Quotes About Feelings

But feelings, no matter how strong or “ugly,” are not a part of who you are. They are the radio stations your mind listens to if you don’t give it something better to do. Feelings are fluid and dynamic; they change frequently. Feelings are something you HAVE, not something you ARE. Like physical beauty, a cold sore, or an opinion. Admitting you feel rage or terrible pain or regret or some old, rotten blame does not mean these feelings are part of who you are as a person. What these feelings mean is, you have to change your thinking to be free of them.

I do not think reading the mystics would hurt you myself: you say you must avoid books which deal with 'feelings' - but the mystics don't deal with feelings but with love which is a very different thing. You have too many 'feelings,' but not nearly enough love.

I don't use "feelings" as a diminutive word. I'm trying to take feelings back. I think of everyone on the internet whose response to everything is: "#Feelings! This is important, this is real, this is significant!" That connects to power, too. Wanting to feel like you have power and control over your life.

Feelings can be controlled and behavior can be controlled. The line of sin is between the feelings and the behavior. The line of prudence is between the susceptibility and the feelings.

The idea that business is strictly a numbers affair has always struck me as preposterous. For one thing, I've never been particularly good at numbers, but I think I've done a reasonable job with feelings. And I'm convinced that it is feelings - and feelings alone - that account for the success of the Virgin brand in all of its myriad forms.

In the evolution of knowledge-mistaken and unnecessary beliefs are forced out and supplanted by truer and more necessary knowledge. So too in the evolution of feelings, which takes place by means of art. Lower feelings-less kind and less needed for the good of humanity-are forced out and replaced by kinder feelings which better serve us individually and collectively. This is the purpose of art.

Freedom of Will-that is the expression for the complex state of delight of the person exercising volition, who commands and at the same time identifies himself with the executor of the order-who, as such, enjoys also the triumph over obstacles, but thinks within himself that it was really his own will that overcame them. In this way the person exercising volition adds the feelings of delight of his successful executive instruments, the useful underwills or under-souls-indeed, our body is but a social structure composed of many souls-to his feelings of delight as commander.

Swearing relieves the feelings - that is what swearing does. I explained this to my aunt on one occasion, but it didn't answer with her. She said I had no business to have such feelings.

Since I'm not a second Marx or Freud who can offer people alternatives, I have to let them keep their own wrong feelings. And I don't believe that melodramatic feelings are laughable-they should be taken absolutely seriously.

Beautiful sights arouse feelings of love, and contrary sights bring feelings of disgrace and hate. And the emotions of the soul and spirit bring something additional to the body itself, which exists under the control of the soul and the direction of the spirit.

Why is it so difficult for many white folks to understand that racism is oppressive not because white folks have prejudicial feelings about blacks (they could have such feelings and leave us alone) but because it is a system that promotes domination and subjugation?

As she had been walking from the ward to that room, she had felt such pure hatred that now she had no more rancor left in her heart. She had finally allowed her negative feelings to surface, feelings that had been repressed for years in her soul. She had actually FELT them, and they were no longer necessary, they could leave.

Do you serve God or do you serve your feelings? Believe the Word of God over and above your feelings.

As a songwriter, you're allowed to write anything, and as a person, I am all colors in the rainbow. I've been through everything, you know, so I can write a positive song like 'Better Get to Livin'' because that's my attitude. But that doesn't mean I'm happy all the time. You can't be a deep and serious songwriter without feelings. You kinda have to live with your feelings out on your sleeve and get hurt more than most people. The fear I might get hurt means I might not be able to write another song.

Bottom line, if people don't say what they believe, those ideas and feelings get lost. If they are lost often enough, those ideas and feelings never return.

There is something about talking in the night, with the shreds of sleep around your ears, with the silences between one remark and another, the town dark and dreaming beyond your own walls. It draws the truth out of you, straight from its little dark pool down there, where usually you guard it so careful, and wave your hands over it and hum and haw to protect people's feelings, to protect your own . . . You can bring out the jaggedest feelings - if you are my wife and know how to state them calm - into the night quiet. They will float there for consideration, harming no one.

Feelings, emotions - they are neither right nor wrong. They cannot be assigned a value. Feelings *are*. By labeling a feeling wrong, you force yourself to ignore that feeling. And what you most need is to feel it, let it burn through you, then get on with life.

The good enough mother, owing to her deep empathy with her infant, reflects in her face his feelings; this is why he sees himselfin her face as if in a mirror and finds himself as he sees himself in her. The not good enough mother fails to reflect the infant's feelings in her face because she is too preoccupied with her own concerns, such as her worries over whether she is doing right by her child, her anxiety that she might fail him.

Propaganda must not concern itself with what is best in man - the highest goals humanity sets for itself, its noblest and most precious feelings. Propaganda does not aim to elevate man, but to make him serve. It must therefore utilize the most common feelings, the most widespread ideas, the crudest patterns, and in so doing place itself on a very low level with regard to what it wants man to do and to what end. Hate, hunger, and pride make better levers of propaganda than do love or impartiality.

Feelings dwell in man; but man dwells in his love. That is no metaphor, but the actual truth. Love does not cling to the I in such a way as to have the Thou only for its " content," its object; but love is between I and Thou. The man who does not know this, with his very being know this, does not know love; even though he ascribes to it the feelings he lives through, experiences, enjoys, and expresses.

Self-absorption is always a temptation to young people, and if their religion is of a sort to add to this self-absorption, I feel that it is a serious mistake. If I had my way, the whole subject of feelings and emotions in the religious life would be absolutely ignored. Feelings there will be, doubtless, but they must not be in the least depended on, nor in any sense taken as the test or gauge of one's religion. They ought to be left out of the calculation entirely. You may feel good or you may feel bad, but neither the good feeling nor the bad feeling affects the real thing.

Feelings are you inner guidance system-your emotional compass. When you allow this compass to direct your actions you build self-trust. When you feel hungry, you eat. When you feel tired, you rest. When you feel lonely, you reach out for a connection to others. In this most basic way your feelings link you with the wisest part of yourself. They tell you what you need to know at any given moment.

You have a right to your thoughts and feelings. Your feelings are always valid.

The best piece of advice I received before I got married was, "Be careful what you say when you're in a fight, because it could stick in someone's head." I don't think I've ever said anything I really regretted. I'm very sympathetic to women. I've really studied wife-ology, and I know you've got to figure out the feelings. Deal with the feelings.

Once considered an art form that called for talent, or at least a craft that called for practice, a poem now needs only sincerity. Everyone, we're assured, is a poet. Writing poetry is good for us. It expresses our inmost feelings, which is wholesome. Reading other people's poems is pointless since those aren't our own inmost feelings.

We hurt each other, is the point. Hurt, annoy, embarrass, but move on. People, it just doesn't work that way. Your own feelings get so complicated that you forget the ways another human being can be vulnerable. You spend a lot of energy protecting yourself. All those layers and motivations and feelings. You get hurt, you stay hurt sometimes. The hurt affects your ability to go forward. And words. All the words between us. Words can be permanent. Certain ones are impossible to forgive.

We find that even the parents who justify spanking to themselves are defensive and embarrassed about it....I suspect that deep inthe memory of every parent are the feelings that had attended his own childhood spankings, the feelings of humiliation, of helplessness, of submission through fear. The parent who finds himself spanking his own child cannot dispel the ghosts of his own childhood.

I don't think it's necessary to put your feelings about photography in words. I've read things that photographers have written for exhibitions and so forth about their subjective feelings about photography and mostly I think it's disturbing. I think they're fooling themselves very often. They're just talking, they're not saying anything.

People are afraid of themselves, of their own reality; their feelings most of all. People talk about how great love is, but that's bullshit. Love hurts. Feelings are disturbing. People are taught that pain is evil and dangerous. How can they deal with love if they're afraid to feel? Pain is meant to wake us up. People try to hide their pain. But they're wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. It's all in how you carry it.

Your programming leads to your thoughts; your thoughts lead to your feelings; your feelings lead to your actions; your actions leads to your results. Therefore, just as is done with a personal computer, by changing your programming, you take the first essential step to changing your results.

All of us live at the feeling level, and our feelings are in large part a result of the way we perceive things. You observe or are told something, you interpret it, and only then do you have a reaction at the feeling level. The point is that feeling is preceded by perception, and all of us are capable of controlling our interpretation [the associations and assumptions] of what we see. If we can control our interpretation, then it logically follows that we can exercise some control over our feelings as well.

I discovered that resolution of conflict comes from people being able to express their own feelings and their own needs in the face of another. Making agreements and setting goals without building upon the feelings of the parties involved is empty, because it does not consider the vulnerabilities of our own humanity.

I just think I've always been sensitive and had difficulty containing my feelings, and I've always searched for outlets for that, because otherwise those feelings come out in chaotic ways that aren't always great.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me.

Insults from an adolescent daughter are more painful, because they are seen as coming not from a child who lashes out impulsively,who has moments of intense anger and of negative feelings which are not integrated into that large body of responses, impressions and emotions we call 'our feelings for someone,' but instead they are coming from someone who is seen to know what she does.

I'm a comedian, and I definitely see the humor in a lot of things. I am also sad a lot. I cry often and easily. I think you're supposed to feel all kinds of things. You're supposed to laugh, you're supposed to cry, you're not supposed to shove your feelings under the rug.

I was producing things I was acting in, but I had never directed and I felt it was time. I was looking for a piece of material that was about behavior and feelings. When I read Judith Guest's book, I thought, This is it.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious.

It's not my way to talk about my feelings. They're impudent to myself, so it wouldn't make any sense if I tried to explain them to anyone else. I've never been to therapy - not interested in it.

The gay life is filled with as much cruelty and loneliness as the heterosexual life... I search into my dreams or desires and try to ask myself how these feelings can be made into concrete images... Are they really abnormal, or are they trying to tell us something we have repressed about ourselves, something we don't want to see, something about the darker side of the human condition itself?

The few of understanding, vision rare, Who veiled not from the herd their hearts, but tried, Poor generous fools, to lay their feelings bare, Them have men always burnt and crucified.

Augustus, perhaps you’d like to share your fears with the group.” “My fears?” “Yes.” “I fear oblivion,” he said without a moment’s pause. “I fear it like the proverbial blind man who’s afraid of the dark.” “Too soon,” Isaac said, cracking a smile. “Was that insensitive?” Augustus asked. “I can be pretty blind to other people’s feelings.

Pathology has made us acquainted with a great number of states in which the boundary lines between the ego and the external world become uncertain or in which they are actually drawn incorrectly. There are cases in which parts of a person's own body, even portions of his own mental life - his perceptions, thoughts and feelings -, appear alien to him and as not belonging to his ego; there are other cases in which he ascribes to the external world things that clearly originate in his own ego and that ought to be acknowledged by it.

Everyone is an ocean inside. Every individual walking the street. Everyone is a universe of thoughts, and insights, and feelings. But every person is crippled in his or her own way by our inability to truly present ourselves to the world.

I went into acting because I'm easily bored. Acting seemed to give vent to a lot of different feelings.

Where you now stand is a result of thoughts and feelings that you have offered before, but where you are going is a result of your perspective of where you now stand.