Quotes About Feels

If something feels right, I do it. If it feels wrong, I don't. It's really very, very simple, but you've got to be willing to take your chances doing stuff that may look crazy to other people - or not doing something that looks right to others but just feels wrong to you.

Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.

Bob Geldof feels the big picture all the time, even in the smallest argument when someone's saying, 'Well, no, you've got to have three staples in the program, not just two,' Bob feels people dying somewhere.

Even though it's still, annoyingly, something everybody feels the need to bring up to anybody who doesn't look like a model, there are more women now who are super successful and have different body types. You know, like men do. That feels like progress to me.

An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.

It's my experience that you first feel the impulse to write in your chest. It's like falling in love, only more so. It feels like something criminal. It feels like unspeakably wild sex. So, think: When you feel the overpowering need to go out and find some unspeakably wild sex, do you rush to tell your mom about it?

Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do.

We only do what feels right. If something feels forced or contrived, then we pull back. We remain the Foo Fighters.

The difference between guilt and shame is very clear--in theory. We feel guilty for what we do. We feel shame for what we are. A person feels guilt because he did something wrong. A person feels shame because he is something wrong. We may feel guilty because we lied to our mother. We may feel shame because we are not the person our mother wanted us to be.

I do think that our culture or our psyche as a country I guess, the world or whatever, we're due for a huge event. We're due for a little bit of a revolution or a spotlight or a movement. Something that feels large, something that feels like the 60s. Some sort of unification.

He [Dalai Lama] feels, and I feel, and everyone feels the suffering and frustration of the Tibetans who long for action, who long for a militant response. But, in some ways very few of those individuals have ever been in the position of being head of state.

Writing is self-reinforcing. Don't make a fetish out of it, and don't surrender to the myth of the garret, or the myth of the chained muse. It's like playing the guitar, or practicing taekwondo, or having sex. The more you do, the better you get. The better you get, the better it feels. The better it feels, the more you want to do.

Victor: What does it feel like to be in love? Creature: It feels like everything is boiling over and spilling out of me; it feels like my lungs are on fire, and my heart is a hammer, and I feel like I can do anything...I feel like I can do anything in the world.

As long as we respond predictably to what feels good and what feels bad, it is easy for others to exploit our preferences for their own ends.

It's more like the inner workings of John Bender. He feels like he's been given a short shrift, he's not been provided the opportunities that maybe these other kids have. So he feels like he begins in a hole. And instead of trying to raise himself up, he wants to bring all of them down. That's a dynamic that's pretty universal. And so that was the real foothold on that. It wasn't like, "Oh, my high school experience is like John Bender's [in St. Elmo's Fire]."

The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.

There's nothing that feels better than to do something nice for somebody. I mean nothing feels better.

Look, if you have a problem with distilling the Battle of Thermopylae down to freedom versus tyranny, you need to read Herodotus because he's the one. It's his fault, not modern culture's fault. He did it.' [Victor Davis Hanson] references a lot of things like that because he feels like the spirit of the book and of the movie ["300"] are very close to the Spartan aesthetic. That's really kind of what he feels."

Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't.

It's not often that you get to read something that just feels very original for a star but also something that feels like it's more than just a movie or entertainment. Even though the riots were one of the most pivotal riots in civil rights history, especially for the LGBT community, I knew surprisingly very little about them. You don't learn about Stonewall in schools. It's a bit gross really! So it certainly felt like something that was quite important.

If someone gives you a piece of advice that sounds right and feels right, use it. If someone gives you a piece of advice that sounds right and feels wrong, don’t waste so much as a single second on it. It may be fine for someone else, but not for you.

Character - in things great and small - is indicated when a man (or person) pursues with sustained follow-through what he feels himself capable of doing.

It feels to me like everyone is going to do their best work when they feel emotionally safe.

Be like the bird who, pausing in her flight awhile on boughs too slight, feels them give way beneath her, and yet sings, knowing she hath wings.

The years of searching in the dark for a truth that one feels but cannot express, the intense desire and the alternations of confidence and misgiving until one breaks through to clarity and understanding, are known only to him who has experienced them himself.

My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.

God promises the Holy Spirit to us who believe in Christ, and the Spirit guides us in understanding. But within this life our understanding is limited, and contaminated by sin. Just because a person feels Spirit-led does not mean that he is. Pride remains, and our hearts easily deceive us.

There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.

And I do pay a lot of attention to how things feel underneath my feet. It's a way of transporting yourself somewhere that you're trying to write about - closing your eyes and imagining what it feels like to literally be in that space. Maybe because of this weird aura thing I find it a bit easier to put my body in an imaginary space.

The happy man only feels at ease because the unhappy bear their burden in silence. Without this silence, happiness would be impossible.

When all feels calm and prices surge, the markets may feel safe; but, in fact, they are dangerous because few investors are focusing on risk.

Because I don't have a child and as much as you can sort of imagine it it's always nice to hear from all different walks of life what motherhood is like and what that feels like. And particularly young mothers.

It feels so good to laugh at myself. I'd probably cry my eyes out if I didn't.

In my own life as a reader I experience real moments of alienation when a writer feels too perfect, or like even the flaws they are admitting are somehow noble, or dysfunctional in an overly edgy, aesthetically pleasing way.

Comedy is created when someone is trying very earnestly to do what he feels is the right thing to do at that moment.

He who feels that the vice of avarice has got hold of him, should not wish to observe fasts of supererogation, but to give alms.

That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.

I'm always nervous about it. You know, somehow, without even knowing it, I try and recreate the idea of what it feels like to go in front of an audience every night when I'm making a film. And that similar type of pressure and excitement before a scene, or preparing for a movie, so...

As long as one feels that he is the doer, he cannot escape from the wheel of births.

It's while writing that suddenly a point of view appears: 'So, that's what I really thought about this thing'. Then it feels part of me.

People like to say that Plutarch's is a really "personal" voice, but in truth Plutarch tells us very little about his life. His voice is personable but never personal. It feels intimate because he's addressing the world as we experience it, at this level, a human level, rather than way up here where very few of us live.

All my life, I thought of love as some kind of voluntary enslavement. Well, that's a lie: freedom only exists when love is present. The person who gives him or herself wholly, the person who feels freest, is the person who loves most wholeheartedly.

I tell [scriptwriters] I think [their scripts] has too many stereotypes, that even the way they come in and out of Spanish doesn't really make sense, it feels forced.

The tailoring may be a softer, more draped, but I don't believe it's any less smart. For sure it feels more relaxed, it's a different kind of elegance, but I'd never call it casual.

There is a greater a sense of pride - like when we did Kill the Messenger - and that was probably one of my more fun experiences on a movie set. Having everyone there on the same team, it just feels really great.

My favorite look would be a fresh, dewy face with a bronze, sun-kissed glow. It looks so tropical and reminds me of a place that feels like true home.

The real juice of life, whether it be sweet or bitter, is to be found not nearly so much in the products of our efforts as in the process of living itself, in how it feels to be alive.

In a lot of ways, certain things, it feels like they're never going to go away. The best thing to do is continue to ask questions, look that fear in the eye.