely enjoyed by those who enjoyed it completely; and that the strong feelings which alone could estimate it truly, were the very feelings which ought to taste it but sparingly.

Talking about one's feelings defeats the purpose of having those feelings. Once you try to put the human experience into words, it becomes little more than a spectator sport. Everything must have a cause, and a name. Every random thought must have a root in something else.

The system [of thought] doesn't stay with the difficult problem that produces unpleasant feelings. It's conditioned somehow to move as fast as it can toward more pleasant feelings, without actually facing the thing that's making the unpleasant feeling.

The mature person becomes able to differentiate feelings into as many nuances, strong and passionate experiences, or delicate and sensitive ones, as in the different passages of music in a symphony. Unfortunately, many of us have feelings limited like notes in a bugle call.

For within livin structures defined by profit, by linear power, by institutional dehumanization, our feelings were not meant to survive. Kept around as unavoidable adjuncts or pleasant pastimes, our feelings were expected to kneel to thought as women were expected to kneel to men. But women have survived. As poets.

I like to be nice. I want to be a hero. I want to save people. Or just kill zombies, because they deserve it, because they're already dead and they can't feel it. They don't have feelings.

For years I have endeavored to calm an impetuous tide -- laboring to make my feelings take an orderly course -- it was striving against the stream.

In summer we live out of doors, and have only impulses and feelings, which are all for action, and must wait commonly for the stillness and longer nights of autumn and winter before any thought will subside; we are sensible that behind the rustling leaves, and the stacks of grain, and the bare clusters of the grape, there is the field of a wholly new life, which no man has lived; that even this earth was made for more mysterious and nobler inhabitants than men and women. In the hues of October sunsets, we see the portals to other mansions than those which we occupy.

I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious.

My feelings about men are the result of my experience. I have little sympathy for them. Like a Jew just released from Dachau, I watch the handsome young Nazi soldier fall writhing to the ground with a bullet in his stomach and I look briefly and walk on. I don’t even need to shrug. I simply don’t care. What he was, as a person, I mean, what his shames and yearnings were, simply don’t matter.

Those who have chosen the path of least resistance in life, who cannot bear to bring themselves to make a stern value-judgment in criticism of their own most intimate feelings, achieve what they deserve: not self-understanding but radical self-superficialization, not a discovered but a self-ascribed identity that explains nothing, reveals nothing, means nothing, and ultimately accomplishes nothing culturally or intellectually.

You know, my boy, he said, it's impossible to love men such as they are. And yet we must. So try to do good to men by doing violence to your feelings, holding your nose, and shutting your eyes, especially shutting your eyes. Endure their villainy without anger, as much as possible; try to remember that you're a man too. For, if you're even a little above average intelligence, you'll have the propensity to judge people severely. Men are vile by nature and they'd rather love out of fear. Don't give in to such love: despise it always.

On tour I feel like it's always so go go...you're always just taking in and storing information and feelings and things. So for me I need time off to let all those things come out and settle.

So just look into your acts, into your thoughts, into your feelings: you will find the armor everywhere. Wherever you see fear, you have created it. It was needed at one time - now it is no longer needed. A simple understanding that it is no longer needed... now it is a barrier, a hindrance, a burden. If you find something truthful, it will have its own validity. But in the armor you will not find anything that has any connection with truth. The whole armor is made of fear - layers and layers of fear.

I do have very strong, very conflicted feelings about rating systems and social media.

Your initial approach to a person can determine your feelings toward them.